Izzy Rounds Third, Headed for Home

To be filed under “Further Adventures of a Literary Lion”:

TA-DA!! Huzzah!! Thank you very much.

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AND HOW DID THIS GREAT BLESSING COME TO PASS?

Here’s a recap:

When I retired from my retirement job in 2016 to devote myself to writing, I did not know exactly what I would write about. But I figured whatever touched the emotional core of my being would be a good place to start. 

That sent me back to my childhood. Specifically, to my grade-school years in Streator, Illinois, a prairie town of fewer than twenty thousand souls. The era was the 1950s. 

Yes, Gentle Reader, those 1950s. The famous Fifties. The Fabulous Fifties. Which were not always completely fabulous, in case you didn’t know.

But here’s the thing: Life, by itself, does not make good art. If I wrote a simple recollection, you would find nothing remarkable or interesting about it. Indeed, when I look back on my actual childhood, no meaning or theme can be divined. 

Yet it draws forth a strong emotion, a yearning to revisit those moments and find something . . . momentous. That’s why I write fiction. Perhaps I can touch the core truth of life by wrapping it in pretense.

So I made up a juvenile character, Izzy Mahler, a young boy in a small town in the 1950s, beset by bullying schoolmates, mystifying grownups, and a drive to reconcile conflicting events. Izzy’s experiences are my own, but rearranged in the hope they will add up to something.

I wrote a short story, “Nickel and Dime,” that links a six-year-old Izzy with two separate memories—being shaken down by bullies, and buying a candy novelty on credit. The tale had humor and nostalgia, and The Saturday Evening Post featured it on their website May 27, 2016.

Hoping to repeat this success, I wrote a seven-year-old Izzy into a romantic competition with an intriguing classmate, both kids hoping to win a bicycle. This was web-published as “The Liberation of Irma Ruger” on February 3, 2017.

And I hit the trifecta with a slightly deeper story, “The Lion’s Den,” about Izzy, still age seven, and his family tree. This piece won honorable mention in The Great American Fiction Contest and was published in its annual contest anthology.

There was more yet to say about Izzy. I thought there might be a coming-of-age novel buried somewhere in Izzy’s experience. I wanted to write it but didn’t quite know how.

MEANWHILE, my Scandinavian ancestors lured me to devise a fictional story featuring Norsk immigrants and fugitive slaves. This sweeping historical epic took five years to reach fruition and was published in August 2022 as Price of Passage: A Tale of Immigration and Liberation.

After most of the writing was done on Price of Passage, and while engaged in a two-year struggle to get it published, I doubled back and started to work on Izzy’s coming of age. 

This book would be a bit stiffer in content than the innocent childhood tales picked up by The Saturday Evening Post. It would focus on an older Izzy, in the momentous year when he was twelve. 

Alluring and enigmatic Irma Ruger plays a part in the story, and bullies from earlier Izzy stories also appear, as well as a couple of new bullies. This time around, Izzy is mired in a family drama with serious dimensions. But there is also humor and a huge dose of authentic Fifties nostalgia. 

You will enjoy the read, and so will your grandchildren. 

When I thought the book was finished, I did the same thing I had done when I thought Price of Passage was finished. I took it to Christine DeSmet. 

Christine DeSmet

In the most respectful and encouraging way, she took it apart—chapter by chapter, paragraph by paragraph, line by line—and helped me see what was working and what was not. We found enough needed improvements to make the book five hundred percent better than it had been. 

Nobody can do this like Christine. She has a gift and a calling.

The next step was to expose it to the target audience. Though written for ALL readers, Izzy Stirkes Gold! will be classified as a middle grade novel, merely so the booksellers know what shelf to put it on! It’s unlikely the book will appear on many bookstore shelves. Most of its sales will be online or direct from author to reader at book fairs and craft shows. But the need to categorize persists. 

In the publishing world, if your protagonist is twelve years old, you have written a middle grade novel. It’s that simple. Many such books provide enjoyment and edification to full-grown adults, but no matter; they are still middle grade books.

That experience alone was worth the whole effort. I found out what eager learners those kids are, and how they identified with a boy much like them but living in The World of Sixty-Five Years Ago. We had a fabulous time, and they affirmed for me that Izzy Strikes Gold! brings the reader some of the same longings and frustrations I knew as a boy.

By then I had begun a wide-ranging search for an agent or publisher to help me make the manuscript into a book. 

A few weeks ago, I began conversations with Kira Henschel, a very experienced publisher with a catalog of books by wonderful authors. 

As a result, I am now to be one of the wonderful authors in her catalog. This blessed event will occur about halfway through 2024. 

Don’t worry, Dear Reader; I’ll keep you informed. 

When the book comes out, do yourself and your grandkids a big favor: Buy it!

Blessings,

Larry F. Sommers

Your New Favorite Writer

Mom-and-Pop Stores

When I was a boy, every neighborhood had a mom-and-pop store. It was a grocery store, a newsstand, a cigar store, a non-prescription pharmacy, a yo-yo demonstration headquarters, and (best of all) a penny-candy emporium. 

I later learned that in some mom-and-pop stores, Pop also dealt girlie magazines from under the counter and kept an illegal book for bets on the big city horse races. But that’s another story.

