The Book Bidness

How’s this for a business plan?

Simplicity itself, I think you’ll agree. But authors still struggle with it. Especially Step 3.

Dear Reader, I ask you: What’s the difference between an author and an extra-large pizza?

Answer: An extra-large pizza can feed a family.

Believe me when I tell you the book business is tough.

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Castleman

Fortunately for us literary lions, historical perspective is close at hand, courtesy of Michael Castleman. The author of many books, both fiction and non-fiction, Castleman has had a ringside seat to the book business for decades. For the last eighteen years, he has been working on a book about it. Now, after three rejected drafts and much revision, he brings us The Untold Story of Books: A Writer’s History of Book Publishing (The Unnamed Press, 2024).

This volume is indispensable reading for any author, publisher, agent, or bookseller. It covers the waterfront. The author’s nuanced and occasionally sardonic view of the industry may be inferred from a few of his chapter heads:

  • “Gutenberg Went Bankrupt”
  • “How to Reduce the Price of Books: Piracy”
  • “Goodbye Forever, Mrs. Weathersby, I’ve Joined Book-of-the-Month”
  • “Everyone Struggles With Amazon”

But though Castleman presents an unvarnished chronicle, one feels somehow encouraged: After hundreds of years of commercial publishing, replete with blighted dreams and corporate connivery, we still want to make books and people still want to read them. There must be something all right with a business like that, even if most of its denizens are going broke.

Castleman touches lightly on the period from troglodyte narratives offered around the fire through the production of medieval texts by hand copying. But his real focus is on the business of printed books, from Gutenberg till now. 

He says there has not been one book business. There have been three.

The First Book Business

Johannes Gutenberg. Public Domain.

“The first book business,” Castleman writes, “began with Johananes Gutenberg’s invention of movable type and lasted 450 years through the end of the nineteenth century.” It was an author-centric cottage industry. You wrote a book, hired someone with a press to print it, and hawked copies to the public on the streets if need be. All authors were what today we call self-published. A few got rich, but most had to settle for the satisfaction of seeing their words in print.

The Second Book Business

“By World War I,” the author says, “industrial publishing produced the second book business, now called ‘traditional publishing,’ though it lasted only eighty of the book business’s six hundred years.” 

This second book business was publisher-centric. Now, instead of paying a printer to print his manuscript, the author, likely represented by an agent, could sell publication rights to a publisher. This professional publisher then would pay the printer, market the books through bookstores, and feed back to the author a fraction of the revenue as a royalty—keeping the rest as profit. 

This “traditional publishing” model is the one we think of as normal. You know, where the author pockets a huge advance and goes on a nationwide promotional tour arranged and paid for by the publisher. But in reality, only a few authors receive large sums of money in the form of advances or earned royalties. Even authors whose books sell well usually have to take their publishers’ word on how much money they are owed. And successful books have always been subject to piracy by foreign publishers.

In the second book business, a few got rich, but most had to settle for the satisfaction of seeing their words in print.

The Third Book Business

“Around the millennium,” Castleman notes, “the digital revolution launched the third book business.” This business—the one we work in now—is still in its birth pangs. Huge conflicts and controversies abound. No dust has settled, and great clouds of it are being kicked up by everything from Kindle and audiobooks to print-on-demand and artificial intelligence.

It’s enough to make a literary luminary swoon, Gentle Reader. We are all—from Stephen King down to Your New Favorite Author—all of us are treading warily through terra incognita.

Only a few make any serious money; but that’s how it always was.

Steinbeck with Charley. Photo by Hans Namuth/Smithsonian Institution’s National Portrait Gallery.

The late John Steinbeck, who wrote The Grapes of WrathEast of EdenTortilla FlatCannery RowThe Pearl, Travels with Charley, and a long shelf of other highly acclaimed books during the middle part of the previous century, once said:

 “The profession of book writing makes horse racing seem like a solid, stable business.” 

And these days, in the time of the third book business, still it can honestly be said: A few get rich, but most have to settle for the satisfaction of seeing their words in print.

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Don’t underestimate that motive, Dear Reader. There is something wonderful about seeing your words in print. It’s a thrill, no matter how much it costs. 

So now, having vented my thoughts about the book business, thanks to the spur of Michael Castleman’s wonderful book, I shall retire to my library full of leather-bound volumes, don my herringbone tweed coat with leather patches on the sleeves, pack and light my Kaywoodie briar pipe, and bang away at my trusty old Underwood typewriter till dawn.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Keep Writing

Dear Reader: My second novel—a coming-of-age story set in the 1950s, called Izzy Strikes Gold!—will be released on Wednesday, July 24. Publishing a book requires many preparations on the part of publisher and author, who ideally work together hand in hand. Fortunately, I have an excellent publisher, Kira Henschel of Three Towers Press.

Be that as it may, the demands of publishing and selling a book do not exempt an author from Step 2 of my widely-heralded “Six Simple Steps to Literary Lionhood,” namely: WRITE.

Publicizing is not writing, even though it involves some sales-oriented writing. Selling is not writing, even though trhe product you are selling is what you have written.

Two or three months ago I was purring along like a literary machine, cranking out pages and chapters of first draft on my work-in-progress, a World War II novel. But as Izzy’s publication date drew near, the detailed plans for getting this already-written book into print and onto buyers’ bookshelves began to suck up all my time and attention.

