A Creek Runs Through It

More than seventy years later, I can see it in my mind’s eye.

The Brook in the Woods (ca. 1885–86)  by Worthington Whittredge (American, 1820-1910). Public Domain.

I hear it in my mind’s ear. 

I smell it in my mind’s nose.

The Stink Crick.

It was a winding watercourse, an evil stream, a creek, but we called it a crick. Like the wryness that seized your spine after you slept the wrong way—“I had a crick in my neck the whole dadgum day”—only in this usage, it denoted a minor flow of  water.  

The Stink Crick flowed through a wasteland we called The Bottoms, a ragged jungle between the bluffs of Streator, Illinois, and the Vermilion River some eighty feet below. The crick sent a sulfurous odor through the whole Bottoms, that wild gnarly world through which we roved in spring, summer, fall, and winter. 

In those days, I thought the Stink Crick’s bad smell came from the sewage of cheap houses along the southern reach of its meander, but now I doubt that was the cause. I am latterly inclined to believe the all-pervasive smell was the mere outgassing of dissolved hydrogen sulfide from cold water springs in the surrounding bluffs. At least, I hope so.

The smell did not balk us one bit. We scouted the Stink Crick’s basin, ran up and down its banks, along trails faint and broad, at the very edge of the crick, and up over hillocks, through thickets of sumac, wild raspberry, and nondescript green creepy foliage. The lower parts of The Bottoms were choked with rotting trees and hanging, ropy vines. 

But we did not fear; we were masters of the jungle, or at least determined to be so. Against the surrounding spookiness we built forts: Indefensible, symbolic palisades of sticks and woven weeds, held in place by twists of discarded baling-wire dumped by some nameless benefactor beside the old shale road that ran down the middle of The Bottoms. 

The shale road ran down from the corner of River Avenue and Court Street, through The Bottoms, crossed the Stink Crick on a small bridge, and ran out of the jungle on to a flat plain, which held an old brickyard to the south and a cornfield to the north.

My best pal, Jon Anders, and I, in company with a few friends from LaSalle Street, thought it would be a good idea to explore that cornfield one day, under a hot August sun. We’d gotten about halfway through it when a deep bellow greeted us. “You goddam kids! Get outta that corn right now! I’m comin’ after ya! I’ll get the cops on ya! I’ll tell your mas and pas!” 

We ran like the wind all the way back to the Stink Crick and didn’t stop till we got safely on the other side, breathless. It is stored in my memory as an escape in the dark night, with the angry farmer firing several shotgun blasts, narrowly missing our heads. But in reality it was daylight, no firearms were discharged, and we scampered like panicked field mice. The man probably meant us no harm but simply wanted to protect his hard-won crop from damage by heedless children.

I only mention this incident to show you what stout-hearted, Homeric souls we were, and what adventures we therefore had. 

If you didn’t go to The Bottoms via River Avenue and the old shale road, you could get there by simply walking down the hill from our backyard. The hill was long and steep, perfect for sledding, half of it bare and half wooded. 

You could ride a sled down the bare side of the hill, of course. But what fun was that, compared with riding the Snake Path—a twisting, tortuous track that threaded through the thicket of trees on the wooded side of the hill? We did this on runner sleds, Gentle Reader—Flexible Flyers and American Flyers—and we made them fly! 

Flexible Flyer sled. The Children’s Museum of Indianapolis, licensed under CC BY-SA 3.0

You laid yourself down on a slim wooden deck, feet hanging off the back end, body kept six inches off the ground by twin steel runners. Those parallel runners gave a fatal directionality to your swift descent. To disrupt that straight-line plunge, in case there was a tree looming—of which there were many on the Snake Path—you yanked hard on the left or right end of the wooden steering bar while planting a galoshed toe to serve as a pivot point. 

Once you learned the six or seven hairpin turns on the Snake Path, you could reach the bottom at a pretty good speed. I don’t know what speed exactly, but fast enough to lift you and the sled into the air from the ramp-like hump of earth at the bottom of the path. You flew eight or ten feet, landed with a THUMP!, and if at that moment you yanked once more, sharply to the right, you could coast down the ice-coated shale road all the way to the little bridge. 

Oak leaf clusters.

