Honor Flight

I’m going on an honor flight.

Who’d-a thunk it? 

Flight of Honor participants in Raleigh, NC are welcomed back by crowds. Photo by Rtphokie, licensed under CC-BY-SA-3.0.

You know what I’m talking about? Maybe not, since honor flights are a recent invention. 

Military veterans from a locality are flown, free of charge, to Washington, D.C., on a given day, ostensibly to view the nation’s war memorials. At the originating airport, on board the plane, and at the destination airport—Reagan, Dulles, or Thurgood Marshall—they are drenched with applause and special treatment. Veterans thus honored are often moved to tears.

The original notion was to honor men and women who fought World War II—the “Greatest Generation.” The National World War II Memorial had been completed in 2004, yet few WWII vets had gone to Washington to pay a visit. Soldiers, sailors, airmen, and marines of that vintage were growing old and infirm. How many would live long enough to visit the memorial expressing the nation’s gratitude to them and their fallen comrades?

The National WWII Memorial. Photo by Duane Lempke, licensed under  Creative Commons CC0 1.0 Universal Public Domain Dedication.

The Honor Flight Network, a 501(c)(3) nonprofit organization, was founded by Earl Morse and Jeff Miller, two younger-generation veterans. Wikipedia says it “grew to a veritable forest of volunteerism, fundraising and goodwill toward the Greatest Generation veterans, who had been too busy building their communities to demand recognition for wartime service.” 

Why Me? Why Now?

Since its founding, the progam has naturally progressed to recognizing veterans of the Korean and Vietnam conflicts as well as World War II. 

Although I was involved with the Vietnam War, I never thought of going on an honor flight.   

Those junkets are laid on for doddering old men, I thought. Which certainly does not describe yours truly.

Moreover, I was hardly a gung-ho troop in the first place. In the years when I wore a uniform, bellyaching was the more fashionable posture. I was only too glad to gain separation from the U.S. Air Force 55 years ago. Since then, I have been mostly absent from veterans’ events, organizations, and affairs. 

So why am I listed on the manifest to ride the Badger Honor Flight this coming November? 

One good thing about living so long—I’ll be 79 tomorrow—is that one gains perspective. One mellows. 

Being a Veteran

Though never vocal about claiming respect as a veteran, I have come to realize that there is a point to it. Those who donned the uniform when called upon, whether we endured horrendous combat or performed other tasks, rightly earned our nation’s gratitude.

The historian Steven Ambrose described a particular outfit in World War II using words lifted from William Shakespeare: “band of brothers.” The phrase evokes an intense, unbreakable bond among those who have borne the battle, be they Britons at Agincourt in 1415 or Screaming Eagles at Normandy in 1944. 

King Henry V and his band of brothers at the Battle of Agincourt, 1415. Painting by John Gilbert (1817–97). Public Domain.

The whole corps of us who served, doing any job at all, in the armed forces, may not rate such a heady epithet. The totality of U.S. military veterans, I think of as a “gang of guys with a certain sameness.” 

A Vietnam War-era P-38 can opener, with a U.S. penny shown for size comparison. Photo by Jrash. Public Domain.

We have all been yelled at by noncommissioned officers in boot camp. We learned how to stand up straight and how to salute. Even decades later in civilian life, we align the plackets of our shirts to our belt buckles and trouser flies to achieve a straight “gig line.” Every one of us can still work the official P-38 can opener that was issued with tinned field rations in the days before the introduction of plastic-pouched “Meals, Ready-to-Eat” (MREs). 

These tokens held in common must not be taken lightly.

But, What’s the Point?

Even so, when my late friend Jerry Paulson, a fellow Vietnam-era veteran, came back from his honor flight a couple of years ago and insisted I should sign up, my reaction was skeptical. I am no doddering old man. But then, neither was Jerry, and he’s no longer among the living.

When I learned a bit more about the process, I changed my mind. You see, a veteran doesn’t just go on this trip. A veteran is accompanied every step of the way by a volunteer “guardian.” 

If you need help walking or boarding the airplane, even if you need a pusher for your wheelchair—your guardian is there for that. But what if you happen to be in tip-top shape? You get a guardian anyway! 

It’s right there on the website: “BHF uses a 1:1 Veteran to guardian ratio. We do this to for the safety and accountability of our Veterans. The most important reason is to ensure each Veteran can enjoy their ‘Trip of a Lifetime’ to its fullest.” I suspect they simply don’t want to pick and choose which vets need help and which ones don’t.

The program has volunteers ready to act as guardians. But—this is what snagged me, Dear Reader—you can nominate your own guardian. It can be a member of your family. It can’t your spouse, which would amount to an expense-paid holiday for two. But it can be your son, daughter, niece, nephew, or friend. 

My Guardian

Katie was almost fourteen when Saddam Hussein invaded Kuwait. The First Gulf War, which soon followed, happened when she was a teenager, far removed from any concern with world affairs. By September 11, 2001, she was 25—old enough to fight for her country in the Global War on Terror which followed. But military service, whether compulsory or voluntary, has always been a predominantly male thing. She did not enlist, nor did anyone expect her to.