Nowadays we go to a nearby warehouse that sells groceries and all things else—Walmart, Costco, or the like. Regular supermarkets like Kroger’s and Hyvee still exist. There are narrowly-focused custom stores, like butcher shops—likely as not, branded “ethical and humane charcuterie.” And there is the ubiquitous convenience store, which also sells everything you can imagine and usually has gas pumps as well.

The convenience stores may be today’s mom-and-pop establishments, with Mom and Pop usually hailing from India, Pakistan, or Korea. New Americans, striving to get ahead, just like previous immigrants. 

But the old-style mom-and-pop store is extinct, or nearly so. The key feature was that it was an easy walk from home. You didn’t have to get in the car and drive through two multi-lane interchanges and a series of mystifying roundabouts to get there. 

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The prime years of my boyhood were lived in Streator, Illinois. We lived in four different houses, in three neighborhoods.

At our first little house, on First Street, where we dwelt in 1951 in the shadow of the Owens-Illinois glass factory, the mom-and-pop store was three blocks away. I don’t remember the name of the store. It was on Wasson Street, on my way home from school. 

I was six years old. One day I stopped and gazed through display glass at the heart-warming array of different candies. One in particular caught my eye: A small police-style revolver modeled in black licorice, with handgrips in white licorice. 

It was a work of art. 

I wanted it. “How much is the little gun ?” I asked.

“That’s a nickel,” said Pop. 

“Charge it,” I said.

My parents had bought things here by saying “Charge it,” so I did, too. Pop whatever-his-name-was must have known which set of grown-ups I belonged to, for he gave me the little gun in a white paper bag and added the nickel to our family’s charge account. It’s not every six-year-old who has established credit.

When Mom detected my crime, she blew a gasket. Then she calmed down and explained that “Charge it” was not a magical phrase to render things free. It was just a phrase that meant Mom and Dad would have to pay for the item later. OHHHH.

The whole tawdry affair formed the premise of my 2016 story, “Nickel and Dime,” published online by the Saturday Evening Post and illustrated by a bit of outdated art from that magazine’s inexhaustible archive. Even with the cornball art, you might get a chuckle out of the story.

The lower floor was a mom-and-pop store in 1951.

I happened to be passing near Streator a few years ago. The building on Wasson Street where I charged the candy revolver still stood, though no longer used as a store. It’s a near-derelict old hillside house, shown in this photo. The room below the overhanging eave was the store’s site.  

More than seventy years on, the little gun remains vivid in my mind. It was so appealing, simply as a visual matter. I never even liked licorice.

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When we moved to Stanton Street a year or two later, the neighborhood store was Marx’s Market, a block west of our house. In another year or two we moved three blocks further west, placing Marx’s store two blocks east of us. 

We kids, now a bit older, with nickels and dimes to call our own, stopped at Marx’s after school, mainly to buy Topp’s bubble gum. The gum was a joke—a thin sheet of pink nothingness. But in the same package were baseball cards that showed our favorite players, their batting averages, and important career information like “bats left, throws right.” We had a lot of fun trading off our duplicate cards. This whole rigmarole is a leitmotif in my middle grade manuscript, Izzy Strikes Gold!  You’ll love the read, once it’s published. 

Marx’s was a distribution point for Duncan Yo-yos. Every spring a Duncan representative brought Mr. Marx a whole new line of bright, fancy-painted, plastic-jewel-encrusted yo-yos.

Word magically permeated our school that the Duncan man would be at Marx’s that very afternoon. Dozens of third- through sixth-grade boys gathered in the scant lot next to the store to watch this exotic pitchman, generally a young Filipino swimming in a sharkskin suit and sporting a mass of slick black hair, as he performed a series of dazzling tricks with the loveliest, most expensive yo-yos in Duncan’s line. After that, we all bought yo-yos. Most of us bought the cheap kind, but nevertheless, we bought.

Fancy yo-yos on display at the National Yo-Yo Museum, Chicao, California. Public Domain photo.

Even with frequent five-minute periods of arduous practice over the next week or two, I never did become a yo-yo master. I should have bought the professional model, the one the salesman used. But my mom and dad were too cheap, so I missed out on a life of fame and fortune on the professional yo-yo circuit.

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When we moved in 1954 to our house on River Avenue, wouldn’t you know it? There was a mom-and-pop store just a block and a half away. I remember only that about it. Trauma has blocked my memory of further details.

Even in those days, we did our main weekly shopping at a larger store—Piggly Wiggly, I guess. But we used the little neighborhood store for small items in the middle of the week. One chilly autumn evening, Mom gave me a quarter and sent me to buy a quart of milk. Riding my Schwinn Wasp cheerily home from the mom-and-pop store, the quart bottle of milk snug in my front carrier basket, I brashly approached the two steps at the end of the sidewalk, which brought pedestrians down to the level of River Avenue. I had just learned to bounce my bike down those steps and was puffed up with pride in the accomplishment.

With the joie de vivre that typified my approach to life at age nine, I jolted the front wheel down the steps. The milk bottle leapt, with what I can only call a perverse will of its own, out of the basket over my front fender and exploded on the pavement. It was a miracle that flying shards of glass did not slash my tires.

When I told Mom what had happened, she gave me a dirty look, a new quarter, and a broom and dustpan for the broken glass. 

On the second trip I chose a more prudent route.

Blessings,

Larry F. Sommers

Your New Favorite Writer