That bridge, in fairer weather, became the scene of a more sinister moment when Jon Anders and I happened on a couple of local bullies, Paul Reynolds and Tom McCann. They were huddled by the side of the bridge, smoking cigarettes. We probably said something to them about that, like “You shouldn’t be smoking.” We were goody-goodies, and Boy Scouts to boot. 

It seemed like any time we got near that bridge, or crossed the crick, trouble found us.

And not just us. The Bottoms and the Stink Crick had it in for girls, too. 

One day I was by myself in a tree halfway down the big hill, practicing how to walk out on a long limb, bending it down and jumping off at the last minute—an essential skill for swashbucklers in those parts. I had nearly reached the end of the branch when Cheryl Marvin came charging up the hill, hollering “Get help! Jackie fell and tore her leg open. It’s real bad.”

“Huh?” I said. “How bad?”

“Where is she?” 

“Down by the crick!” Huff, puff. “Hurry, run home and call somebody for help.”

I sprang into action. I jumped off the branch and ran down the hill to find Jackie Perisho and see what Cheryl meant by “her whole leg is open and you can see inside.” 

When I got there, Jackie was lying on the ground, on the far side of the crick, looking embarrassed. Maybe even mortified, though I didn’t know that word yet. 

“Hi,” I said. “What happened?”

“I fell,” she said. “Caught my leg on a stick, and here I am.”

“Yeah,” I acknowledged. 

I mean, yes: there she was, all right. 

“Looks pretty bad.” I had never seen living calf muscles inside a person’s leg before. “Maybe you should just lay still until help comes. Cheryl went to get some.” 

“I know,” Jackie said. 

We continued to converse in like manner for several minutes until the fire department’s first-aid squad and a flock of concerned parents showed up. The first-aiders closed the big flap of flesh over the exposed meat of the leg and wrapped it tight in gauze, then put her on a stretcher and took her away. 

I never did mention to anyone the fact that by Cheryl’s plan I was supposed to go for help instead of running down to the crick and comforting the victim while Cheryl, out of breath, was left to trudge up the hill and find a responsible adult. I doubt anybody but Cheryl and I ever knew that. And she never brought it up afterwards, perhaps because she did not expect anything better of me anyhow. 

One bright summer day some of our relations came visiting from out of town. I took my Aunt Linda, who is about three years older than I, exploring in The Bottoms. I mean, when you have an outstanding local attraction, you naturally want to show it off. 

I took her around and showed her all the forts we had built, and the places where the Court Street Gang had built forts that we had torn down for them. And a lot of other neat stuff besides. On our way back, I took a shortcut—a big old log over the Stink Crick, not far from where Jackie had fallen down and opened up her leg.

I scampered across the log as I always did, but I suppose there was some slippery moss or something of the sort on the upper side of the log. Aunt Linda fell in. 

It was not life-threatening, but it was gross. Right at that spot there was a little bend where the water eddied and collected in a stagnant pool, about chest deep on Aunt Linda, that was full of all sorts of slimy, stinky, disgusting blackish substances. Smelly, too. 

I may possibly have laughed, because she was quite a sight. But she didn’t think it was funny. 

I pulled her out and led her up the hill to our house. We made a beeline for the driveway, where our green garden hose was hooked to the side of the house. I turned it on and hosed her down. Though she was upset to be covered in filthy, disgusting slime, being renched down in ice-cold water did not brighten her outlook any, that I could tell.  

In the seven intervening decades she has forgiven me. I think.

I could tell you other adventures that happened in The Bottoms, along the banks of the Stink Crick. But you get the idea.

I pulled together some boyhood memories of the Stink Creek, and sandlot baseball and other such things, in my middle-grade coming-of-age novel Izzy Strikes Gold! I had to rearrange reality in order to make a work of fiction—in which the whole is supposed to add up to more than the sum of its parts—but nevertheless, it’s pretty true to life. 

All put together, I don’t suppose my childhood doings amounted to a hill of beans. The only thing to commend them is: this is just the kind of stuff life is actually made of, especially when you are young. Or at least, it used to be.

I do wonder if kids today have places like The Bottoms and the Stink Crick, places that give full scope for their curious, questing selves. I suppose some do have them. But a lot of kids today could never have pointless-yet-formative exploits such as Jon and I and our friends had. Many kids, even my own grandchildren, have all their time programmed and every experience curated to remove risk and add enrichment. 

