Bradbury’s Challenge

Read Time: Intro 2 minutes. Story 14 minutes.

Ray Bradbury in 1975.
Photo by Alan Light,
licensed under CC BY 2.0.

“The best hygiene for beginning writers or intermediate writers is to write a hell of a lot of short stories. If you can write one short story a week—it doesn’t matter what the quality is to start, but at least you’re practicing, and at the end of the year you have 52 short stories, and I defy you to write 52 bad ones. Can’t be done. At the end of 30 weeks or 40 weeks or at the end of the year, all of a sudden a story will come that’s just wonderful.” 

—Ray Bradbury, from “Telling the Truth,” the keynote address of The Sixth Annual Writer’s Symposium by the Sea, sponsored by Point Loma Nazarene University, 2001

What a challenge! Your New Favorite Writer is champing, as they say, at the bit. For the next year, I shall endeavor to write one new story each week. Why? Consult George Mallory (R.I.P.) on the joys of mountaineering.

Here’s how you can help this project: The stories I will post here are first drafts. As Bradbury implies, they may not all be perfect. The one quality they will all share is that they have been written down. 

So please read them, and let me know what you think. Praise them, pan them, suggest alternative plots or endings, criticize the style. This is a learning exercise for me, Dear Reader—and I hope for you as well. To help you with time management, I have begun posting read times at the head of each blog post. If you don’t have time now, come back for it later when you do have time.

Engage me in dialog by posting a comment below, by posting a comment on my Facebook page, or by emailing me: larryfsommers@gmail.com.

Today’s story starts right below my picture. Happy reading!

Blessings,

Larry F. Sommers, Your New Favorite Writer

Bike Time

© 2020 by Larry F. Sommers

“Hey! Watch it!” I yelled.

The bozo who had knocked me sideways was halfway down the grassy embankment, galloping through the Tuesday night crowd at the Washington Park Velodrome. 

Right behind him ran my 20-year-old granddaughter. Her face as she zipped by said she was up to her neck in trouble. 

Trouble? I knew that girl. Naught but mortal danger would fling her pell-mell across people’s blankets, right through picnics and cuddle sessions, and across the floodlit track, heedless of bike racers sprinting at sixty miles per hour. 

My granddaughter? Impossible. At age twenty myself in July 1964, I did sports for KENO-FM, always after the human angle, anything beyond times and speeds. Too busy for girlfriends, not to mention marriage. 

How could I have a granddaughter my own age?

No time to think. She chased that nasty-looking leather-clad thug. My inner grandpa could not help it: I plummeted down the bank after them, disrupting carefree cycling fans for the third time in ten seconds.

“SPECTATORS OFF THE TRACK!” bellowed the P.A. announcer as I crossed the banked oval in the paths of two Schwinn Paramounts, which swerved perilously to miss me. On the green infield, a cop gave chase. I jinked to the right behind the red Kenosha Scouts Rescue Squad truck, where my granddaughter had gone, right behind the hoodlum, just seconds before. 

Plunged into the truck’s half-shadow, I stopped cold. Where had they gone? 

Pinpoint sparkles, shimmering in mid-air, formed a bead curtain of the beatnik variety. I dove through it.

Crowd noise vanished. Dusk became night—not gradually, as is customary, but all at once. I lay on damp grass, knees and hips aching. Had I hurt myself? 

The joints screeched as I pushed off the grass to stand up. My hands looked funny, too, even in the dark. The floodlights atop their tall poles had gone out. No crowd sat on the embankment. The Boy Scout rescue truck, all the cyclists, bikes, and spare wheels, all the coaches and helpers were gone from the infield, too. 

Tuesday night had vanished.

I stood dizzy and gasping. What’s wrong with me? I felt the urge to punch something. I clenched my fists but stopped when my stiff knuckles complained. Just then a bright beam struck my eyes.

 “Gramps!” I’d know that sweet voice anywhere. “Is that you? What are you doing here?”

I splayed my hands in front of my face. In stark silhoutte, the fingers looked bumpy and twisted. 

The dazzling light went away. I squinted towards the vector of her voice. 

She called, “It’s me, Gramps. Kaitlyn. I’m over here.” 

Kaitlyn? What kind of name was that? 

