This is a repost of an item that originally appeared November 19, 2024. Although the information is six months out of date, the emotions are still true. Hope you enjoy it.
I’m creeping up on eighty.
At such an age, one ought to have something for the world. Something to leave behind when you go. Wisdom.
Not just any old wisdom, you understand.
Not just: “Treat people well on your way up, because you might meet them again on your way down.”
Or: “Don’t neglect to floss; ignore your teeth and they’ll go away.”
Good nostrums both, but I mean something deep. Something universal, touching one’s inner life.
Take emotion. I say that in the Henny Youngman sense: “Take my emotion . . . please!”
As in, “You can have it. I don’t want it.”
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With me, a little emotion goes a long way.
In old age, I’ve become a writer of fiction. (See Izzy Strikes Gold! and the soon-to-be-republished Price of Passage.) What we fiction writers principally strive for is to pluck emotional strings in the reader.
Sure, we want to entertain, we want to inform; but the brass ring on this carousel is moving the reader. Emotion is the gold standard of art.

Ansel Adams, who obsessed over the minute details of photography—lens aperture, depth of field, developer time, characteristic exposure curves of different films and papers, the tonal scale of the finished print—that Ansel Adams, the supreme technician, said: “A great photograph is one that fully expresses what one feels, in the deepest sense, about what is being photographed.” (My italics.) He wanted to express emotion.
Adams also said, “I give it to you as a spectator, and you get it or you don’t get it, but there’s nothing on the back of the print that tells you what you should get.” He saw that what he strove to express might not strike a resonant chord on another person’s emotional keyboard. But the possibility of doing so was the whole point of his art.

I show my stories to quite a few people for critique—colleagues, friends, so-called beta readers—before turning it on the public at large. The feedback I most often receive is that my characters seem to lack emotion. They need humanizing.
Why am I reluctant to inject emotion?
I happen to like my characters flat and unaffected. Only after several colleagues tell me that a character is too calm and phlegmatic—only then will I revise my work to develop an underlying core of fear, joy, or throbbing pain.
Once I give in and do that, the work gets stronger and more interesting. From long experience, I know that.
Yet I resist doing so.
The fact is, Dear Reader, I dislike emotion.
Now, don’t get me wrong: I don’t hate emotion. I don’t despise it. I don’t abhor it. That would be emotional, which is the last thing I want to be.
I distrust emotion. I look upon it with suspicion.
I’m like Henry Higgins of My Fair Lady, as voiced by Rex Harrison: “. . . a quiet living man . . . who likes an atmosphere as restful as an undiscovered tomb . . . a pensive man . . . of philosophic joys who likes to meditate, contemplate free from humanity’s mad inhuman noise.”
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Is it possible to live life free of emotional upset?
Could it be that life is a teeter-totter, after all? Or maybe a Tilt-a-Whirl?
One Thursday night recently, I dreamed a dream: I drove through pleasant countryside. In the seat beside me was my wife. Only we weren’t married yet. We were still the young people we had been many years before. I sincerely hoped she was enjoying the ride, and liking my company enough to want to do it again.
But the windshield turned opaque. It grayed out. The car hurtled along the road, but I couldn’t see where it was going. I was terrified.
I woke up , and it was Friday.
I dismissed the dream and drove off to Onalaska, about three hours from home, to attend the Wisconsin Writers Association annual conference. There I saw some old friends, made some new ones, and learned a few things about writing and marketing. It was a good conference.
On the way home Saturday afternoon, I stopped in Mauston for dinner. When I came out of Denny’s half an hour later, night had fallen. I drove south on the highway, into the black.
Strange optical effects vexed the darkness. The sky ahead—which should have been black stippled with small points of light from farms or vehicles—was instead a uniform sheet of gray. It looked like I was approaching a raised concrete overpass, one which kept receding as I drove toward it.
But the overpass was illusory. In fact, when I did drive under an actual overpass, it caught me by surprise. I didn’t think it was real until it passed overhead. And there, splayed across the windshield before me, hung another overpass—one that I was almost sure was a phantom.
The sides of my vision seemed to be lined with vertical concrete walls, as if the road were passing through a tunnel. You could say I had tunnel vision.
What I actually have, Dear Reader, is macular degeneration—an insidious condition that robs me of sight inexorably, by tiny degrees. These night-time illusions were just the latest symptom.
Before reaching Sauk City, I decided I will no longer drive at night. At least, not at speed, on rural highways. It’s the first clipping of my wings due to old age. A curtailed freedom.
A day or two later I remembered my odd dream the previous Thursday night. It seems prophetic now.
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Only minutes after my momentous decision to give up night driving, I struck a deer that leapt in front of my car. It was purely coincidental. Because of how it happened, I can say for sure that the deer strike was not caused by my night vision problems.
Still, it shook me up. But you would hardly know that, Gentle Reader, from the flat, just-the-facts-ma’am, report of it which I posted here last Tuesday.
At any rate, within a space of three days, I had received a fateful prophecy, made a dreaded decision, and incurred major vehicular damage.
Some people might call that a tough weekend.
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One week after the collision with the buck, I traveled to Washington, D.C., in the company of eighty-six fellow veterans, and escorted by my much-loved daughter, Katie, on Badger Honor Flight Mission 57. I’ve posted that in some detail here and here, so I shan’t belabor it further.
Only: It was something I had never expected to do, an opportunity offered me as if to make up for a decades-old slight from the nation, which I did not grieve at the time. Now that this honor was virtually thrust upon me, I felt such a catharsis of long-withheld gladness—such a glorious rush of love—that I now question the value of this lifelong habit of stuffing my emotions into my back pocket where I can ignore them.
That’s all.
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Being the Alert and Perspicacious Reader that you are, you will no doubt have noticed an underlying theme to these ruminations: Your New Favorite Writer is getting older. He is tripping over events that may spark strong feelings of a kind that he has little experience of, and little taste for, welcoming in an honest and open way.
You might say a prayer for him, if you’re so inclined.
Blessings,
Larry F. Sommers
Your New Favorite Writer















