Three Favorite Films

In a recent workshop, novelist Barbara M. Britton said, “What are your three favorite movies? What do they have in common? Those are apt to be the themes and topics you hold dearest as a writer.” 

In the last analysis, It’s a Wonderful Life is all about home and family. Public Domain photo.

That impressed me, because it’s true. 

I like many kinds of films. I’m tickled by screwball comedies like Bringing Up Baby or The Gods Must Be Crazy. I like great political satires such as Romanov and Juliet, Dr. Strangelove, or The Russians Are Coming The Russians Are Coming. I’m bolstered by writing, directing, and acting brilliance as displayed in CasablancaDouble IndemnityThe Third Man, or any film by the late, great Hitchcock.

But the three I would choose to answer Barbara’s question are: Meet Me In St. LouisIt’s a Wonderful Life, and We’re No Angels. The first is a cozy domestic drama, the second a stark morality play with an Everyman hero, and the third a blackish comedy in which the stock villain gets a hilarious comeuppance.

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So, what do these three flicks have in common? And what does that say about the subject matters and themes in my own writing?

“Have yourself a Merry Little Christmas.” Judy Garland comforts Margaret O’Brien in Meet Me in St. Louis. Screen grab, fair use.

These films are old. Meet Me In St. Louis came out in 1944,  It’s a Wonderful Life in 1946,  and We’re No Angels in 1955. I like people and things that are my age. This backwards look is my brand, if I have a brand. The fiction I write tends to be historical. Most of the posts here relate, one way or another, to times past. I like to explore the days of yore because I think that all treasures worth having, all the secrets of life, reside there.

Why Christmas movies, in particular? I happen to be a Christian and attach theological meaning to Christmas. To me, it seems Christmas is when our Creator showed how much he cares for us by taking on all the burdens of our creaturehood. The  birth of Jesus is the event that starts the reconciliation of God and man. That theme strikes a deep chord in my heart.

In these films, the characters—ordinary folks like you and me, not rich and powerful people—have their lives, their homes, and their families restored to how they should be. In a deep sense, this is a kind of homecoming.

One of the chief plot lines of literature is that of someone returning home. Odysseus, the Prodigal Son, E.T., Dorothy Gale—all are bound on homeward journeys. In the films I love most, the characters have not necessarily left home, but their homes are threatening to leave them. 

The Smith family of St. Louis, the Baileys of Bedford Falls, and the Ducotel family in the French Caribbean colony of Cayenne all face crises in which their homes are about to disappear, leaving them suspended, as memoirist Dinty W. Moore might say, “between panic and desire.” 

The purpose of the plot is to break open a new dispensation, a new state of affairs in which the characters can find their way home. A path is opened. In each case, this shifting paradigm of reality comes as a mental transformation.

Three of Santa’s helpers drop in on a distraught family, just in time for Christmas. Aldo Ray, Humphrey Bogare, and Peter Ustinov in We’re No Angels. Fair use.

In St. Louis, Alonzo Smith suddenly realizes that success is not counted in dollars or prestige, but in his family’s happiness. In Bedford Falls, George Bailey is awakened, through Divine Intervention, to the fact that all these years he has not been wasting his time in meaningless sacrifice but investing in the currency of abiding love. In Cayenne, the inward epiphany comes not to the family whose home is saved but to the trio of criminals who enact that salvation. It doesn’t seem to matter who has the revelation, as long as the audience gets to experience it. 

So I guess the cat is out of the bag. I like stories that bring people home, bring them in from the cold, reunite families, and restore harmony in local communities. 

In The Price of Passage, I wrote about people displaced from their homes—Norwegian immigrants and fugitive slaves. They prove Thomas Wolfe’s assertion that you can’t go home again. They are called to rise above their loss of home and create new spaces where they and their offspring will eventually find their harbor.

In Izzy Strikes Gold!, I focused on a 12-year-old boy being jolted from his comfort zone by family circumstances. Will Izzy have to leave home? If so, will he find a new home? Those are the dramatic questions addressed.

My current manuscript follows two brothers who can’t coexist at home with each other; their mutual resentment is too great. War intervenes and poses the question whether the brothers will ever be able to find each other again and re-establish their family relationship. I don’t know that answer because I haven’t read the book yet.

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What is the point of all this rumination? Simply to help me find and become more aware of the central themes in my writing. Ideas that reside close to the writer’s heart make for authenticity in his voice. So these are the kinds of things a guy likes to know.

See you next week, Dear Reader, when it will be about Something Completely Different.

Blessings,

Larry F. Sommers

Your New Favorite Writer

“F” Is for Franklin

His name was Franklin. Most folks around the small town of Knoxville, Illinois, called him Frankie. 

Frankie on the gridiron

He was the youngest of five children. At Knoxville High School he played football and basketball and ran track—as had his brothers Lloyd, Stanley, and Edward before him. He was a regular kid, good-looking, with a winning smile.