Though women today serve in all branches, they do not generally grow up with a sense of their own eligibility, vulnerability, or destiny of military service. But young men do.

Historically, our country has provided about one war per generation, and the young men are expected to fight it. Not all of them, but some of them will surely go. The rules of the game—the degree of compulsion or free choice—vary by national policy and historical circumstance. Some are born too late for one war and too early for the next. But all young men live in the shadow of the next war. 

War for men is like motherhood for women. We don’t all experience it, but its very possibility shapes our lives. Those who go through it are formed by it. Those who escape it may feel they have missed out on something, even if it is something better avoided.

I have no memories of real combat, thank God, to haunt my days and disturb my dreams. In those days when battle was a live possibility for my generation, I could have burned my draft card and fled to Canada. A lot of men did. The reason I didn’t was not that I was a super patriot or convinced of the need to fight the Communists in Southeast Asia, but only that I wished to continue being an American, subject to our nation’s laws. 

(If you want the full rationale, look up Socrates’s conversation with his friend Crito. It’s filed under Plato’s Dialogues.)

Crito Closing the Eyes of Socrates, bas-relief by Antonio Canova  (1757–1822). Public Domain. Image file by Fondazione Cariplo, licensed under CC-BY-SA-3.0.

Katie is still a young woman. She’s had no opportunity to understand the nature of the experience her father went through more than fifty years ago, or the resulting bond among a gang of guys with a certain sameness. 

But come November, she’ll accompany me as my volunteer guardian on what amounts to a road trip with a random sampling of that gang of guys. I don’t know who my fellow Badger Honor Flight veterans will be, but I reckon we’ll have a few things in common. Maybe Katie and the other guardians will catch a whiff of what our sameness means to us and therefore to them.

That’s reason enough to go.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Hope, Friendship, Love

Izzy Strikes Gold! is now available on pre-order. Reserve your copy now.

Photo by Johnny Cohen on Unsplash

When I was a shy eight-year-old, in 1953, they skipped me a grade. 

Just like that. SHAZAM! 

Photo by John Phelan, licensed under CC-BY-SA-3.0.

Kindly old Mrs. Winders kept me after class one Friday afternoon in October. She sat me down by the dusty chalk rail and said next Monday morning I must report to the room across the hall.

Photo by Rachael Crowe on Unsplash.

Dazed by this announcement, I walked home. Skipping a grade was nothing I had heard of before. I didn’t know it could be done.

I told the news to Mom. She knew all about it. She, Dad, the teachers, the principal, and the school psychologist had already talked at length about this plan to make me a fourth-grader. 

The only one left out of the conversation was me. 

So What Else Is New?

It would have been extraordinary to include a kid in a decision that affected him. 

We were to be seen rather than heard. Why would anyone consult us on a matter of importance? We were defective; that is, not yet adult.

“But Mom, I like my friends in third grade. Those fourth-graders are older than me. I don’t know them.”

“You’ll just have to make new friends.” 

That was that. 

The next Monday, I walked into a classroom where all the kids towered over me.  

Where everybody already knew their multiplication tables.

Students practicing penmanship. Fair use.

Where the cursive characters—which I had barely begun to learn—were posted above the blackboards all around the room, from which vantage point they leered, taunted, and dared me to write using them all the time. And to practice “good penmanship,” whatever that was.

Fourth grade was a place where my new teacher, a mean old lady with beady eyes, saw me as an untutored savage, a burden thrust upon her.

Oh, the Humanity

Van Gogh suffering from an earache. Public Domain.

People say artists must suffer. If they never suffered, it’s not art.

Writers are held to be artists. Therefore we must have suffered too.

In this business of suffering I am also defective. I haven’t suffered much. At age seventy-nine, I look back on a life of tranquillity, prosperity, and more than my share of joy.

But in those days when I was an impostor posing as a fourth-grader—both smaller and younger than my classmates, resented by my harsh teacher, expected to know all sorts of things I had sped past in this oddball promotion—at that time, Dear Reader, if at no other, I thought I was suffering.

Making friends was the least of it. My classmates treated me as a novelty—a mid-season interloper with an overgrown brain and an undergrown body. At least they were nice. They showed a kind of mascot-worthy toleration. One or two offered real friendship.

A couple of years later, Carl Perkins would record “Blue Suede Shoes.” In admiration of this new thing, I began to bond with my classmates, who also liked it. 

Thank God for Rock and Roll.

Introversion

Some other kid, with a different personality, might have used the sudden promotion to take fourth grade by storm. Some folks are outgoing, potentially meteoric, by nature. I am not one of them.

Years and decades have taught me versatility; the skills required to make new friends quickly; the ability to assert my own interests in a pleasant, no-nonsense way so I won’t be huddled in a dark corner when goodies are distributed. But way down deep, I’m still an introvert. 

