Hot Enough For Ya?

We’re in the hot part of summer, when the glass jar of tea left to brew by sunshine gets so hot you might as well have boiled it up on the stove.

His Foobishness, under sentence.

Our big black dog, recovering from ear-flap surgery, lies cone-headed in the sun and doesn’t seem bothered. But for us humans here in Madison, Wisconsin, the temperatures—mid-90s by day, down to around 75 at night—feel extreme.

In fact, we know so, for the National Weather Service is issuing Excessive Heat Warnings, and if you can’t trust your government, who can you trust?

When I was a boy, we needed no heat warnings. We could tell it was hot, all by ourselves. 

You didn’t even have to go outside; it was hot everywhere. 

That was in north-central Illinois, in a little town called Streator. Summer temperatures ran about ten degrees hotter than they do here. Every summer, we’d get a pretty good string of hundred-plus days. 

A local entrepreneur, to get his picture in the paper, would fry an egg on the sidewalk in front of his gas station—at nine o’clock in the morning!

We kids, being kids, were not bothered by the heat. If we stopped and thought about it, we’d get to feeling kind of droopy and sweaty. But usually we didn’t stop and think about things. We were too busy running around the neighborhood, playing tag, or cowboys, or space cadets. Sometimes we armed ourselves with squirt guns, which provided a welcome spritz of coolish water.

If we got to feeling too hot, we’d find some shade or go inside. We’d stop running and sit still for a while. Let the sweat dry. 

Have I mentioned—there was no air-conditioning? There was no place you could go to escape the fervid ambience. Not unless you went to the movies.

Our town had two theaters—the Plumb and the Granada—and both were air-conditioned. A child’s admission at the one cost a quarter, the other fifteen cents. But you didn’t ordinarily take off in the middle of a day without your family and go to the pictures. 

Not when you could get cooled off for free by wandering through E. C. Van Loon’s Sporting Goods store on Main Street. That was the only other air-conditioned space in town. They kept the temperature cranked way down, and the lights off. I suppose the juice to run the A/C cost so much they couldn’t afford to turn on the lights, too.

Stepping into Van Loon’s on a blazing August day was like exploring an Egyptian tomb. The only light was what managed to slip past the dark green street awning and seep in the front windows, then bounce in ever-diminishing waves back to the rear of the store. You walked along narrow aisles full of balls and gloves, rifles and shotguns, and bright-colored fishing lures of every description—some of them designed to mimic bright-colored creatures never seen in any Illinois pond or stream.

It was all tantalizing. Intriguing. Great entertainment. But it was freezing. You could catch your death of cold.

Fleeing the store by the front door, you stepped into the vast sauna of a small-town summer and knew you were back where you belonged.

None of us had houses or cars that were air-conditioned. Such a thing was unheard of—like private citizens owning electronic computers.

We must have smelled terrible all summer long, but nobody noticed because we all did.

Sorry about that.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Extravagance

Big blooms of hibiscus, bright red blotches,
Magnify themselves at the corner of our deck, 


While brown-eyed susans leapfrog the neighborhood

And pink-purple phlox run riot across the neighbors’ patches


As if by some God-given right. 




This can only end in profusion.


And what are we to do—we pitiful, scanty beings?


Things are getting out of hand.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Peco, Peco, Where Will It All End?

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We now return to regularly scheduled programming:

If you’re a longtime reader of this blog, perhaps you will recall that in May 2019 I mentioned a lovely oil painting, a waterscape, that I had the good fortune to acquire more than fifty years ago, at a scandalously low price, directly from its source, Chinese painter Peco Yeh. In February 2023, I reposted the same piece, just as a remembrance.

My Peco Yeh painting.

Peco was a strange man—a sort of nebbish, to use a dated term—and I sometimes feel guilty about paying him so little for what is, in my eyes, a fine work of art. It’s too late to make amends, for Peco would be long since dead, but in a fine bit of poetic justice, this blog site has become—without conscious intention on my part—World Headquarters for the Retrospective Appreciation of Peco Yeh by Owners of His Scattered Canvases.

It came about in this way: In August 2023, six months after my repeat post displaying my Peco Yeh canvas, I got an email from Earline Dirks, who was in possession of a much different painting by Peco. Then Joshua Lowe of West Virginia chimed in with his own Peco canvas. And after several months’ silence, I heard from Jane Upchurch, who has a different work altogether.

Earline’s Peco Yeh painting.

Joshua’s Peco Yeh painting

Jane’s Peco Yeh painting.

What is indisputable is that Peco lived—I met him in person and have heard from others who did also—and painted a number of canvases. The more of his paintings I see, the more I am struck by the variety of his works. In style, in manner, in subject matter, and in quality, they seem to be all over the map. One might even suspect the name “Peco Yeh” got attrributed to several different artists, but I don’t think so. I think he was simply interested in different approaches at different times and was, in general, an enigma.

A number of his paintings are available at online art sites. And for better or worse, I seem to be the repository of a fair number of images by, and stories about, Peco Yeh from private persons who own some of his works.

So it seems that duty calls. Far be it from me to shirk.

The Latest Report

A couple of weeks ago I heard from Michael Tomczyk, who said, “I was dating a Taiwanese girl in 1972 who was a friend of Peco Yeh. He had a small gallery where I met him several times and selected and purchased these 3 paintings which are I think are some of his best.” 

Here are Michael’s paintings, so you can judge for yourself.

Michael also sent along the following poem, which he composed:


IN MEMORY OF PECO YEH

There once was an artist named Peco Yeh,

Who painted scenes in an extaordinary way;

He lived in Taipei and his art was well known,

He always painted using sepia tone.

The scenes he painted were classic Chinese;

When we view them today they put our spirits at ease.

–by Michael Tomczyk

#

All I can say, as a sort of informal custodian of a Chinese artist’s memory, is, “Peco, where will you strike next?”

Thanks, Gentle Reader, for letting me get that off my chest.

NEXT WEEK: Something completely different.

Blessings, 

Larry F. Sommers

Your New Favorite Writer