Price of Passage

What does it take to make a story?

Timothy Eberle on Unsplash.
In 1856, on the Illinois prairie, Norwegian farmers ANDERS and MARIA encounter DANIEL, a young fugitive slave. Will they do their legal duty by turning him in? Or will they break the laws of their new country and put their lives at risk to aid Daniel in his bid for freedom?

Peasant Farmers, by Julien Joseph. Public Domain.

That’s not really a story. It’s more like a situation, a setup. But it’s a start.

In historical fiction, an author wants to pay attention to the underlying morality of the situation. But you have to build on that. The story of Anders, Maria, and Daniel, as mentioned above, is incomplete without some sense of where Anders and Maria have come from, to be newly-arrived Scandinavian immigrants in central Illinois. 

The Captive Slave, by John Philip Simpson. Public Domain.

One also ought to sketch Daniel more fully. What kind of slave life is he trying to escape from? What are his chances? What will he do with his new freedom, if he makes his escape good? 

There are more questions than answers.

John Brown.

It’s notable that Anders, Maria, and Daniel all arrived at the same place in 1856—just when the nation’s quarrel over slavery was starting to come to a head. John Brown was murdering pro-slavery men in Kansas about this time. The Dred Scott decision, which gave iron force to the 1850 Fugitive Slave Law, would come along in early 1857. Lincoln and Douglas would contest for the Illinois Senate seat in a series of debates in 1858. Brown would show up again, this time raiding the federal arsenal at Harpers Ferry, in 1859. The pot was coming to a boil.

How would these events affect Anders? Maria? Daniel? 

It’s all there in Price of Passage—A Tale of Immmigration and Liberation, coming August 23 from DX Varos Publishing. 

Sign up for my free newsletter, The Haphazard Times, above right, to be kept fully informed.

Blessings,

Larry F. Sommers, Your New Favorite Writer

Author of Price of Passage—A Tale of Immigration and Liberation, coming August 23. No fooling.

Perils of Progeny

I am pregnant. With a book. 

Price of Passage—A Tale of Immigration and Liberation is due August 23. It is expected to weigh eleven ounces and be seven and fifteen-sixteenths inches long. 

Congratulations are in order. But pity me carrying it through the hot months!

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Photo by Scott Graham on Unsplash.

It’s a funny thing, Dear Reader: One stroke of a pen and you go from writer to bookseller.

One hundred percent. Instantly. 

On February 17, I signed a contract with DX Varos Publishing for the publication of my historical novel The Maelstrom.Things started happening. 

  • The publisher and I agreed to change the title from The Maelstrom to Price of Passage.
  • We added a subtitle: A Tale of Immigration and Liberation.
  • The publisher sent me an advance check to seal the deal.
  • We settled on a cover design, which was swiftly executed by the publisher.
  • The publisher revealed the cover and announced the publication with an exciting blurb teasing the contents of the book.
  • I upgraded my website, www.LarryFSommers.com
  • I acquired Mailerlite software, learned its rudiments, and launched an occasional newsletter for my loyal fans, The Haphazard Times (currently undergoing refinement).
  • I attended the Chicago Writers Association’s annual conference, where I received much kudos and encouragement from fellow authors.
  • I applied for a Wisconsin Seller’s Permit.
  • I sent for a Square Reader so I can process people’s credit card and Paypal purchases at author events such as signings, readings, and book clubs.
  • I started “going to school” on my friend Greg Renz, successful author of Beneath the Flames. I’m studying what he does to beat the drum for his book, and how he does it.
  • Oh, yes. I am ordering custom bookmarks to give out with copies of the book.

Take a Breath, Buster

It’s been just over a month. Price of Passage will not arrive until August 23. 

I stand presently under a Niagara of marketing, sales, and bookkeeping concerns. I don’t understand half of what I’m doing but plunge ahead anyway. Learn by doing, the saying goes.

Meanwhile, I have a second completed novel a mere whisker away from being ready to start sending queries to publishers. It only needs two or three good days of last-minute polishing, plus the drafting of a good synopsis and query letter. But all that will have to wait.

Photo by Jonny Gios on Unsplash.

I have a great idea for a short story to develop for the literary journals. Quite a bit of work. And it will have to wait.

There is the beginning of a personal memoir. It needs to keep going. But it will have to wait.

Opportunity Knocks

Blacksmiths of yore had a saying to cover this situation: “Strike while the iron is hot.” 

Shakespeare, more verbose yet pithy, said

There is a tide in the affairs of men.
Which, taken at the flood, leads on to fortune;
Omitted, all the voyage of their life
Is bound in shallows and in miseries.
On such a full sea are we now afloat…

Rodeo cowboys are more terse: “Let ’er buck!” 

No matter how you say it, now is the time to sell, even though I’d rather write. We can pick up the pieces afterward.

The Book Trade

Why is it this way?

Maxwell Perkins. Al Ravenna, New York World-Telegram and Sun. Public Domain.