Timidity ruled me in third and fourth grades. I seemed born to be bullied. 

“Stand up for yourself,” my parents said. 

Now, I know what they meant. Then, I had no clue.

My path to a full social life may have been gradual, but I got here. Gone are my days of quailing and quaking. Life is now good to me. 

Yet the wounds of childhood, even many years later, can still sting.

An Altered Ego

So there was a hidden agenda when I set out, a few years ago, to write fiction.

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
--T. S. Eliot

I created a character, Izzy Mahler—a six-year-old boy, beleaguered by schoolyard bullies who shook him down for money, a dime he did not have. “You’d better get it,” said big bully Barton Bigelow.

Izzy’s first, forlorn appearance, from the Saturday Evening Post’s Depression-era art files. Fair use.

The ingenious means by which Izzy got the dime, warded off Barton Bigelow, scored a candy prize for himself, and learned a lesson in finance, became a fount of quaint humor. The Saturday Evening Post website liked the story well enough to publish it as “Nickel and Dime.” 

By combining a couple of real incidents from early childhood—changing a few names, facts, and relationships—I had given Izzy a success that had eluded the actual me. How’s that for exploration, T. S. Eliot?

Two more Izzy stories, again bought by The Saturday Evening Post, showcased my flair for creative reconstruction of the past.

Then I caught the bug to write The Great American Novel. My great American novel, Price of Passage, took about five years to complete. All along, I had it in mind to write a book about Izzy’s grade-school experiences back in the 1950s. 

And I did it. The result, Izzy Strikes Gold!, is a middle-grade novel that grandparents will also enjoy reading—as a dip into the roseate past, if nothing more. 

Because it features a child protagonist with a child’s problems, this book is classified by booksellers as a middle-grade novel—one meant for readers eight to twelve years old.

But, Dear Reader, I wrote it for EVERYBODY. I hope there’s enough universality in Izzy’s story that people of any age can enjoy it as a snapshot of a magical time in a child’s life. People my age, who can remember the very different world of the 1950s, will resonate with the events contained in its pages. 

Themes

Authors must talk with people about their work. It’s easy to talk about characters and events in a story you have written. It’s harder to talk about themes. 

You may not know the themes until the dust has settled.

Long before starting on the Izzy novel, I shared with my friend Christine DeSmet the fact that I wanted to write a “coming-of-age” book which would be mainly about “acceptance.” That desire sprang from the many times I suffered anxiety, hoping my classmates would accept me as a true peer even though I was younger and smaller, and knew bigger words.

But when the book was finished, I found its main themes are hope, friendship, and love. 

All these transcend mere acceptance. In fact, taken together, they make acceptance unnecessary.

I thought I wrote about a child’s struggle to be tolerated in juvenile society. What came out was a saga of hope tenaciously held, friendship slowly gained, and love made manifest. 

I went in for a penny but came out with a pound.

Having arrived where I started, I knew the place for the first time.

Blessings,

Larry F. Sommers

Your New Favorite Writer

P.S.—If you’re in or near Madison, Wisconsin, on July 24, come to the FABULOUS LAUNCH PARTY. You can buy the book on site and get a genuine author’s signature on the title page. Details here.

If you can’t make the Launch Party, pre-order your copy of Izzy Strikes Gold! so it will come to you as soon as it is released by the publisher.

Here Comes Izzy

DEAR READER,

Your New Favorite Writer’s second novel, Izzy Strikes Gold! hits the streets July 24, but you can place your order now, for delivery then.

SUMMER 1957: Twelve-year-old Izzy, long on hope and short on cash, claws golden nuggets from the waters of a secret spring. His co-discoverer Collum swears him to secrecy.

Izzy hopes to be a regular kid, not just the class shrimp. Half his brain teems with schemes to fit in with his peers, while the other half struggles to keep his family from falling apart. 

Mom and Dad are at odds, Izzy helpless to save their marriage. The Russians launch the first artificial satellite, blighting Izzy’s hopes of space-age glory. Bullying Lyle dashes Izzy’s self-image; breathtaking Irma seems oblivious to his wistful ardor; and Grandpa, who taught him to be brave, wastes away in a hospital room.

Money could ease these woes—but Izzy has pledged silence about the gold in the hidden spring. 

Deep in dilemmas, how can Izzy hold on to hope? 

A FUNNY, SAD, UNFORGETTABLE JOURNEY, ROOTED IN THE AUTHOR’S OWN BOYHOOD

So What?

I may have mentioned this project oncetwice, or three times in this space. That’s because I’m proud of this book. It’s a story that’s close to my heart.

Being the story of a 12-year-old boy, bookstores classify it as a “middle-grade” novel, meaning it’s for kids.

But we were all twelve years old once, and Izzy’s experiences, while unique to him, are darned near universal among Americans of a certain age. His adventures take place in 1957. Whether or not the Fifties were the time of your youth, you are likely to find things in this brief narrative that speak to your memories, and to your heart. 