We never got enriched and we were constantly in peril. Not because our parents didn’t care about us, but they were just so busy doing important grown-up stuff that they assumed we could keep ourselves entertained.

From having revisited the terrain in recent years, I can tell you that sledding hill is now only half as long and half as steep, and most of the trees are gone. The Bottoms and the Stink Crick, bulldozed and fenced off by a private contractor, are nowhere to be seen. 

They persist in my mind, and perhaps a few other old folk’s minds, for a few more years into the future. Then they’ll just dry up and blow away. As if they were never there.

But it was a great place to be a kid. I pray future generations will find enchantments of like dimension.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Hope, Friendship, Love

Izzy Strikes Gold! is now available on pre-order. Reserve your copy now.

Photo by Johnny Cohen on Unsplash

When I was a shy eight-year-old, in 1953, they skipped me a grade. 

Just like that. SHAZAM! 

Photo by John Phelan, licensed under CC-BY-SA-3.0.

Kindly old Mrs. Winders kept me after class one Friday afternoon in October. She sat me down by the dusty chalk rail and said next Monday morning I must report to the room across the hall.

Photo by Rachael Crowe on Unsplash.

Dazed by this announcement, I walked home. Skipping a grade was nothing I had heard of before. I didn’t know it could be done.

I told the news to Mom. She knew all about it. She, Dad, the teachers, the principal, and the school psychologist had already talked at length about this plan to make me a fourth-grader. 

The only one left out of the conversation was me. 

So What Else Is New?

It would have been extraordinary to include a kid in a decision that affected him. 

We were to be seen rather than heard. Why would anyone consult us on a matter of importance? We were defective; that is, not yet adult.

“But Mom, I like my friends in third grade. Those fourth-graders are older than me. I don’t know them.”

“You’ll just have to make new friends.” 

That was that. 

The next Monday, I walked into a classroom where all the kids towered over me.  

Where everybody already knew their multiplication tables.

Students practicing penmanship. Fair use.

Where the cursive characters—which I had barely begun to learn—were posted above the blackboards all around the room, from which vantage point they leered, taunted, and dared me to write using them all the time. And to practice “good penmanship,” whatever that was.

Fourth grade was a place where my new teacher, a mean old lady with beady eyes, saw me as an untutored savage, a burden thrust upon her.

Oh, the Humanity

Van Gogh suffering from an earache. Public Domain.

People say artists must suffer. If they never suffered, it’s not art.

Writers are held to be artists. Therefore we must have suffered too.

In this business of suffering I am also defective. I haven’t suffered much. At age seventy-nine, I look back on a life of tranquillity, prosperity, and more than my share of joy.

But in those days when I was an impostor posing as a fourth-grader—both smaller and younger than my classmates, resented by my harsh teacher, expected to know all sorts of things I had sped past in this oddball promotion—at that time, Dear Reader, if at no other, I thought I was suffering.

Making friends was the least of it. My classmates treated me as a novelty—a mid-season interloper with an overgrown brain and an undergrown body. At least they were nice. They showed a kind of mascot-worthy toleration. One or two offered real friendship.

A couple of years later, Carl Perkins would record “Blue Suede Shoes.” In admiration of this new thing, I began to bond with my classmates, who also liked it. 

Thank God for Rock and Roll.

Introversion

Some other kid, with a different personality, might have used the sudden promotion to take fourth grade by storm. Some folks are outgoing, potentially meteoric, by nature. I am not one of them.

Years and decades have taught me versatility; the skills required to make new friends quickly; the ability to assert my own interests in a pleasant, no-nonsense way so I won’t be huddled in a dark corner when goodies are distributed. But way down deep, I’m still an introvert. 

Timidity ruled me in third and fourth grades. I seemed born to be bullied. 

“Stand up for yourself,” my parents said. 

Now, I know what they meant. Then, I had no clue.

My path to a full social life may have been gradual, but I got here. Gone are my days of quailing and quaking. Life is now good to me. 

Yet the wounds of childhood, even many years later, can still sting.

An Altered Ego

So there was a hidden agenda when I set out, a few years ago, to write fiction.