I spotted her near the picnic shelter, fifty feet away. She waved her light above her head. I staggered towatds her. Why can’t I walk right?

“What are you doing here?” I asked. “You’re not supposed to be, that is . . . .” What do you say to someone who can’t exist, yet whom you love like life itself? Yet even her name eludes you? Mister Hot-shot Radio Guy was fresh out of glib.

She took my hand. Her other hand touched my shoulder. “Are you all right, old-timer?” 

“Old-timer? Who, me? Well . . . I don’t know.” 

“Oh!” she cried, pure concern on her winsome face. “How can I help?”

“Look. I need answers. Like, what happened to that hood you chased? If you ask me, he’s not your type.” 

“You’re confused. He wasn’t wearing a hoodie.”

Hoodie? “Not wearing a hood!” I snapped. “He is a hood. Come on, don’t play dumb. Let me in on the gag.”

“There’s no gag, Gramps. Did you see where he went?”

I sighed. “No.” 

“And why are you here all by yourself on a Monday night?”

“Monday? It’s Tuesday.” I saw she didn’t believe me. “At least, it started out Tuesday.” She looked askance. “And why did you chase that hooligan?”

“Hooligan?”

“Hood, slimeball, thug—” 

“Just protecting and serving, Gramps.”

The murk in my mind turned muddy. “What are you talking about, girl?”

“Didn’t Mom tell you about my new job?” She held up a slim rectangle of metal and glass. Tiny colored lights glowed on its face. She tapped it with her finger, and a shiny gold shield appeared on a field of white. “Kaitlyn Caruso,” she announced, “Special Agent, Temporal Fugitive Warrants Division.”

That dumbfounded me.

She tried to ease my befuddlement. “Think of me as a time ranger. A skip tracer on the Space-Time Continuum. My job is to nab felons who abscond from the twenty-first century.” 

Twenty-first, did she say?  “But, what happened to—”

“Guys like Jared Quickshift, for example. That creep you saw me pursuing. I had just collared him in 1964, but he slipped away and jumped back to now. He should be around here somewhere.” She swiveled her head, on the alert.

“This Jason—”

“Jared, Gramps. Although come to think of it, Jason applies. He’s on a quest for the Golden Fleece.”

“I knew it. What’s his game?”

“The warrant says intellectual property theft.” 

I waggled my brow. “Isn’t that like trademark infringement? He looked like a more violent type.” 

“He’s dangerous all right. That’s why I go armed.” She pointed to a holster on her hip.

“Oh, my.” 

She winked. “He can’t have gotten far, though. Stand back.”

Two doors stood side-by-side in the pavilion’s back wall. She stationed herself smack dab between them, about ten feet off, and drew her weapon. “Police, Jared! We know you’re in there. Come out with your hands up, or we’re coming in.” She leveled her weapon.

What did she mean, “we”? I hoped she would not tap me as a reinforcement. I felt weak and vulnerable.

After a tense silence, the door marked WOMEN banged open. The creep in the leather jacket burst out. He sprang sideways. 

Kaitlyn twisted, her weapon on the criminal. “Halt!” 

He didn’t halt.

A Pop!, like champagne being uncorked. Jason Nogoodnik sprawled on the concrete floor of the pavilion. He howled and wiggled in uncoordinated spasms. 

Kaitlyn leapt on him, handcuffed him, looked up at me, and smiled. 

I approached with caution. “Is he dead?”

She laughed. “Naw, he just wishes he were. Look here.” She whipped out her steel-and-glass rectangle and tapped one of the lighted squares. A bright beam leapt out from the tip of the thing. She aimed it at the crook’s head.

“Pretty good shot,” she said, matter-of-factly. “I had to find an unprotected area.” She pulled two small darts from the back of his neck. “These might have just bounced off his leather jacket.” 

“What kind of a gun is that?”

“Called a taser. Less-than-lethal takedown option.” 

The man lolled helpless on the floor of the park shelter. I guess it took him down, all right.

Kaitlyn delved in his leathery pocket and drew out a black metal tube half a foot long, with a bulge at one end. “Here’s what it’s all about, Gramps.” She twisted the thing and light sprang forth. A further twist focused the beam to a spot on Jared’s face. “It’s a Mini-Maglite. He hoped to smuggle this into 1964, for reverse engineering by pirates. He stood to make a bundle.”