He graduated from high school in May 1941. Seven months later, the Japanese bombed Pearl Harbor, and the United States went to war against the Axis Powers. Frankie enlisted as an Army Aviation Cadet on 3 April 1942. 

Aviation Cadet Frankie

In December, while he was in his year-long pilot’s training, his brother Stanley was killed flying a B-17 in the Southwest Pacfic. Frankie graduated from Advanced Flying School and was commissioned a second lieutenant 12 April 1943. After a week-long home furlough and a brief training assignment in Florida, he left for England. 

They sent him to RAF Chipping Ongar, near London, home of the U.S. Army Air Forces’ 559th Bomber Squadron, 387th Bomber Group, Medium. On 1 August, 1943, after 68.6 hours of training flights in the squadron’s twin-engined B-26 Marauders, he flew his first actual bombing mission. Through the end of August, he flew five training missions and five more combat missions, totaling 20.5 hours. 

His seventh combat mission was on 2 September 1943. By this time he was the regular co-pilot on Aircraft 41-31629, Janet’s Dream, captained by First Lieutenant William F. Vosburgh. 

Janet’s Dream and her crew, Frankie second from left

Over Bergues, France, Janet’s Dream took flak—anti-aircraft artillery fire—in her right engine, and Frankie’s war ended. The Marauder broke up and crashed, killing Frankie, Vosburgh, and two others. Two back-end crewmen bailed out and became prisoners of war.

Hap Arnold’s letter

Frankie’s eldest brother Edward, a pilot for Pan American Airways, paid a visit to Frankie’s unit in England. He collected Frankie’s things, talked with his commander and fellow fliers. Frankie had been well-liked, a “regular guy” and was the “banker” of the outfit—always had a few bucks he could lend to a fellow aviator in need.

“Hap” Arnold, Commanding General, Army Air Forces, sent my grandparents a letter that read almost as if he knew young Franklin William Sommers personally. 

“It has come to my attention that Lieutenant Sommers, a highly regarded graduate of the Advanced Flying School at La Junta, Colorado, was a brave and conscientious officer. He attained success in his effort to perform his duties in a superior manner and his commanding officers were pleased with his accomplishment of difficult tasks which they entrusted to him. Amiable and dependable, he made friends easily, and he is keenly missed in the activities of his group.”

Though doubtless they knew it was War Deparment boilerplate, this stately prose must have given them some comfort.

Frankie was posthumously awarded the Distinguished Flying Cross and the Purple Heart. His remains were buried in Plot A, Row 14, Grave 32 at the Normandy American Cemetery, Colleville-sur-Mer, France.

Frankie was 20 when he died, unmarried and childless. 

I was born almost two years later, never having known my Uncle Franklin—who now lives on only in my middle name, and in a few yellowing letters and photos. 

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All of that was three-quarters of a century ago. What has it to do with today?

Through life my friends have generally known me as Larry Sommers; but when I launched my writing career at age 70, I did so as Larry F. Sommers. I thought it had implications for author branding. “Larry Sommers” was plain vanilla; but “Larry F. Sommers” was premium vanilla. 

Besides that trivial consideration, I’m starting to understand that my name is more authentic with the “F” included. Authenticity can’t be manufactured; it can’t be designed, can’t be faked. Authenticity is that ineffable quality of actually being who you really are.

Second Lieutenant Franklin W. Sommers

My middle name, Franklin, claims the patrimony of my uncle’s remembrance. It is not something to be shucked off lightly. This man I never met gave his life for me before I was even conceived. He gave his life for all of us—one of many who did so in a dark chapter of the world’s story. 

Unlike those many others, Frankie, and his older brother Stanley, were mine. I am bound to them by two bloods— the blood of kinship and the blood of sacrifice.

We are surrounded by a great cloud of witnesses. Our being is entangled in those we remember and perpetuate—ancestors, forerunners, pioneers of our civilization. 

Whatever authenticity we may possess is a mix of individual traits with old associations. We are the sum of our present selves, our past, our family’s past, and our people’s past. 

I never knew Uncle Stanley or Uncle Franklin. There is no need or mandate for me to carry their  baggage, the burden of young lives so casually cast on history’s ash heap. Yet, wearing their mantle on my shoulders makes me more the person I am, not less. 

You can be an atom, bouncing along in a hostile universe; or, with God’s grace and your own awareness, you can purposely pitch your tent along the route of the grand parade. You can be one with your uncles, with your aunts, with Mister Lincoln, with Frederick Douglass, with the signers of the Magna Carta, with Leif Erikson and with Homer, who sang the tales of Odysseus the adventurer. 

You can be part of all the glory of the human condition, but then you must be part of the pain also.

That, Gentle Reader, is what I mean by “seeking fresh meanings in our common past.” 

Blessings,

Larry F. Sommers, Your New Favorite Writer

Author of Price of Passage—A Tale of Immigration and Liberation.

Price of Passage

Norwegian Farmers and Fugitive Slaves in Pre-Civil War Illinois

(History is not what you thought!)