Maybe you think when an author finishes a book, he sends it to his publisher—one of the Big Five—who assigns the manuscript to a top-flight editor, a Maxwell Perkins type in a three-piece suit, then takes out a full-page ad in the New York Times and calls the appropriate committees (Pulitzer, Nobel, etc.). Oh, yes, a book tour of the major cities might be needed, with the author accompanied by two or three publicists and cossetted in luxury suites in four-star hotels. And then the dollars roll in, followed by movie contracts, more dollars, etc.

Well, Gentle Reader, let me assure you: 

That is NOT, unless you are Stephen King, How It Works.

Publishers do not sell books. Mostly, they can’t even spare a publicist.

But publicists do not sell books, anyway.

Editors, of course, would not be caught dead selling books.

Even bookstores do not really sell books. They merely conduct the transaction. People come into the store looking to buy books. All the store needs to do is have some on hand.

Amazon? Even more so.

So, you ask, who does sell books?

Authors.

Authors sell books.

So next time you see me, Dear Reader, I will have my foot wedged firmly in your door. And a great book in my hand. You should definitely own a copy or two. And all the members of your extended family should, too. It will make a very thoughtful Christmas or Hanukah gift.

Wish me luck.

Blessings,

Larry F. Sommers, Your New Favorite Writer

Author of Price of Passage—A Tale of Immigration and Liberation, coming August 23. No fooling.

What’s in a Title?

A lot can happen in from one week to the next. 

Two weeks ago, I announced that my novel, The Maelstrom, would be published July 26. One week ago, March 1, I announced that no, it would actually be August 23. And with a new title.

As of today, the August 23 release date is still good. 

Now here is the new title: Price of Passage—A Tale of Immigration and Liberation.

And look! Here’s the cover. 

A book’s cover is key. Sometimes, the cover even drives the choice of title. 

When I first started writing this book, I just called it “the Anders and Maria book.” Eventually, I settled on Freedom’s Purchase. I did not like Freedom’s Purchase much. It seemed hyper-inflated. But it fit, because throughout this story, characters pay high prices to secure their freedom. They must give up precious things to be free and prosperous. 

When I re-wrote the book I changed it to The Maelstrom. I was thinking of a great whirlpool, like the Moskstraumen off the Norwegian coast. It seemed to capture the vortex of looming disaster that was the pre-Civil War United States.

DX Varos Publishing bought the manuscript. Publisher Daniel Willis wanted to add a subtitle: A Tale of Immigration and Liberation. This would give readers more information about the nature of the story. So we were set to publish The Maelstrom—A Tale of Immigration and Liberation.

Several people had previously said things like, “Maelstrom? Huh?” “What’s a maelstrom?” “Is this a book about some ocean current?” In my wisdom, I had ignored such minor quibbles.

We’re Covered

A good story often has a last-minute twist, and here it is: The publisher sent me the cover art. 

It showed a railroad track in foreground, a breaking chain overhead, and a distant sky full of clouds and sunshine. The track could suggest immigration; the broken chain, liberation; the half-sunny sky, a brighter future. 

I was underwhelmed by this cover. I surfed the web frantically and found an image that embodied the dynamic tension of “maelstrom.” It was a blue-green ship in a stormy ocean, a large whirlpool churning in the foreground. I sent it to the publisher. 

He said, “Well, yes, but everybody’s going to think they’re buying a sea story.”

Curses! 

A cover is not just about symbols and metaphors. It should give the reader a clue about the actual contents.

It’s true this book includes an ocean voyage, but it’s a minor part of the story. Everything important occurs on land, in the middle of North America, far from any ocean. 

Bowing at last to common sense,  I accepted the publisher’s cover. But the title, The Maelstrom, did not match the cover image. Rereading Chapter One, I stumbled on the phrase, “price of passage.” It relates to the purchase of a transatlantic ticket to America, but it’s also a good metaphor for the costs incurred in “freedom’s purchase.” 

We ran it up the flagpole, and everybody saluted.

So now, with pride, DX Varos Publishing and Larry F. Sommers give you Price of Passage—A Tale of Immigration and Liberation–available for pre-order in late spring.

I’m glad to be partnered with somebody who knows what they’re doing in this business.

And that’s not all

I hereby announce the inaugural issue of The Haphazard Times, a very occasional newsletter, by email, intended to apprise you of only the most significant developments in this writer’s life.

Why should I  trouble your Inbox on a weekly or bi-weekly basis, just to meet an arbitrary deadline? The Haphazard Times will appear in your email only when important events or milestones occur. Events like the opening of pre-orders for the book and other key milestones for the book or for me as a writer. Other than that, I won’t bother you. 

All you need to do to get on the mailing list for The Haphazard Times is fill in this form:

I hope you will.

Note Well: This “Keep Up!” signup is for the newsletter. The other signup, at right under “Share My Journey Week to Week,” is for email notification whenever this blog is posted. If you already receive such notices, they will continue. If you do not, but would like to, just enter your email there. But that will not get you the newsletter. I recommend taking both.

Blessings,

Larry F. Sommers, Your New Favorite Writer