“I’ve never seen a flashlight like that.”

“No? They’ve been around since 1984. Mom always says you’re not very observant.”

“1984? How can that be?”

“I don’t know, Gramps. Look, here’s the point. What if this creep had pre-introduced this invention twenty years before its time? Think how that could twist up Space-Time. It’s lucky I managed to chase him back to now.” 

I shook my head to try to clear the cobwebs. “I don’t understand.”

“Suppose some ’sixties car mechanic makes a quick repair out on I-94 on a snowy night because he’s got a flashlight small enough to hold in his mouth while he tapes two wires together. Otherwise he would have had to tow it in, the customer might have been late for his sales call the next morning, and—” 

“It might have changed the course of events.”

“Bingo.” She nodded emphatically. “But we’ve got Jared and the Maglite, right back here in 2021, where they belong. So, no harm done.” 

Suddenly, it all came clear to me. 

Well, no. It was half clear to me. 

I held up my hands in a gesture of supplication. “Let me just get one thing straight. You followed this bozo from 2021 to 1964 to apprehend him?”

“That’s right.” 

“And now you’ve brought him back to 2021.” 

She nodded. “So?”

“So, how do you do that?”

“Do what, Gramps?”

“Travel from one time to another.”

She snorted and jerked her head towards her prisoner, who now sat upright. “Guys like him figured it out before we did. The crooks are always a step ahead of the law, you know.” 

“It was ever thus. But do go on.” 

“Who knows how much damage they did to the future—that is, the present—before we caught on? We’ll never have any idea. However, we now know there are special places where time-holes open up for brief periods. You can just step through from one time to another.” 

“Special places?”

“Velodromes, to be precise.”

“Bike tracks. Like Washington Bowl.” 

She smiled as she hoisted the now-docile Jared to his feet. “But only on Tuesday nights in the summer.”

“Because?”

“Something about a certain mass of chromium-molybdenum alloy—such as custom racing bike frames—orbiting a given spot at high speed. Sorry, I’m no scientist.”

“Ahh.” Neither was I a scientist, yet who can resist chromium-molybdenum alloys?

“So I left 2021 six days ago—last Tuesday night. I tracked Jared down right away, got the drop on him, and stashed him in a safe house off Sheridan Road until Tuesday night. As we crossed Washington Road on our way to the velodrome, he got away from me in the crowd, ran across the track, and jumped back into 2021. With me right on his tail, naturally.”

“Sounds suspenseful.”

“All in a day’s work. What knocked me sideways was finding you here in the middle of the chase. You still haven’t told me what brought you here on this particular night.”

“Isn’t it obvious?”

“If you don’t want to say, that’s all right. But my prowl car’s just over on Eighteenth Avenue, where I left it six days ago. Let me drive you home so you can get some rest.”

“Nothing doing, you young whippersnapper.”

“Gramps, what’s the matter with you?”

“I’m fifty-seven years too old, that’s what!”

She made a face as if I spoke gibberish.

“Listen,” I explained. “I started this night on Tuesday, July 21, 1964, but somehow ended up here, in the Buck Rogers era. It’s aged me some.” I held up gnarled, shaky hands.

“Who’s Buck Rogers?”

“Look him up in your Funk and Wagnall’s. The point is, to get home I’ve got to go through that curtain thingy backwards.” 

Jason the Hoodlum spoke up. “He’s right, Madame Copper. You gotta send him back to the Sixties. Me too.” He gave a massive heave, to wrest himself out of her grip. She was too strong, too fast, too smart. Put him in a painful hold and knelt him back on the ground again. That’s my girl.

“Shut up, you.” She turned to me. “Gramps, what you say is impossible. No one can go forward in time, to the future. It doesn’t work that way.”

“How can you say that? You and Jason just did it.”

“No, we didn’t. We used something called Nerdleman’s Law to go from the present to the past. Then we used Axenberg’s Corollary to Nerdleman’s Law to return to our original time frame, that’s all.”

“Yes, and I came along, right behind you.”

She looked exasperated. “If you had, that would shatter our whole model of Space-Time. You’d be a resident of 1964 going into the future. That’s impossible, just as it would be impossible for Jared and me to step into, let’s say, the twenty-fifth centiury.”

