It’s headed back to the 80s now, but we had a cold snap a couple of days ago. Daytime highs in the 60s, down to the low 40s at night.
That was First Notice. This happens almost every year in late August or early September.
My back-fence neighbor is firing up his grill again, so hardy is his hope. But summer will soon expire, and there is nothing you can do about it. Portents of autumn are everywhere.
A cheeky squirrel. Photo by Charles J. Sharp, licensed under CC-BY-SA-4.0.
Sparrows and starlings have begun to flock. Twenty or so turkeys marched down our block this morning. More than half were this year’s poults.
Thousands of squirrels have jacked up their metabolisms. They’re getting cheeky. One ran right up to me this afternoon as I sat in my lawn chair reading. When he belatedly saw me for what I am, he retreated only a few feet and made a narrow circle around me.
This is no time for a squirrel to be faint of heart. The harvest is upon us.
Our raspberries—slim pickins back in June and July—now look like making a bumper crop of luscious red fruit in the September cycle. That’s assuming the weather holds. We could have highs in the 80s for a couple more weeks, maybe even three or four. And we’ll keep getting berries until there’s a hard frost at night. That could be sometime in October, if we’re lucky.
What we’re experiencing now, by the way, is not Indian Summer. That comes later, in the fall, if there should happen to be a warm spell after the frost comes. Right now, we’re still in summer.
But summer’s lease, as the Bard of Avon reminds us, hath all too short a date.
Those football guys are kicking their oblate spheroids again, so it’s only a matter of time before the hammer comes down for good.
Birds swooped over the prairie—black birds with red stripes on their wings, lemon-breasted birds that teetered on tall grass stems burbling out notes of joy.
That’s a sentence from page 52 of my first novel, Price of Passage: A Tale of Immigration and Liberation, describing the scene that greets Anders Gunstensen when he arrives on the Illinois frontier in 1853. Anders, having grown up in Norway, does not know the names of American birds. He only knows how they look and sound—and that’s what I was trying to capture.
When I wrote it, I thought it was a pretty ordinary, workmanlike sentence. But of the thousands of sentences in the book, this is the one that pierced the heart of a reader.
A Loved Sentence
We were at the gala book launch for my new middle-grade book, Izzy Strikes Gold!, and Stephanie Hofer, the mother of our former next-door neighbor, approached me to get my signature on her copy of the former book, Price of Passage.
She made a point of showing me that sentence, which she had starred and underlined on page 52 of her copy.
“I just loved that sentence!” Stephanie said.
She did not say she observed, admired, respected, or judged that sentence extremely well-wrought.
She loved it.
Gentle Reader, there are not too many rewards in this author game. Most of us do not get famous, and heaven knows we make no money at it. We have to take our satisfactions where we can. When a reader truly connects with something I’ve written, it thrills me to my core. This is why we write—to connect with another soul.
Eastern meadowlark singing. Photo by Gary Leavens, licensed under CC-BY-SA-2.0.
Stephanie grew up on the Great Plains, where there are miles and miles of tall-grass meadows filled with red-winged blackbirds and meadowlarks. “I remember seeing meadowlarks,” she said.
I am a city boy myself, even though my cities have always been small or medium-sized ones. But my in-laws used to have a place in the country near Dodgeville, Wisconsin. We would go out there on weekends to relax. About that time of my life I got interested in birds and spent many hours on their wooded hillside and the adjacent grassy meadows, binoculars in hand, early mornings or late afternoons.
Many’s the time I’ve been greeted by a spontaneous burst of enthusiasm from a meadowlark perched on the thinnest of stems, just a foot or two above the prairie. That’s what I was thinking of when I imagined Anders the Norwegian tramping across the Upper Midwestern farmlands for the first time.
I knew exactly what I was describing, and Stephanie knew it, too.
Majestic Sentences
I am a writer, and justly proud of my sentences. In the book Stephanie asked me to sign, I planted a few corkers. For instance:
This time of year, the cold earth fights you for every chunk of granite you try to pull up (page 2).
Or how about:
She seized Anders’ head with both hands, as an eagle grips a big fish (page 10).
Or who could forget:
He studied how to wear his blue uniform, how to tilt the hat, how to tie the neckerchief; how and when to salute an officer, how to stand at attention, how to speak with “aye-aye” and “sir” in every sentence; how to call things by naval words—decks, bulkheads, hatches, fore and aft, starboard and larboard, abaft and abeam; how to give proper respect to every officer and petty officer; how to tell time in bells and speed in knots (page 281).
But the one that endeared the book to Stephanie Hofer was the simple one on page 52 about prairie birds.
So What?
