DEAR READER: This is a re-post of the first entry to this blog on 12 April 2019. You can judge for yourself whether subsequent posts have fulfilled the original intention. Of course, to do that, you would have to read them all, which is definitely encouraged.
“In my dotage, I am reduced to bloggery.”—King Lear, Act VII, line 4,926
Perhaps the best way to tell you about that, as Michael Hauge would say, is to tell you how I came to write this blog.
I was a happy, successful septuagenarian. But—from the time I wrote a detective story on a pencil tablet in third grade, when I was supposed to be doing something else—I had always meant to be a writer of fiction. What with one thing and another, I just had never gotten around to it.
So I quit my day job to write fiction. I had something to say. Just didn’t know what it was. Now, if you have an itch like that, nonfiction won’t scratch it. Something about fiction gives you an opportunity to tell the truth.
My approach to writing fiction is what the psychologists call a “projective technique”—akin to journaling, role-playing, or inkblot-guessing. I just thought, “I’ll start writing, and see what comes out.”
What could possibly go wrong? 🙂
Within a couple of years, I was lucky enough to get a few short pieces published: a dog essay in Fetch! magazine and three “Izzy Mahler” stories, about a young boy growing up in the 1950s, published electronically by the Saturday Evening Post.
Meanwhile, I started thinking about a historical novel based on Anders Gunstensen and Maria Nybro, my great-great-grandparents, who came from Norway to Illinois before the Civil War.
Fast forward to Now, and I have a good first draft of that work, Freedom’s Purchase. All I need to do is make it a lot better, and then pitch it to agents and publishers.
The Writer’s Life
But—STOP THE PRESSES! It turns out that to be in the writing game in a serious way, you must become a Major Literary Figure before the ink is dry on your first paragraph. You can’t simply write something great, publish it, become rich and famous, and then go on to your next triumph. That’s not How the World Works.
You must let other talented writers see your work and critique it. This is a vitally necessary step, if you want to avoid writing unprintable dreck. But when others spend time and effort to read and critique your stuff, you must do the same for them. Reciprocity rules. That means that from the outset of your writing career, you’re sending drafts to fellow writers, receiving and responding to drafts of theirs.
For researching subject matter and for familiarization with the literary landscape, you find yourself reading more and more books—things you would not have read otherwise. You write and submit thumbnail book reviews on Amazon and Goodreads.com. You subscribe to writers’ magazines and literary market websites.
You’d better attend a writers’ conference now and then. Two great ones are hosted every year in my home town by the University of Wisconsin–Madison. They cost money and time, but it’s necessary money and time. Writing can be a lonely business, and a solid bond with your “tribe” of fellow writers will help see you through.
And what of querying and pitching—researching agents and publishers, and learning the best ways to approach them? The material they receive is so voluminous that you need to find ways to make your submissions stand out.
“You and what army?”
And finally—or, perhaps, initially—you need an “author platform.” Platform is a code word for a large band of fanatical followers. (This could include you, Gentle Reader!)
Book publishers try not to take unnecessary risks. They do want to publish great writing. But, as between a Great Writer with an Army of Rabid Fans and a Great Writer who is just, well, a Great Writer—they’ll take the former. It all but ensures a certain number of sales. If you were a publisher, you’d feel the same way, n’est-ce pas?
There was once a golfer with a platform that just wouldn’t quit. His name was Arnold Palmer. His fans were known as “Arnie’s Army.” I could use an army.
“What’s it All About, Alfie?”
At some point, a writer starts thinking like this: Why am I doing this? Writers don’t make fortunes, unless their name is James Patterson. Writers are lucky just to get advantageous publication. Still: If one must write, one writes. And it would be good to have lots of people read what one writes.
So, hoping to zero in on why people might want to read what I write, I plumbed the depths of my psyche (both inches) and concluded that what I have to say to people is always rooted in a general awareness of our common past.
A noted poet, T. S. Eliot, wrote
We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.–“Little Gidding”
That sense of better-late-than-not-at-all recognition of the world is what I seek, in personal memories from my long life or in the delving into events that no one is still alive to remember.
To cultivate my author platform, therefore—so that people beyond my family may take an interest in my books when they are published—I hereby launch this website, larryfsommers.com, including this blog, titled “Reflections.”
If you come back from time to time you’ll encounter various kinds of content:
- Ruminations on “the writer’s life.”
- Narratives of past events, sometimes written as fictional vignettes.
- Mentions of good books recently read.
- News and chat from my widening circle of fellow writers.
- Tales of success (or even of well-curated failure!) in the literary lists.
- Pretty-much-brilliant observations and insights on the passing scene.
- Occasional adumbrations of the Judeo-Christian faith that informs and animates all of these things in my life.
Be brave enough to stick around through several posts, and you’ll catch on. I’ll try to post something new every Tuesday. Hope to see you often.
Larry F. Sommers, Your New Favorite Author