“Why?”

“Because that’s our future, just as—if you were a 1964 person—now would be your future, a place you can’t get to except by the normal passage of time. Don’t you see?” 

I filled my gaze with her gorgeous, red-headed earnestness. “Like all children, you’re cute as a button when you know you’re right despite the fact you’re wrong.” She glared at me. “I tell you, I dove—dived—dove right through that shimmering curtain of light behind the Scouts’ rescue truck.”

For the first time, her face showed doubt. She frowned at Jason, still on his knees, in her grip. He made a “How would I know?” shrug.

A brilliant thought came to me. “Listen, Catherine—”

“Kaitlyn.”

“Ah—Kaitlyn—yes. Now, listen. If I’m right, your grandpa will be found alive and well here in 2021 Kenosha—but not in the form of me standing here in Washington Park.” 

“You’re saying you’re a duplicate?”

I huffed in annoyance. “I’m saying, I’m twenty years old and I belong in 1964.”

She frowned. Jason, restive in her firm grasp, looked up at me in wonder.

“Here’s how you can prove it. Let’s lock Jason here in your squad car nice and snug. Then let’s go find a phone booth. Call your grandpa. If he answers, I promise it’s not me playing Señor Wences.” I dug in my pocket with shaky, withered hands. “A 1964 dime still work in a 2021 phone booth?”

She gave me a strange look, then sighed. “Okay, you win.”

She shoved Jason all the way to the ground and stood on his neck. Then she whipped out her strange little rectangle, touched a bright patch, then another one. She held the gizmo up to her ear. A sound like a telephone’s buzz was followed by a tinny little voice. 

“Gramps?” Her and her eyes went wide. “Where are you?”

Silly question. He answered his phone. He must be at home.

After another string of tinny voice gibberish came out of the thing, Kaitlyn said, “I see. Okay, just checking. Sorry I disturbed you. Don’t lose too much.” She touched the rectangle again and the sound went dead.

I gloated. “See? You found him at home.”

“No. He was at a friend’s house, where he plays poker.”

A poker-playing friend? It had to be. “Lumpy Bernacchi? He still alive?”

Her jaw dropped. She nodded warily.

“See? That proves I’m him. He’s just not me. Not yet, anyhow. I belong back in the Sizzling Sixties.” I turned to go back the way I had come.

“Where you going, Gramps?” 

“Back to the time curtain.” 

“You won’t find it. It’s Monday night. No bikes.”

I looked back toward the track. Of course. She was right. I scanned the dark, silent velodrome. No spinning molybdenum in sight.

#

Kaitlyn pledged me to secrecy, so I can’t tell you the details. She found a place where I could stay, in reasonable comfort, in complete isolation from all the denizens of 2021—including my old friend Lumpy and my own adult daughter, whom I’ve never seen—for six days, until the next Tuesday night bike races. Then she spirited me over to the infield on a special police pass. 

Now, I’m back in my own timestream. 

When I first came back, I spent a long while confused. But now that I’ve had almost a year to mull it over, my dilemma has resolved itself.

I’m now convinced Axenberg and Nerdleman got it right. Known facts to the contrary notwithstanding, I could not have paid a visit to the year 2021. My real presence in 2021 would extinguish whatever future I have here in 1965. The only way I can possibly get to the twenty-first century is the old-fashioned way: Clean living and good luck. 

My granddaughter’s phone call to my septuagenarian self cuts no ice. I won’t believe I live in 2021 until I actually do. Anyway, how could they have phones like that?

Right now I’m going to listen to the radio broadcast of the Liston-Clay rematch from Lewiston, Maine. I’ll have to break it off to go to the Tuesday night bike races, unless the fight goes short. Who knows? Maybe this time Sonny will flatten him in five.

Cassius Clay, later known as
Muhammad Ali. Public Domain.
Larry F. Sommers

Author of Price of Passage—A Tale of Immigration and Liberation.

Price of Passage

Norwegian Farmers and Fugitive Slaves in Pre-Civil War Illinois

(History is not what you thought!)

Time and Again . . . and Again . . . and Again . . .

Until now, I have read nothing by Stephen King, one of the major authors of our time—because I have no interest in horror. But King also published a time-travel book in 2012; and that has finally drawn me into his web.