It’s a story about a kid trying to fit in.

How You Fit In

If you will be in or near Madison, Wisconsin, on Launch Day—July 24, 2024—you are cordially invited to attend our gala Book Launch Party at Mystery to Me Bookstore. They will have enough copies for everybody who wants one, and I’ll be happy to sign your copy. Tickets are free, but you have to sign up in advance.

If you cannot attend the launch party, you can have your copy in hand shortly after July 24 by pre-ordering now at the publisher’s website.

Of course, you can always wait a couple of months and buy it at your favorite local bookstore; you may have place an order through them. Or get it on Amazon, if all else fails (Don’t look, it’s not there yet).

How To Use the Product

Read it. Then read it to, or give it to, your son, daughter, grandson, granddaughter, neice, nephew, or all of them (you’ll need extra copies). Some readers of recent generations may be astounded at certain things they will read in this book. You may have to assure them that yes, indeed, that’s how things were, not so very long ago.

Come to think of it, this is a book that could start all sorts of useful conversations. 

In case you’ve lost track, you can get it by clicking on the cover image just below: 

Happy reading!

Larry F. Sommers

Your New Favorite Writer

Memorial Day

Today is Memorial Day. 

Photo by Chad Madden on Unsplash

What can I say? Nothing that has not been said before.

It gives me a sinking feeling in my stomach. People died for me. Rightly or wrongly, wisely or foolishly, for good cause or in vain—they gave their lives.

This morning we will attend the Memorial Day Parade in Monona. Given just a little wedge of dry weather, we’ll cheer as our granddaughter marches down the street, playing her trombone in the high school band. We’ll applaud, full of pride and happiness—as we ought.

Our happiness came with a price tag. Later in the day, we’ll make time to remember the fallen. 

  • My great-great-grandfather, Anders Gunstensen, who died of dysentery contracted at Vicksburg in 1863, as surely a victim of the war as if a bullet had found his heart.
  • My uncles, Stanley and Franklin Sommers, shot from the sky at opposite ends of the earth—one over the Solomon Islands, the other over France. They were uncles I never knew, taken before I entered the world. 
  • My friends Billy Harff and Bruce Hulting, among the many lost when America stumbled into a little-understood war in Southeast Asia.
  • Ryan Jopek, a Wisconsin Guardmember who died in Iraq, before his twenty-first birthday. I photographed him with his father before he left Madison.

It’s personal.

War comes for each new generation, with the regularity of a clock striking twelve. 

The aggressor fails to resist the lure of power. The defender can hardly be blamed for choosing  survival.

The cost is obscene, but young men and women must pay it just the same. 

Let us weep for our lost brothers and sisters and honor their sacrifice.

Blessings,

Larry F. Sommers

Your New Favorite Writer

A Time Travelogue

Last week, I took my daughter through a time tunnel. We entered in 2024 and came out in 1951.

Autumn in a German forest. Photo by Dietmar Rabich, licensed under CC-BY-SA-4.0.

Contemporaphobia

Yes, I know: My bill of indictment already lists numberless counts of living in the past. 

How do I plead, Your Honor?  Guilty—but I can explain.

It’s about the stickiness of life. Some of us shoot through like lightning, slick as greased pigs. Others get caught up in the net of circumstance. Our skin adheres to dates, places, and events. We fall farther and farther behind our peers.

Like Emily Webb in Thornton Wilder’s play Our Town, I want people to stop and notice what they’re living through. 

We don’t do that much. The remaining option is to go back and re-examine the past once it’s over; fondle it, breathe in its scent. Get a whiff of the roots.

The Conundrum of Childhood

So Katie and I plunged into LaSalle County, Illinois, to the city of Streator, where the ghosts of my boyhood are laid.

I wanted to expose her to the real-life setting of my forthcoming middle-grade novel, Izzy Strikes Gold! Izzy’s fictional town of Plumb resembles Streator, where I lived for six years.

Katie has already read the book. I showed her the places where this scene happened, where that action unfolded, where the plot took some peculiar turn. She got to feel the ambience of this small place that is in her family’s rear-view mirror.

What did I get out of it? I got to spend time with my much-loved daughter, to talk with her, to give her some sense of the experiences that made her old man who he is.

Thank you, Thomas Wolfe

It’s true: You really can’t go home again. The best I could offer Katie was a string of reminiscences, illustrated by physical ruins.

The first house we occupied in Streator, on First Street in the shadow of the glass factory, is no longer specifically identifiable. It was a tiny place and may lie hidden in one wing of the larger house that stands there now. Or maybe it was razed and replaced.

The Owens-Illinois glass factory still stands but employs a tenth of its former workforce, due to increased automation.

Onized jacket. Fair use.

Formerly, thousands of people worked there. The company sponsored a club, the “Onized Club,” for its employees and their families. They had picnics and bowling leagues. By taking a job with Owens-Illinois, you became “onized.” Folks went to Piggly Wiggly, the corner tavern, or the gas station wearing their “Onized” jackets—just as people today wear Packers gear. It was a badge of belonging. 