Sometimes a single sentence may endear a story to a reader. The part vouches for the whole. And you never know which sentence it will be.
Therefore it behooves a writer to pay attention to sentences, to try to craft each one as well as it can be written.
Winston S. Churchill, former prime minister of the United Kingdom, famously wrote in a memoir:
The young Winston Churchill. Public Domain.
“[B]y being so long in the lowest form I gained an immense advantage over the cleverer boys. They all went on to learn Latin and Greek and splendid things like that. But I was taught English. We were considered such dunces that we could learn only English. Mr. Somervell—a most delightful man, to whom my debt is great—was charged with the duty of teaching the stupidest boys the most disregarded thing—namely, to write mere English. He knew how to do it. He taught it as no one else has ever taught it. Not only did we learn English parsing thoroughly, but we also practised continually English analysis. . . . Thus I got into my bones the essential structure of the ordinary British sentence—which is a noble thing.”
It’s hard to think that Sir Winston was less than brilliant, even as a boy. But there can be little doubt that learning to write sentences was a key to his great success.
Long ago there lived a boy beleaguered by the world. Everything was a potential threat. Bullies and demons lurked everywhere.
Grownups were no help; they had their own problems. It was better to keep your head down.
If life was good, why were so many people so sad?
The more he learned, the more confused he became. By the time he was a teenager, he was downright bewildered.
This boy came into adulthood a bundle of neuroses and labored through the next decades to unlearn misconceptions about life and gradually to attain the art of contentment.
The Long View
When he grew old and retired from work, when no longer besieged by the trials of midlife, the boy looked back on the whole span of his life. Oddly enough, recent years had become a messy blur; but he saw the childhood era with crystalline precision.
He saw much of pain and sorrow, but even more of joy and zest. He wanted to stand before his Maker and say, “Oh . . . now I see how this caused that, and how one thing led to another. . . .” Above all, he wanted to have it all make sense.
But it didn’t. It was just a life. No matter whan angle he took, no matter which way he looked at it, there was nothing in his growing up that explained how he had arrived at grownup responsibilities with such a skewed, anxiety-ridden outlook that it took all his life to get over it. There was no rational understanding of that.
Well, that wasn’t good enough. Not by a long shot.
Writing Therapy
When the boy decided to try being a serious writer, his dearest project became a reconstruction of that bygone era—one in which the joys and sorrows of a rather ordinary childhood balanced out and cast a benign new understanding across the mind-screen of the past. He would write a story where the forlorn hopes and muddled yearnings that lingered in his soul across all the intervening years could find a comfortable home at last.
And, after a great deal of work, this strange project proved possible!
The catch was (there’s always a catch, ask Yossarian)—the catch was, it wouldn’t be the boy’s actual life. Oh, all the incidents of childhood would be there, accurately portrayed in an exact replica of the original setting; yes, of course, a few names would be changed to protect the innocent, as the announcer on “Dragnet” used to say; but every detail would be true. They would just be juxtaposed in such a way that there was a veiled form of causality. The things that happened in the story would have meanings that related to one another, and those meanings would form themes, and the whole thing would be immensely satisfying.
It would be a fiction. But satisfying.
Isn’t that why we tell stories, Gentle Reader? To resurrect our past, but in a better way?
The story became a book, Izzy Strikes Gold!, about a twelve-year-old boy living in a small town in the 1950s. Izzy has to try to keep his family together, but what he most wants to do is fit in with his schoolmates. And all the adjustments he has to make to reconcile those conflicting goals give him an opportunity to grow a larger perspective.
The Fifties are so long ago now that the book counts as historical fiction. It’s also, as a matter of form, what we call a coming-of-age story (or a bildungsroman when we’re being snooty and pretending we know German). From a bookseller’s perspective, it is a middle-grade novel, because it’s axiomatic that a story about a twelve-year-old boy must be targeted at nine-to-twelve-year-old readers. Yet, as someone who remembers the Fifties quite clearly, I must tell you this book is a Nostalgic’s delight. Grandparents will enjoy it as much as their grandchildren.
It came about simply because a boy grew up confused and was left with unsatisfactory longings.
Whooppee!
I am sworn to secrecy on the identity of the boy, but if you’d like to meet him and hear about his journey as an author, boy and man, and maybe even buy a copy of the book and get it signed,and maybe win a fabulous, Fifties-themed door prize, I commend you to the Izzy Strikes Gold! Launch Party, 6:00 p.m. Wednesday, July 24.
Dear Reader: My second novel—a coming-of-age story set in the 1950s, called Izzy Strikes Gold!—will be released on Wednesday, July 24. Publishing a book requires many preparations on the part of publisher and author, who ideally work together hand in hand. Fortunately, I have an excellent publisher, Kira Henschel of Three Towers Press.
