In the mood for a summer read that will boost your faith in people, yet without being simplistic and sappy? A book that may even compel you to cry real tears—I confess I did—from sympathy and joy?
A Wisconsin woman has written such a book for you. Her name is Amy E. Reichert, and the book is called The Optimist’s Guide to Letting Go.
No, it’s not one of those step-by-step self-help guides guaranteed to make you happy by teaching you to trust your Inner Self. Instead, it’s a novel, the tale of four women—three generations of one family—who must try out new, unaccustomed paths through life as they cope with dizzymaking love, heartbreaking loss, and hard-wrought social and psychic defense mechanisms.
The story centers on Gina, who owns and operates a one-woman food truck, serving gourmet grilled cheese sandwiches for Milwakee’s lunchtimers. Gina’s a pushover for people in real need, yet hard-nosed enough to run a thriving business. She’s also half-numb with mourning for her deceased husband and stumped by the challenge of relating to May, her equally grief-stricken daughter.
Gina, May, and Gina’s younger sister, Vicky, are showered with unwelcome parental supervision by Lorraine, Gina and Vicky’s overbearing mother. When a sudden crisis in Lorraine’s health begins to expose deeply-buried family secrets, all four need to readjust their lives to accommodate startling new realities.
I loved this book, principally because the people in it are so real. They are all people I’ve known, and I’ll wager you know them, too. The family situations they find themselves in both preposterous and absolutely credible. These are just the kinds of things that happen to people in real life.
The characters’ strengths can also be weaknesses, and their weaknesses strengths. Gina is a compulsive organizer, who can only stumble through her hectic days by making lists. Patronizing remarks to the contrary notwithstanding, it is Gina’s listmaking that gradually, persistently, begins to impose order on the chaos of her life—and even on the structure of the novel itself.
The old woman, Lorraine, is almost as irritating to the reader as she is to her daughters and granddaughter. But as her story gradually unwinds, we find ourselves admiring the very adaptations that make her so annoying.
I would like to go on and on about the strengths of this novel, with its sure-footed narrative style. But if I write any more, you’ll begin to feel I’ve told you the whole story.
And it’s too good a story not to experience for yourself.
Ensconce yourself, at your earliest opportunity, with a copy of The Optimist’s Guide to Letting Go. I’ll bet you will like it as much as I did.
You were regaled last week with the tale of how I became a full-time writer and embarked on a major work of historical fiction. (If by chance you missed out on this gripping account, you can make up for lost time here.)
My novel, Freedom’s Purchase, tells of a young man, Anders, and a young woman, Maria, who sail from Norway to America and settle in Central Illinois just before the Civil War. Those were years when our nation was in great turmoil, when slave hunters roamed the prairie looking for escapees from Southern plantations, or even for free blacks they could kidnap into slavery. It was inevitable that my characters, Anders and Maria, would come in conflict with Slavery and its minions.
Anders and Maria are based on my real-life ancestors—but they are wholly fictional characters. In other words, they are not the real Anders Gunstensen and Maria Nybro from whom I am descended. But there is some basis, you see, in the common usages of our common past.
While starting to work out the plot for my novel, I attended the University of Wisconsin – Continuing Studies Program’s annual “Write by the Lake” conference; my breakout was a workshop on “Know Your Genre,” taught by Laurie Scheer. We learned what genres are: Mainly, they are categories that allow agents and publishers to know how to pitch your story, and booksellers to know where to shelve it. I told Laurie my idea for a historical novel about Norwegian immigrants in the time of the Civil War.
“An immigrant saga!” she said.
“Yes,” I said. “That’s it.”
She encouraged me to write it. Because of her encouragement, I started to think, “Maybe I could.”
How to Be a Writer, in 1,672 Easy Lessons
I was finding my niche. I had taken T.S. Eliot’s lines as my watchword—
We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time.
By the time I began writing the first draft of Anders and Maria, I had hooked up with a great writing critique group, Tuesdays With Story. We meet twice a month, under the leadership of Jerry Peterson—to read and comment on one another’s work. This task is indispensable to any writer who is serious about developing his or her craft. You need to hear just how your work strikes someone who does not have the big advantage you have—the advantage of living inside your own mind and already knowing what it is you’re trying to convey. It’s all too easy to write things that convey to readers something other than what you intended. The Tuesdays with Story Group is a valuable backstop.