Each of the three neighborhoods I lived in had its own mom-and-pop store. Those buildings are still there, but they are no longer stores. 

In the old days, your neighborhood store was a short walk from your house. Today, the gas stations have become convenience stores sprinkled along streets at the edge of town. I guess that’s okay, because people no longer walk much. They drive instead.

Katie, who became a full-grown adult almost instantly, before my astonished eyes, holds a graduate degree in urban planning. I wonder how she views vanishing neighborhood stores, from a professional standpoint.

“Do we lose something,” I want to ask her, “when traffic patterns change?” But I hold my tongue. This trip is not for interrogation or philosophy. It’s just to put her on the ground here in the 1950s.

Merriner Field, beside the old Illinois National Guard armory, is no longer suitable for playing baseball. Its infield is now bisected by an earthen levee designed to keep the Vermilion River in proper bounds. 

In my day, they just allowed it to flood and cleaned up afterwards. 

Did I mention my daughter is also a certified flood plan manager? Here eyes lit up with humor when she saw the green wall where kids once played ball. “Now people downstream can enjoy bigger floods,” she said.

Is it wrong of me to want Katie to see and know these things? Is it vain? 

If she doesn’t experience them, how can she pass the knowledge on to my grandchildren? 

Maybe they need their own trip through the time tunnel.

Carnegie and Endres

One place that has endured fairly well is the Streator Public Library, on Park Street.

Streator Public Library. Fair use.

It’s a handsome building, donated by Andrew Carnegie at the dawn of the twentieth century, its lighted entryway flanked by Ionic columns. A wing was added at the back some years ago, freeing up space in the entire library, giving it an airier and more open floor plan. That’s an improvement, I think.

The big circulation desk still stands front and center when you come in. I approached the folks at the desk—youngsters all—to tell them about my forthcoming book and leave them a pre-publication copy. 

I couldn’t help noticing the desk itself is new, gifted to the city by the son of Oral and Dorothy Endres, who are described in the accompanying plaque as “Long Time Patrons & Fans of the Library.” 

I had Katie take my picture by the plaque.

Your New Favorite Writer and the Oral Endres plaque. Photo by Katie Sommers.

“I knew Oral Endres when I was a kid,” I explained. “He was an old man—maybe forty or so—with receding hair and dark-rimmed glasses. He came around from time to time and sat down at the kitchen table with Mom and Dad to make sure we were covered by Metropolitan Life.” 

Now here is Oral Endres, memorialized in a library desk. 

“What goes around comes around.” I’ve never known just what that saying means. Maybe it refers to the Wheel of Life, picking up loose bits of roadway which may cling for two or three revolutions before falling aside as time rolls on. 

It was nice to encounter Mr. Endres on the back side.

Moving On

From Streator we drove to Ottawa, stopping at Prairie Fox Bookstore to introduce ourselves—and Izzy Strikes Gold!—to the good folks there. I’m hoping we’ll be able to do “author events”—talks and signings—there and at the Streator Library.

Katie’s reward for slogging through this old-time history and contemporary book-schmoozing was nature hikes.

At Matthiesen State Park, which we called Deer Park back in that era when any deer sighting (especially in Illinois!) was a phenomenon, we hiked a sunken trail amid rocky dells, following a babbling stream as far as we could go before the walls closed in.

My daughter found several interesting plants, including an uncommon lady’s-slipper orchid. Did I mention she is a tracker of wild botanicals?

Starved Rock. Photo by Katie Sommers.

But the pièce de resistance was Starved Rock State Park, where sandstone bluffs tower above the broad Illinois River. From the top of the largest bluff, the one where misty legend whispers that a whole tribe of Indians perished in a long siege, one can see a monumental dam across the river and squadrons of white pelicans fishing in its outflow.

The park was established in 1911. In the 1930s, members of the Civilian Conservation Corps constructed the Starved Rock Lodge, a wood structure of elegant rusticity, like similar lodges at Yellowstone and Glacier National Parks. Since paying a brief visit to Starved Rock when I was eight, my bucket list has included an overnight stay at the Starved Rock Lodge. On this trip, we checked it off.

The rooms are cozy. The food, beverages, and service are excellent. After dinner, Katie and I sat on the lodge veranda, which overlooks a broad expanse of the Illinois Valley. We sipped our chosen beverages and talked. It was a great time for catching up. 

A yellow violet. Photo by Katie Sommers.

The next morning, we set out on the park’s hiking trails, which parallel the river and traverse several dramatic tributary canyons. Katie found more plants. We saw squirrels and birds, and plenty of other hikers. 

We covered about five miles of trail, including a few stretches over rough, broken ground. We did not exhaust all the park’s trails, but we did exhaust this old man before climbing back in the car and heading back to 2024.