11/22/63. The title will wake up anyone who remembers that date. It’s the day John F. Kennedy was shot to death in Dallas. King’s book is based on the premise, “What if you could go back in time and prevent the killing of JFK?”  

The Story

Kennedy motorcade in Dallas. Walt Cisco, Dallas Morning News. Public Domain.

Maine school teacher Jake Epping discovers, in a local diner, a “rabbit-hole” through which he can walk from the present day into the morning of September 9, 1958. Jake has several reasons to travel back in time, but mainly there looms the tantalizing possibility that by regressing to 1958 and living out the next five years of that era, he will find a way to prevent the assassination of the president.

Time-travel stories usually consider the opportunity, however theoretical, of curing the present by doctoring the past. Jake Epping, in his role as first-person narrator, repeatedly asserts: “Life turns on a dime.” 

That’s not always true. For example, it would be hard to dismantle the complex chain of events that caused Europe to stagger into the First World War. Similar factors hold sway over the U.S. Civil War, the French and Russian revolutions, and the growth of “big box” superstores. 

But there are individual events, with major rippling consequences, that might be erased from time’s log by a small, practical effort applied at the right moment. Events like the assassination of President Kennedy.

The character Jake Epping seems convinced that if only Kennedy had lived, all sorts of bad things would have been avoided, and better things would have taken their place. To those of us who lived through those years, the theory does have its appeal. The murder of Kennedy, falling like a bolt of lightning into our postwar “happy time,” seemed to trigger a downward spiral for America, a sad cycle from which we have never recovered.

History, Re-organized?

History, however, is not that simple. Perhaps a full-term Kennedy would have managed not to stumble into the Vietnam War as his successor did. That’s possible, but far from certain. On the other hand, it’s also possible that Kennedy, despite all good intentions, would have failed to get the 1964 Civil Rights Bill enacted—a project at which Lyndon Johnson succeeded. We cannot know how things would have worked out, because the actual events of 22 November 1963 did sweep Kennedy away, leaving LBJ in his place.

But it’s entertaining to read about Jake Epping’s compulsive quest to derail Lee Harvey Oswald. Entertaining because the hero is thwarted by obstacles and complications at every turn. The rabbit-hole’s outlet in 1958 compels him to live in Texas for five years as he waits for the actors to arrive on stage. The secrecy of his mission requires him to adopt an alias and do a lot of perilous sneaking around as he spies on Oswald and his family and tries to keep tabs on a shady character named George de Mohrenschildt. In the midst of all that, Jake encounters the woman of his dreams and falls in love. 

King of Time

Everything falls apart more than once in this complex story. Jake Epping, growing ever wiser in the ways of the Space-Time Continuum, states clearly that the main problem is the past’s own spooky determination to keep itself intact and resist doctoring. Here King is at his best, casting a pall of enigmatic and menacing tension over the entire story.

Author Stephen King. Pinguino Kolb photo, Creative Commons.

Another charm of this book is verisimilitude. When Jake Epping walks into the 1950s, one feels transported into that time, because of the host of small details the author dresses the set with—Musterole, “Fresh Up with 7Up,” Cities Service, and Princess Summerfall Winterspring. My first thought was how remarkable it is that one too young to have been there was able to capture all these details and many more; then I Googled King and learned that he was born in 1947. So he didn’t have to do much research—like me, he’s an old-timer who remembers all those things. 

I won’t divulge further details of plot and action, because you might want to read the book. My one wish would be that King had embedded all that material in a sparer narration. At 849 pages, this book is a bit of a slog. Had it been published earlier in King’s stellar career, a good, truculent editor might have made it twenty percent shorter, thereby improving its pace and increasing its dramatic power. 

Still, the time-travel is presented imaginatively, even brilliantly. It reminds me of the works of Jack Finney (whom I’ve mentioned here and here). Indeed, King himself pays homage to Finney at the very end of his “Afterword,” referring to Finney’s Time and Again as “the great time-travel story.” However, this one clearly is King’s book and not Finney’s. 

In sum, 11/22/63 is an interesting and provocative romp through past and present by a master storyteller.

Blessings,

Larry F. Sommers, Your New Favorite Author

Author of Price of Passage—A Tale of Immigration and Liberation.