Also, to be a writer in today’s market, you must become a Major Literary Figure on day one. Besides writing and revising your own work, you spend many hours reading and commenting on other people’s work. You do theirs because they do yours; one hand washes the other.
But you also find yourself constantly immersed in many already-published books, both within and outside of your genre. The good, the bad, and the ugly. You can learn something from each one of them, Grasshopper.
And let’s not forget magazines—The Writer and Writer’s Digest—which are de rigeur, and conferences, such as “Write by the Lake” and the UW’s annual spring Writers’ Institute. A good writers’ conference brings together hundreds of people who share this creepy compulsion to put words on paper and have people read them.
The first time I attended the UW Writers’ Institute, in 2018, I knew right away I had found my tribe. We are all different, yet all the same. We have to write. Whether or not we’re any good at it. Whether or not we can sell it. Whether or not we grab the brass ring of fame and fortune.
Later this month I will attend my third Writers’ Institute. I will see old friends and make new ones. I will pitch my book to bona fide literary agents and learn new and better ways to navigate the literary marketplace.
Standing on a Platform
Above all, experts say, “an author needs a platform.” But “platform” has no exact definition. Arnold Palmer, the golfer, had a platform, only it was called an army—“Arnie’s Army,” thousands of devoted fans who showed up and paid good money to follow Arnie across any golf course, in fair weather or foul, whether he was shooting well or ill. That is a platform.
Say you’re famous. You’re Hillary Clinton, or Donald Trump, or Wayne Gretzky, or Ellen DeGeneres. You already have a platform. Just whisper a hint that you might write a book, and top publishers will give you a seven-figure advance.
If you’re a regular person and just hope somebody will read your book, a platform is harder to come by. If you’re already a published author, that’s a start. Readers who loved your cozy mystery The Chocolate Cake Caper might also buy The Apple Pie Fiasco. But if you’re not famous and have nothing in print, then all you have is friends and family. And—what else?—Social Media.
So, about the time I started writing Freedom’s Purchase, I added a “Larry F. Sommers, Writer” page to my Facebook presence. I didn’t know what I would do with it, and in truth, I have not done much. But I use it now and then to mention some little victory or struggle in my ongoing quest as a writer. Right now there are 227 followers on that page. I also have 611 friends on my regular Facebook page. What does that mean? It just means I have friends and followers. Which is good, right? (If you’re not already a friend and follower, I invite you to hop on the bandwagon at https://www.facebook.com/larryfsommers and https://www.facebook.com/LarryFSommersWriter/.)
Into the Blogosphere
Then, about a year ago, I decided to launch this blog. Let me assure you, Kind Reader, I did not do so lightly.
Some folks told me, “Oh, a blog is soeasy! No trouble, no time, a lead-pipe cinch.”
Well, Gentle Reader, Your New Favorite Writer is not among those who just fell off the turnip truck yesterday. No, sir. I knew it would be a grind. Nothing worthwhile is accomplished without significant time and effort.
I decided to do it anyway, because: This blog—titled “Reflections” and subtitled “seeking fresh meanings in our common past”—is not just a promotional device for my novel. Rather, it is a way to relate directly with you and others who like to read about old times and ponder what meanings we might derive from them. So it is not only a way to promote my writing; it IS my writing, so far more than 50,000 words and counting.
Though I approached the project with trepidation, I have been pleasantly surprised by how much I enjoy doing it. Especially I enjoy getting hints from time to time that my work has really connected with a reader. When I read a comment on my blog, or on my Facebook page, that just makes my day. Especially when that person says, “Your story reminded me of . . .”—and then proceeds to tell me a little story from their own experience and recollection. What I wrote stimulated their thoughts about their own past and its meaning.
That is why I am doing it, friends.
So I hope you enjoy it, and I hope you’ll spread the word to others—by mentioning this “Reflections” blog at https://LarryFSommers.com, by sharing it on Facebook, by tweeting it on Twitter, or whatever. And I hope you’ll come back often. We’ll explore a diverse range of human experiences and try to puzzle them out together. And when Freedom’s Purchase—or my new novel, which is completely different—is published, you’ll be among the first to know.