Starved Rock State Park and its iconic lodge rate my sincere recommendation. Spring, fall, and midweek days in summer would be the best times to visit. On summer weekends you might encounter quite a crowd. 

Blessings,

Larry F. Sommers

Your New Favorite Writer

THE GRAND UNVEILING

It’s time to reveal the cover of IZZY STRIKES GOLD!, my new middle-grade novel from Three Towers Press. In the near future, I’ll post the link for pre-publication orders, but for the moment, just revel in this beautiful cover, please!

I think sensational cover artist KINGA MARTIN got it just right.

IZZY, the twelve-year-old hero of the book, is a real boy, battling real problems in a realistically rendered 1957 setting. But Kinga’s cartoon-like rendering universalizes him, makes him into an Everykid, while perfectly capturing his innocence and venturesome spirit. And all in a brilliant woodland frame that shows the half-magical woods where Izzy’s tormenting secret lives.

But I didn’t have a juvenile audience in mind when I wrote it. I was thinking EVERYBODY could identify with Izzy, a kid trying to balance the child and adult worlds. I know old folks of my generation will enjoy this trip back to the Fifties. If they read the book to their grandchildren, who knows what illuminating conversations might ensue?

IZZY STRIKES GOLD! launches July 24. It will be available from Amazon, Three Towers Press, or your favorite local bookstore.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Peco Yeh: The Gift That Keeps On Giving

Fifty-six years ago, in the streets of Taipei, Taiwan, I purchased a work of art from its creator, the Chinese painter Peco Yeh.

The sordid details of that transaction are mentioned here.

Since then, several people have contacted me to declare themselves owners of other original Peco Yeh canvases.

The latest is Jane Upchurch, who emailed me: “In the early 1970s my (ex) husband was in the military and was stationed in Taipei. He had been to Chinese language school to learn Mandarin. We bought a Peco Yeh painting on the street which I still have in it’s original frame. It’s approximately 16” x 18”.  (It’s hard to see in the attached picture but the little girl is catching a bubble.)”

Jane attached a good photo of the canvas she owns.

Bubble Girl, by Peco Yeh. Courtesy of Jane Upchurch. 

Once again, we have a picture which hints at the multiplicity of styles and subject matter painted by Peco Yeh, the enigmatic twentieth-century artist. The girl is a rather standard renering of a Chinese child. The bubble she embraces is rendered with grace and finesse. We could call it a slice of life. 

Compare this not only with my canvas—a mystical expression of a boatman on a misty morning—but also with pictures provided by Earline Dirks and Joshua Lowe. 

Once again, we have a picture which hints at the multiplicity of styles and subject matter painted by Peco Yeh, the enigmatic twentieth-century artist. The girl is a rather standard renering of a Chinese child. The bubble she embraces is rendered with grace and finesse. We could call it a slice of life. 

Compare this not only with my canvas—a mystical expression of a boatman on a misty morning—but also with pictures provided by Earline Dirks and Joshua Lowe. 

Others who have contacted me and provided images of their Peco Yeh paintings include Earline Dirks and Joshua Lowe.

Chinese boy with lantern. Courtesy of Earline Dirks.

Street scene. Courtesy of Joshua Lowe.

If this keeps happening, this lowly blog may become the world’s leading collection of information about Peco Yeh.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Achievements

(NOTE: The following offering is pure fiction. No chickens, roosters, donkeys, parakeets, or speckled trout were harmed in its production.)

I always figured I would wind up doing something remarkable, like disprove the Pythagorean theorem, or find a cure for chemistry.

Eddie Albert as Oliver Wendell Douglas. Fair use.

It would be mortifying to go down in history as a poultry scofflaw, especially considering I don’t even like Buffalo wings.

Surely they’ve mistaken me for the guy down in the next block who’s always playing Green Acres on his brown furlong. Many’s the bright morning I’ve spotted him standing out in his driveway in vest and tie, seeming about to sing a hymn of praise to The American Farmer. If you ask me, he’s just the type of enthusiast who would breed an egregious brood.

There was a time when the city fathers had too much on their minds to bother with a thing like this. It’s not as if I had a rooster for my flock. That is, if I even had a flock—which I most definitely do not.

I have not a single hen. Why would I get a rooster? Those things go off at four a.m. and can be heard for miles around. 

Gao Qipei  (1660–1734), Braying Donkey (1713). Public Domain. 

We once stayed at a vineyard in Tuscany where the vintner kept some sweet little donkeys. Each dawn, at the first ray, they brayed a paean to the sun god, demonstrating why they are called “mountain canaries.” At least they were cute, unlike any rooster you ever met.

But I digress.

Who You Gonna Call?

Æthelred the Unready. Public Domain.

The point is, I didn’t know what to do. So I called on Milo Bung.

My old schoolmate Milo—fourth cousin to Slats Grobnik and a direct descendant of King Æthelred the Unready—has a big reputation as the nemesis of all officials. He once reduced a building inspector to a heap of wilted artichoke leaves in under thirty seconds.