Price of Passage

Norwegian Farmers and Fugitive Slaves in Pre-Civil War Illinois

(History is not what you thought!)

Come away with me, Lucille . . .

Photo by Franck V. on Unsplash

. . . in my merry DeLorean–but, of course, modified with nuclear fuel compartment, flux capacitor, and date/time indicators!

Time travel is nothing new. People have been doing it for eons. Everybody from H.G. Wells to Doctor Who. They travel in time machines; they leap across time by hypnosis; or sometimes, they just stumble through an unseen portal that happens to be in their path.

You can travel Forward into the Future, or Backward into the Past. Travelers to the future discover new civilizations, which are either utopian dreams or the stuff of nightmares—seldom anything in-between. (The most shocking plot twist would be if the hero landed in a future society just as ho-hum as our own, differing only in trivial details. I suppose it’s already been done.)

Into the Past

The other kind of time travel, Backward into the Past, is more interesting to me because it is based on reality: a real world that we know did exist, once upon a time. People who travel to the past either want to right some wrong in the present; or they simply hope to be detached observers . . . but somehow, they can’t quite avoid Interfering with the Fabric of Time and Space. Often with amusing consequences.

One of the best time romps of recent decades seems to go both directions—at least such is the implication of its title: Back to the Future. Everybody has seen this film, directed by Robert Zemeckis and written by Zemeckis with Bob Gale. (NOTE: If you are the only person in North America who has NOT seen it, put down this blog right now—just leave it open, face down, on your reading table—and go see the film. Then come back and finish reading this post.)

The title is a bare-faced marketing ploy. The filmmakers knew people would not have much interest in the Past—just mention “history” and observe the yawns—so they put the word “Future” in the title. To support that concept, they filled up the early scenes with gee-whiz gadgets, most notably Doc Brown’s gull-winged sports car with the Y-shaped gizmo inside that makes time travel possible. 

But then, Dear Reader, the bait and switch: When Marty McFly climbs in and steps on the gas, the souped-up DeLorean takes him straight to the 1950s—an era when his own dorky parents were mere angst-ridden teenagers. 

This movie is all about the past and how its influence seeps into the present. Setting it in the Fabulous ’Fifties gave Zemeckis and Gale dozens of cute cultural references to make viewers smile. But this tight screenplay has no room for idle nostalgia. There’s no archival footage of Chuck Berry doing the Duck Walk while performing “Johnny B. Goode”—but we do get to see Marty McFly do a fair imitation of it in a scene that helps move the plot forward in an entertaining way. All the while, Messrs. Zemeckis and Gale exploit every nostalgic-comic possibility from the situation.

Reality is Bumpier than Fiction

Marty’s task is to rescue his father, a teenager in the ’Fifties,  from the personality flaw that made the McFly family’s subsequent life a disaster. Through the simple device of having the brilliant, eccentric Doc Brown inhabit both time frames, Marty is led to shred the pre-formed shape of the Time-Space Continuum and write a new future. That is, you know . . . a new present.

Marty’s woes of today trace directly to his parents’ woes in the past. If only the past could be fixed, the present would turn rosy. 

But real life is not that simple. What if a great heartache of the present stems directly from a triumph or blessing in the past?  What if you must do your grandfather an injustice in his boyhood to prevent injustice to your family in the present? 

Such imponderables make me dizzy. Which is why I will probably continue trying to write fiction that only suggests the depth and complexity of life in earlier times, without trying to trace the tangled skeins of causality through decades or centuries. 

Nevertheless, reading time-travel adventures can be a delightful diversion. I’ve mentioned before the intriguing works of Jack Finney, who had a time-travel fixation. Right now I’m reading Stephen King’s experiment with time travel, titled 11/22/63. Maybe I’ll comment further in a future edition of this blog. Stay tuned.

And now, for something completely different:

©Larry F. Sommers, 2012.

What do you suppose this thing is? Any guesses? Tune in next Tuesday, and I’ll try to remember to tell you the answer!

Blessings,

Larry F. Sommers, Your New Favorite Author

Author of Price of Passage—A Tale of Immigration and Liberation.

Price of Passage

Norwegian Farmers and Fugitive Slaves in Pre-Civil War Illinois

(History is not what you thought!)