Storytelling is ingrained in the culture of the fire service. I was a firefighter for twenty-eight years, retiring as a fire captain. Invariably, after one of our more dramatic responses someone would say that someday they should write a book about all of this. Of course, very few ever did. So when I retired I decided I would. After all, over my twenty-eight years on the department, I had gained a deep well of experiences and colorful characters to write about, and I was an avid reader. So how hard could it be to write a book? I would soon learn.
How to Become a Writer in Hundreds of Hard Lessons
At least I had the sense to enroll in a creative writing course with the University of Wisconsin Continuing Studies program. That’s when I realized I knew nothing of creative writing. I sucked. Thankfully, the patient instructors were able to inspire me to keep working at this extremely challenging craft. I had compelling stories to tell but did not have the tools to tell them. I kept working, and my writing improved to the point where I began to receive awards in contests. At the UW Writers’ Institute several years ago I was awarded first place in both fiction and nonfiction in their writing contest. This was the validation I needed to continue working on my novel BENEATH THE FLAMES.
I realized I was a writer when I could not give up and walk away from the story. The vast majority of people who begin writing a novel will never finish it. It’s damn hard work. Some days are incredibly frustrating. But then some days fill me with such elation that I know I can never give up writing. There’s nothing like entering my fictional world and letting the story and characters come to me. The power of the creative mind is endless. I just have to give in to it.
Book Launch Coming Up
After ten years of creative writing courses, workshops, conferences, and writing group critiques, the dream is finally coming true. May 31 I will be launching my novel at Boswell Book Company in Milwaukee at 7:00 p.m. It’s been a long road: endless revisions, rejections from literary agents, and self-doubt. Without the guidance of the patient instructors of The Continuing Studies Program and the energizing conferences and workshops, this would still be a dream. The best advice I can give other writers is to attend as many conferences and workshops as possible. I have made so many friends and contacts over the years who have inspired me to keep writing and are now supporting the publication of my novel. It is this network of writing friends who will keep you going through the tough times when you doubt yourself and your story.
All in a Day’s Work
Now begins the other side of writing a book—the process of promotion and marketing. What an eye-opener this has been. Firefighters often say that we were just doing our job when we make a rescue or save a home. And we’re serious. If we happen to be in the right place at the right time, we do what we have to do. Sometimes that can be challenging and incredibly dangerous. But that isour job.
Now, as a writer, I’m supposed to go out and promote myself. I can’t say I was just doing my job as an author. Not too many people would be drawn to my novel if that’s how I pitched it. Now there are interviews, television appearances, newspaper interviews, and book signings. I have to admit this is quite fun and exciting, but what comes with this is the stress of coming off well and being entertaining with the talks.
So it’s been quite a journey and if you can’t walk away from your writing desk, chances are in your favor to succeed. Persistence, persistence, persistence.
If you want to know more about me and my novel please visit my website at https://glrenz.com. You can also preorder my novel there with free shipping until June 1.
Here’s a sample of the many advance reviews the book has received so far:
“Renz draws on his years of experience as a firefighter to bring a hardscrabble authenticity to his novel. He packs the tale with plenty of action and a lot of heart. His firefighting sequences are detailed and thrilling, placing readers right in front of the flames. His prose is clean and, at times, poetic.”—Kirkus Reviews
“Gregory Renz’s new novel is a triumph of poignancy, compassion, and restraint. In it, a man’s regret is transformed to triumph.”—Jacquelyn Mitchard, author of the bestselling novel, The Deep End of the Ocean
“BENEATH THE FLAMESis an action-packed debut novel with something for every reader: suspense, romance, friendship, forgiveness, family, and more. A novel that like its protagonist, relentlessly presses on into fiery and controversial terrain where many other writers fear to tread.”—Nickolas Butler, author of The Hearts of Menand Little Faith
Gregory Lee Renz, retired fire captain and author, was inducted into the Fire and Police Hall of Fame in 2006. In 2008 Gregory traded his turnout gear for a writing desk to pursue his passion. Storytelling. He now lives in Lake Mills, Wisconsin with this wife Paula.