I don’t know how he does it, but in this hour of crisis, I want Milo on my side. Nonetheless, I hesitated several moments on Milo’s doorstep. 

Finally, I took a deep breath and pressed the button.

The great man himself flung open the door. He was clad in smoking jacket, ascot, and waders. In a brief second, he discerned my status. Milo always could read me like a book.

“Hmm,” he frowned. “Well, you’d better come in, then.”

He withdrew from the door and led me through endless dim corridors to his sanctum sanctorum. I mean, his den. 

Fly rods, woven wicker creels, hand nets, and all the impedimenta of the compleat angler lay strewn over every horizontal and vertical surface. 

“Sit anywhere,” Milo said.

“Going fishing?”

Milo smiled. “Thought I’d sneak up on a few of those speckly little trout things. Season opens on Saturday.” 

“May their finny tribe increase,” I replied. “Perhaps I could just set this tackle box on the floor for a moment.”

“Be my guest.”

“I am,” I reminded him. I shifted the tackle box and sat.

Down to Business

“Now,” Milo said. “What’s on your mind?”

I opened my mouth to speak.

“Don’t tell me. It’s the old excess urban fowl runaround, isn’t it?”

I stared at him. “How did you know?”

“Oh, they’ve got a little calendar down at City Hall. Last week in April, it’s time to hassle homeowners about hens.”

I whipped out my notice and brandished it in his face. “Look here!” I said with righteous anger. “I don’t even keep a parakeet, let alone a chicken.”

“Utterly irrelevant.”

“Is that so?” I huffed and puffed as he gazed on me with pity. 

“Well,” I said after a decent interval. “What should I do?”

“Ignore it.”

Briar pipe, maybe a Kaywoodie. Photo by Petey21. Public Domain.

“Ignore it? An official summons from City Hall?”

Milo nodded, fiddling with a vintage Kaywoodie briar pipe.

“How can I ignore it?”

“You’ll be a sucker and a fool if you don’t.”

“Explain.”

Genius At Work

“When they send you a provocation like this, they mean for you to quail and quiver. It gives them shivers of joy, like a male grunion at the height of the run.” He tapped his Kaywoodie against the heel of his hand and dislodged a few shreds of stale tobacco into a large glass ashtray. “See, they want to get you on the run.”

“What good does ignoring the summons do?”

“It lures them into overplaying their hand.”

“How so?”

Milo chuckled. “They will descend on you with a flying squad of chicken inspectors, most likely backed up by a SWAT team.”

“A SWAT team?”

“Exactly. If you’re lucky, they’ll stage a three a.m. raid.”

“You call that lucky?”

“I should say so!” Milo packed fresh tobacco into the bowl of the pipe, tamping it down with his index finger. “If they make enough fuss, you’ve got them just where you want them.”

“I want them nowhere near my house, is where I want them!”

“Nevertheless, there they are. And no excess chickens to be found on said premises. You really don’t have more than six, do you?”

“I DON’T HAVE ANY CHICKENS AT ALL!!”

“No need to raise your voice. Now, it would help if you could arrange for Biff Brash and his Action TV News Crew to be there with cameras and lights—lots of lights—when the SWAT Team arrives.” 

“Must we go to these lengths, Milo? At last, sir, have you no shame?”

He sucked on the stem of his pipe. “They’ll be so worried about a lawsuit for false prosecution—you’ll be exempt from even mowing your front lawn for at least two years.” 

It’s All Upshot From Here

I stared at my old friend, not in a warm and cherishing way. “Aren’t you going to light that thing?” I asked.

His mouth twisted in horror around the stem of his Kaywoodie. “Light it? Start a conflagration in the house? Muriel would kill me.” 

This from the fearless facer of SWAT teams.

Guess my chickens have come home to roost. I’ll just quietly pay the fine.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Story

Storyteller near Cairo (1878) by Wilhelm Gentz (German, 1822-1890). Public Domain.

What is a story?

A story can be almost anything. We are so much accustomed to telling stories, stories are so ingrained in our psychic and physical makeup, that storytelling and storyhearing can be said to be an essential component of human-ness. 

Second Thoughts

“Where there is no vision,” observes the Book of Proverbs, “the people perish.” 

Vision. Jewish Rabbi Reading The Bible To His Family (1816), by Alexander Lauréus (Finnish, 1783 – 1823). Public Domain.

But vision is hard. 

Revision is easy. At least, I find it so. 

Once there is something substantive down on paper, I can see that something is wrong with it, and I can fix that. Then, I can see that something else is wrong with it, and I can fix that. Eventually, by a painstakingly iterative process, I can get it down to where it’s pretty good.

But getting something substantive down on paper in the first place: that’s the hard part.

Where does that first thing come from?

A Deep Well

Some people believe that inside each one of us, there is a deep well of creativity just waiting to be released as a bubbling fountain of expression.

I find that is true, but it’s hard to get it started. The more I write, the easier it comes. But the pump needs priming.