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
--T. S. Eliot

I created a character, Izzy Mahler—a six-year-old boy, beleaguered by schoolyard bullies who shook him down for money, a dime he did not have. “You’d better get it,” said big bully Barton Bigelow.

Izzy’s first, forlorn appearance, from the Saturday Evening Post’s Depression-era art files. Fair use.

The ingenious means by which Izzy got the dime, warded off Barton Bigelow, scored a candy prize for himself, and learned a lesson in finance, became a fount of quaint humor. The Saturday Evening Post website liked the story well enough to publish it as “Nickel and Dime.” 

By combining a couple of real incidents from early childhood—changing a few names, facts, and relationships—I had given Izzy a success that had eluded the actual me. How’s that for exploration, T. S. Eliot?

Two more Izzy stories, again bought by The Saturday Evening Post, showcased my flair for creative reconstruction of the past.

Then I caught the bug to write The Great American Novel. My great American novel, Price of Passage, took about five years to complete. All along, I had it in mind to write a book about Izzy’s grade-school experiences back in the 1950s. 

And I did it. The result, Izzy Strikes Gold!, is a middle-grade novel that grandparents will also enjoy reading—as a dip into the roseate past, if nothing more. 

Because it features a child protagonist with a child’s problems, this book is classified by booksellers as a middle-grade novel—one meant for readers eight to twelve years old.

But, Dear Reader, I wrote it for EVERYBODY. I hope there’s enough universality in Izzy’s story that people of any age can enjoy it as a snapshot of a magical time in a child’s life. People my age, who can remember the very different world of the 1950s, will resonate with the events contained in its pages. 

Themes

Authors must talk with people about their work. It’s easy to talk about characters and events in a story you have written. It’s harder to talk about themes. 

You may not know the themes until the dust has settled.

Long before starting on the Izzy novel, I shared with my friend Christine DeSmet the fact that I wanted to write a “coming-of-age” book which would be mainly about “acceptance.” That desire sprang from the many times I suffered anxiety, hoping my classmates would accept me as a true peer even though I was younger and smaller, and knew bigger words.

But when the book was finished, I found its main themes are hope, friendship, and love. 

All these transcend mere acceptance. In fact, taken together, they make acceptance unnecessary.

I thought I wrote about a child’s struggle to be tolerated in juvenile society. What came out was a saga of hope tenaciously held, friendship slowly gained, and love made manifest. 

I went in for a penny but came out with a pound.

Having arrived where I started, I knew the place for the first time.

Blessings,

Larry F. Sommers

Your New Favorite Writer

P.S.—If you’re in or near Madison, Wisconsin, on July 24, come to the FABULOUS LAUNCH PARTY. You can buy the book on site and get a genuine author’s signature on the title page. Details here.

If you can’t make the Launch Party, pre-order your copy of Izzy Strikes Gold! so it will come to you as soon as it is released by the publisher.

All the Thrills You Can Affjord

NORWAY!

(Cue opening strains of Grieg’s Piano Concerto.)

Norway. Larry F. Sommers photos, ©2016. 

You should go. I mean now. Drop what you’re doing and buy a ticket. 

Grandpa donated my surname, which is German. But Grandma Sommers was a Gunsten, with two Norwegian grandparents, Anders Gunstensen and Maria Nybro, who came over in the 1850s. 

Norway in blue. Wikimedia Commons. Public Domain.

Since Grandma was half Norwegian, that means Dad was one-quarter Norwegian, so my sister and I are one-eighth Norwegian. Being even one-eighth Norwegian is pretty cool, because Norway is a gorgeous country, full of delicious food and improbable—dare I say quixotic?—heroes.

Norsk Epics

But it’s off the beaten track, on a boreal peninsula. And its population of five million is a fraction of Germany’s or France’s. Norway, to get any press at all, has had to specialize. Her great achievements are mostly explorations, and mostly nautical.