It was a relief to take time out last week for coffee with my friend Mary Behan—the wonderful author of Abbey Girls, A Measured Thread, and Finding Isobel. (Rush right out and buy them, or put them on hold at your favorite lending library. You’ll be glad you did!) 

Mary reminded me that we are, first of all, writers. She mentioned a writers’ book called What About the Baby—Some Thoughts on Fiction, by Alice McDermott, a National Book Award Winner. So I rushed right out and got it. So far I’m about two-thirds of the way through.

Alice McDermott says thoughtful, even profound, things about the art of writing fiction. Her main message is that you have to get deeply and passionately into writing down those words of which your story is made. You may do other wonderful things—research, editing, or just thinking—but writing is what gets you where you want to go. It brings to life the wonder and delight of a story well told—a story you didn’t even know you had in you.

That’s really why we write, after all. For that thrill.

I was so inspired I picked up my laptop keyboard and rapped out a new chapter of my WWII novel, which I have duly sent to the members of my two writing critique groups, who will give me feedback this week. 

It’s good to be back in the saddle again, pardner.

By the way—if you cannot attend the fabulous Launch Party for the book Izzy Strikes Gold!, may I cordially invite you to follow along on the livestream via Crowdcast, at this link. If you find you can attend, there may still be a ticket or two left.

See you there.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Birth of “Beneath the Flames”

This is a guest post by Gregory Lee Renz, author of  Beneath the Flames

Greg Renz

Storytelling is ingrained in the culture of the fire service. I was a firefighter for twenty-eight years, retiring as a fire captain. Invariably, after one of our more dramatic responses someone would say that someday they should write a book about all of this. Of course, very few ever did. So when I retired I decided I would. After all, over my twenty-eight years on the department, I had gained a deep well of experiences and colorful characters to write about, and I was an avid reader. So how hard could it be to write a book? I would soon learn. 

How to Become a Writer in Hundreds of Hard Lessons

At least I had the sense to enroll in a creative writing course with the University of Wisconsin Continuing Studies program. That’s when I realized I knew nothing of creative writing. I sucked. Thankfully, the patient instructors were able to inspire me to keep working at this extremely challenging craft. I had compelling stories to tell but did not have the tools to tell them. I kept working, and my writing improved to the point where I began to receive awards in contests. At the UW Writers’ Institute several years ago I was awarded first place in both fiction and nonfiction in their writing contest. This was the validation I needed to continue working on my novel BENEATH THE FLAMES

I realized I was a writer when I could not give up and walk away from the story. The vast majority of people who begin writing a novel will never finish it. It’s damn hard work. Some days are incredibly frustrating. But then some days fill me with such elation that I know I can never give up writing. There’s nothing like entering my fictional world and letting the story and characters come to me. The power of the creative mind is endless. I just have to give in to it.

Book Launch Coming Up

After ten years of creative writing courses, workshops, conferences, and writing group critiques, the dream is finally coming true. May 31 I will be launching my novel at Boswell Book Company in Milwaukee at 7:00 p.m. It’s been a long road: endless revisions, rejections from literary agents, and self-doubt. Without the guidance of the patient instructors of The Continuing Studies Program and the energizing conferences and workshops, this would still be a dream. The best advice I can give other writers is to attend as many conferences and workshops as possible. I have made so many friends and contacts over the years who have inspired me to keep writing and are now supporting the publication of my novel. It is this network of writing friends who will keep you going through the tough times when you doubt yourself and your story. 

All in a Day’s Work

Now begins the other side of writing a book—the process of promotion and marketing. What an eye-opener this has been. Firefighters often say that we were just doing our job when we make a rescue or save a home. And we’re serious. If we happen to be in the right place at the right time, we do what we have to do. Sometimes that can be challenging and incredibly dangerous. But that isour job.

Now, as a writer, I’m supposed to go out and promote myself. I can’t say I was just doing my job as an author. Not too many people would be drawn to my novel if that’s how I pitched it. Now there are interviews, television appearances, newspaper interviews, and book signings. I have to admit this is quite fun and exciting, but what comes with this is the stress of coming off well and being entertaining with the talks.

So it’s been quite a journey and if you can’t walk away from your writing desk, chances are in your favor to succeed. Persistence, persistence, persistence.

If you want to know more about me and my novel please visit my website at https://glrenz.com. You can also preorder my novel there with free shipping until June 1.

Here’s a sample of the many advance reviews the book has received so far:

“Renz draws on his years of experience as a firefighter to bring a hardscrabble authenticity to his novel. He packs the tale with plenty of action and a lot of heart. His firefighting sequences are detailed and thrilling, placing readers right in front of the flames. His prose is clean and, at times, poetic.”—Kirkus Reviews
“Gregory Renz’s new novel is a triumph of poignancy, compassion, and restraint. In it, a man’s regret is transformed to triumph.”—Jacquelyn Mitchard, author of the bestselling novel, The Deep End of the Ocean
BENEATH THE FLAMESis an action-packed debut novel with something for every reader: suspense, romance, friendship, forgiveness, family, and more.  A novel that like its protagonist, relentlessly presses on into fiery and controversial terrain where many other writers fear to tread.”—Nickolas Butler, author of The Hearts of Menand Little Faith

Gregory Lee Renz, retired fire captain and author, was inducted into the Fire and Police Hall of Fame in 2006. In 2008 Gregory traded his turnout gear for a writing desk to pursue his passion. Storytelling. He now lives in Lake Mills, Wisconsin with this wife Paula.