Writing every day helps, because then you can just continue whatever you were in the midst of writing yesterday. But sooner or later, you finish that project—at least, you finish the first draft. Then, it is ever so tempting to lose yourself in almost endless revisions. That’s a lot more fun.

Red Smith, sportswriter. Fair use.

Red Smith said, “There’s nothing to writing. All you do is sit down at a typewriter and open a vein.” 

Perhaps you wonder, Gentle Reader, why Your New Favorite Writer bores you with all this drivel. 

I keep telling myself that once I get the first draft out on the page, then I can revise it and revise it to the point where you’ll find it noble and inspirational. Or at least acceptable. 

Fellow writer Percy Dovetonsils. Public Domain.

“Aha! I’ve caught you out, O New Favorite Writer! You’re admitting, in black and white for all to see, that it’s all in the revision. In other words, writing the first draft is a mere formality. Perfectly trivial.”

Well, perhaps so, Dear Reader. But let me point out that if it were not for the every-Tuesday-morning character of this blog, I would not have written anything at all. Then where would my much-vaunted revision chops be, O Reader?

And it is the same across the board. I would not write this blog except for the deadline. I would not write a short story except for the need to prove I can write a short story. (The jury is still out.) I would not write a novel except for having gotten some screwball idea about a story I could tell in long form, and then feeling compelled to stick it through to the end.

“So, what are you kvetching about, O Writer? You impose all these deadlines and burdens on yourself.”

Yes, but complaining is half the joy.

Enough, Already

I’ll see you next week Fair Reader. After all, I’ve got a deadline.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Beast of the Moment

Great Pyrenees dog. Photo by Sharp16, licensed under CC-BY-SA-4.0.

A book came in the mail last month, but it was not one I had ordered. 

It was an anthology of short prose pieces and poems, WELL READ Magazine’s Best of 2023, Volume One. It came for free as a contributor’s copy, because I am in it. 

Or rather, ahem, my short story, “Beast of the Moment,” is in it. (Page 171, if you must know.)

It has the three chief virtues of a good story: A beginning, a middle, and an end. (See Poetics vii. 2-3, by Mr. Aristotle, noted Greek philosopher.) It also has an interesting, and humane, subject: an old woman who loves dogs. So, yes, it’s a feel-good story—yet not pollyannish. 

“Beast of the Moment” appeared in the June 2023 issue of WELL READ online magazine. If you wish, you can read it for free here.

But it also appears now in print, in this paperback anthology of 2023’s best pieces. I’m honored it is there. On page 171. I’d strongly advise you to acquire a copy, for it has not only my story but 37 other great pieces by a variety of authors. I read my way through it last week and liked what I saw. There were short prose pieces, both fiction and non-fiction, and a good sprinkling of original poems. 

One piece that made a strong impression was “A Hard Dog,” by Will Maguire, starting on p. 20. It’s a story about a hard dog, and, well, it’s a hard story about a dog. It deals with the relationships between a forlorn man, his recent girlfriend, a stray dog, and the neighbors. There are points where it’s hard to read and you want to give up on it. But if you stick with it, you’ll be rewarded. Maguire tells a hard story, but he tells it with skill and a certain amount of grace. Dog lover or otherwise, I recommend giving it a try.

The next story up is “Evolution of Love,” by the talented and persistent Rob Grindstaff. It’s a romance for the modern era, and it tells its tale with depth and imagination. I promise you’ll get involved in the developing love between positivistic scientist Steven and the faith-based nurturer Dempsey. And there’s a neat little twist at the end that could be magical realism . . . or something else entirely. Don’t miss it.

There’s a flashy story called “Silver Sequins,” by Joy Ross Davis, that will make you think twice. I call it “flashy” because, for one thing, it’s short enough to qualify as flash fiction. It has that nice quality of flash fiction, the quality of not filling you in on everything—just giving you the drift of it and letting you fill in the blanks. But it’s also flashy because its author’s narrative skills are displayed with brilliance and panache. Yeah, I confess: That’s really what I meant. And, just like the stories mentioned above, it’s about—would you believe?—relationships. A well-wrought story, worth a read.

There are pieces that may be fictional short stories but could be mini-memoirs, sprung directly from life. It’s hard to tell with “Choices,” by Robin Prince Monroe; “Waiting for a Signal,” by Jeffrey Dale Lofton; the sardonic “Obituaries,” by Rebecca Klassen; and “What We Keep, What We Throw Away,” by Phyllis Gobbell. Maybe it doesn’t matter whether they’re fact or fiction. Each of these little gems highlights a facet of life that feels as real and experiential as a dropped memory or a parent’s tear for a wayward child.

I fear that by mentioning certain stories I have slighted others. The truth is, they’re all good, all thought-provoking. And the same can be said for the many poems. 

If you’d like to read them all, the price is certainly right: $15.00 paperback, $5.99 Kindle. Get the anthology here.

Happy reading!

Blessings,

Larry F. Sommers

Your New Favorite Writer