We show up for choir rehearsal fifty minutes before the Good Friday evening service, ready to do our time-hallowed chore.

Our pastor, with a smile, points out something new. In the entry hall, on exactly the corner of wall where your eye would naturally expect it: 

It is astounding. Our Strategic Planning Team has installed signs to assist first-time visitors. They give just the information that visitors have  been needing ever since the church opened its doors!

This sudden case of our old congregation Doing Something Right For a Change, and with only six months’ prior discussion, lifts a corner of my spirits, unexpectedly. Our church has been shrinking for at least thirty years; I have lost hope for its survival beyond the next crisis. But now, this new lettering stands against my creeping despair, stuck boldly on the wall, staking a claim on the Kingdom yet to come. 

When the shock of it subsides, we go ahead and rehearse our music. 

At seven o’clock the service begins. We are thirty-one souls, counting the pastor, the music director, the guest musician, the ten choir members, and two small children. The twenty-nine adults are mostly grayhairs, but there are also a few middle-aged stalwarts and even a college student home for the weekend.

Good Friday Worship

Good Friday is the most somber day in the Christian year. We’ve been remembering the death of Jesus on the cross for two thousand years. There is nothing light or hopeful in it. But we mull it over with God in worship once a year. It’s always pretty much the same.

Our church’s usual Good Friday evening service is a modified “Tenebrae” service. Candles will be extinguished, one by one, amid scripture readings and music. When all the light has been snuffed out, we will go our ways in silence, to wait for Resurrection morning.

This year’s Good Friday music includes five hymns for all to sing: “When I Survey the Wondrous Cross,” “Beneath the Cross of Jesus,” “What Wondrous Love Is This?”, “Ah, Holy Jesus,” and “Were You There When They Crucified My Lord?”  There are two piano solos from our music director, Robert Eversman; and oboe and English horn solos by Claire Workinger.

About the middle of the service, we regulars in the choir sing “Worthy Is the Lamb.” Accompanied expertly by Robert on piano and Claire on oboe, our anthem reaches a solemn grandeur two steps above the potential of our imperfect voices. 

Church members stand in the pulpit and read scripture—familiar words from Matthew, Luke, Isaiah, and John, telling of Jesus’ sacrifice for our sake. The pitches, the tempoes, the accents and articulations of their voices are all different, but their seriousness of purpose is all the same. Terry’s old voice wavers and weaves its way through the text, suggesting more truth and light yet to break forth from ancient verses; Becky’s young voice is clear and declarative, grounded in the present, looking forward. 

When Jesus has once again been crucified and prepared for burial, we turn out the remaining lights and go home. 

Visible Saints

From my seat in the choir I have watched and listened to my friends in faith. Most are people I have known for years or decades, in holy covenant with the Lord. Two or three are more recent friends, but as a general thing I have many years’ accumulated exposure to the diverse outlooks of our members. 

Their approaches to religion—the private religion deep in one’s heart—are quite varied. Some are conventionally pious, all the way through (yes, that really is who they are). Some are imbued with a secular outlook that largely conceals the “religion” or “spirituality” living in their souls. There are many blends of the sacred and the profane. Some members may be just confused; others, awestruck observers of life. 

What strikes me tonight is their steadiness in attending to the task of worship. Liturgy is said to be “the work of the people” in worshiping God. And so it has been on this night. Each member of this tired, dwindling, cranky, much-loved church—from the freshest/tenderest to the oldest/most battle-hardened—came here to voice a shared agenda of ancient worship, right smack in the midst of all the uncertainty and mayhem of life. Just to do what we have always done, because that’s what we do  . . . because God matters to us.

Thank you, Lord, I hear myself pray—thank you for these people, my friends, who come at your call to worship even in the darkest times. 

However few in number, however poor in spirit, there is something real, authentic, and perpetual—not duplicated elsewhere in our lives—when we gather for worship.

World without end, Amen.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Author of Price of Passage—A Tale of Immigration and Liberation.

Price of Passage

Norwegian Farmers and Fugitive Slaves in Pre-Civil War Illinois

(History is not what you thought!)