  • Around AD 1,000, Leif Erikson and friends sailed Viking longships across the North Atlantic and discovered America.
  • In the 1890s, Fridtjof Nansen built Fram, an uncommonly sturdy three-masted schooner, which he deliberately stuck in the arctic ice pack to study circumpolar drift. By 8 January 1895 the ice had carried the ship farther north than any ship had ever gone. On 14 March, Nansen and Hjalmar Johansen set out in dogsleds for the North Pole. They had to turn back short of their goal, but they did reach 86°13’6″ N, almost three degrees beyond the previous record.
Nansen and Johansen prepare to depart by sled for the North Pole, 14 March 1895. The ice-bound Fram looms in the background. Public Domain.
  • On 14 December 1911, Roald Amundsen led the first expedition that reached the South Pole. Fifteen years later, Amundsen crossed the North Pole in a dirigible airship, leading what may have been the first expedition ever to reach 90°N by any means. (Three prior claims—by Frederick Cook in 1908, Robert Peary in 1909, and Richard E. Byrd in 1926—have been disputed.)

Thus it was with great expectations that my daughter, Katie, and I drove to Stoughton, Wisconsin, to see Kon-Tiki, a two-hour film dramatization of Thor Heyerdahl’s epic 1947 voyage across the Pacific on a balsa wood raft. It was shown at Livsreise, the amazing new Norwegian heritage center in Stoughton, Wisconsin. (A visit to Livsreise, by the way, is the next best thing to visiting Norway. Think of it as preliminary research for your upcoming trip.) 

Across the Pacific by Raft

In 1950, Heyerdahl, who by the way was a great storyteller, published the book Kon-Tiki, recounting his epic voyage, and it became a best-seller. Heyerdahl was a zoologist, botanist, and anthropologist. His long stay on the little island of Fatu Hiva in the 1930s, and especially a conversation with a tribal elder, persuaded him that the Polynesian islands had been first settled not by Asians traveling eastward—then the prevalent theory—but by South Americans traveling westward. He peddled his theory, in the form of a long research paper, to academics from Norway to New York; but nobody was buying. The killer objection was that South Americans of 1,000 to 1,500 years ago did not have boats that could cross four thousand miles of ocean.

“Expedition Kon-Tiki 1947. Across the Pacific” postcard.  National Library of Norway. CC BY 2.0

“But they did!” Heyerdahl protested. “They had balsa rafts in which they cruised the coast.” He was laughed out of the lecture halls. So Heyerdahl set out to prove that balsa rafts, built with strictly ancient methods, could cross the Pacific. He recruited five fellow lunatics—five Norwegians and a Swede—and they set sail from the port of Callao near Lima, Peru. I will not bore you with details, except for this BIG SPOILER: They made it. And by doing so, they proved that it could have been done, but not that it was done. His theory on the peopling of Polynesia never has become widely accepted.

Nevertheless, the Kon-Tiki story is a typical—did I say quixotic?—Norwegian exploration saga. Well worth your time. Read the book or see the movie. You’ll enjoy it.

Curious Afterthoughts

On the way home after seeing the movie, I resolved to re-read the book. It was fifty years since I had read it, and I wanted to see how much the book had been “Hollywooded” for the film. The answer is—a little bit, but not too badly. For the most part, it sticks to the facts, and certainly to the swashbuckling spirit of the Heyerdahl quest. 

Tom Hanks and Meg Ryan sail the Pacific on a raft made of deluxe steamer trunks in Joe Versus the Volcano.Warner Brothers theatrical release poster by John Alvin.

Another thing that struck me is that Kon-Tiki has a curious fictional doppelgänger in the silly and profound 1990 romantic comedy film Joe Versus the Volcano, starring Tom Hanks and Meg Ryan. If you haven’t seen it, the film is, in my opinion, brilliant—though plenty of people disagree with me. 

In Joe Versus the Volcano, an average guy named Joe Banks crosses the Pacific on a quest of his own. His motives differ from Heyerdahl’s. Beyond that, however, the two men and their quests are surprisingly similar:

  • Quixotic
  • transpacific voyagers
  • who reach their destinations by raft,
  • celebrate with island natives,
  • and accomplish unexpected results.

Thor Heyerdahl and Joe Banks: Each, in his own way, a romantic. Each reaches for a goal he does not fully understand. Each comes up short, but finds a new path anyway.

The only disappointment about Joe Banks is, he’s not Norwegian. 

Uff da!

Larry F. Sommers, Your New Favorite Author

Author of Price of Passage—A Tale of Immigration and Liberation.

Price of Passage

Norwegian Farmers and Fugitive Slaves in Pre-Civil War Illinois

(History is not what you thought!)