Be that as it may, the demands of publishing and selling a book do not exempt an author from Step 2 of my widely-heralded “Six Simple Steps to Literary Lionhood,” namely: WRITE.
The simplest, most accurate definition of a writer is “one who writes.”
Publicizing is not writing, even though it involves some sales-oriented writing. Selling is not writing, even though trhe product you are selling is what you have written.
Two or three months ago I was purring along like a literary machine, cranking out pages and chapters of first draft on my work-in-progress, a World War II novel. But as Izzy’s publication date drew near, the detailed plans for getting this already-written book into print and onto buyers’ bookshelves began to suck up all my time and attention.
It was a relief to take time out last week for coffee with my friend Mary Behan—the wonderful author of Abbey Girls,A Measured Thread, and Finding Isobel. (Rush right out and buy them, or put them on hold at your favorite lending library. You’ll be glad you did!)
Mary reminded me that we are, first of all, writers. She mentioned a writers’ book called What About the Baby—Some Thoughts on Fiction, by Alice McDermott, a National Book Award Winner. So I rushed right out and got it. So far I’m about two-thirds of the way through.
Alice McDermott says thoughtful, even profound, things about the art of writing fiction. Her main message is that you have to get deeply and passionately into writing down those words of which your story is made. You may do other wonderful things—research, editing, or just thinking—but writing is what gets you where you want to go. It brings to life the wonder and delight of a story well told—a story you didn’t even know you had in you.
That’s really why we write, after all. For that thrill.
I was so inspired I picked up my laptop keyboard and rapped out a new chapter of my WWII novel, which I have duly sent to the members of my two writing critique groups, who will give me feedback this week.
It’s good to be back in the saddle again, pardner.
By the way—if you cannot attend the fabulous Launch Party for the book Izzy Strikes Gold!, may I cordially invite you to follow along on the livestream via Crowdcast, at this link. If you find you can attend, there may still be a ticket or two left.
I travel with grandchildren named Elsie and Tristan. And their mother Katie. And their grandmother Joelle, to whom I have been married more than fifty-four years.
Gentle Reader, if you’re exhausted by the mere mention of such treks, welcome to the club.
“Pantaloon – The Sixth Age Shifts into the Lean and Slippered Pantaloon” engraved by William Bromley. Public Domain.
. . . The sixth age shifts
Into the lean and slipper’d pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well sav’d, a world too wide
For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. . . .
—William Shakespeare, “the Seven Ages of Man”
The Native Hue of Resolution
In all innocence, we decided to celebrate our Golden Wedding Anniversary in 2020 by going to Italy. We would take Katie and her kids along to help us celebrate. It would be fun, we thought.
Also, it would be educational—broadening, don’t you know?—for the children. Katie had traveled widely in Europe but had never experienced the grandeur of Italy. Elsie and Tristan, ages ten and seven, had never been abroad at all.
“The Prince’s Cicerone.” Sir Walter Lawrence, 15 June 1905, Vanity Fair illustration by Leslie Matthew Ward (English, 1851-1922).
Young men from Britain or the Americas used to take long European sojourns as way of capping their formal education. This practice, known as “the Grand Tour,” had roots in the burgeoning world of the mid-17th century. It continued through the complacent era just before the outbreak of the First World War—a time now remembered as “La Belle Époque.”
“The primary value of the Grand Tour lay in its exposure to the cultural legacy of classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent. It also provided the only opportunity to view specific works of art, and possibly the only chance to hear certain music. A Grand Tour could last anywhere from several months to several years. It was commonly undertaken in the company of a cicerone, a knowledgeable guide or tutor,”
says Wikipedia.
Being the Astute Reader that you are, I’m sure you already know the Grand Tour was experienced only by scions of wealthy families. Who else could afford such a long ramble and the expensive company of a personal tutor? Moreover, it was only the sons, not the daughters.
Democracy in Action
But, this is America! This is the Twenty-first Century! Travel has been democratized. Even if we can’t go in high style, at least we can travel. Ignore the fact that we swelter in giant sardine cans hurtling through bumpy skies while we watch epic films on seven-inch screens, with prefabricated salads in our laps; at least we are going.
We will get there. We will be there. We will come back. Millions of us.
We hoped to expose Elsie and Tristan “to the cultural legacy of classical antiquity and the Renaissance, and to the aristocratic and fashionably polite society of the European continent.” We, ourselves, would be the cicerones.
What happened next, Dear Reader? Can you guess? . . . That’s right:
COVID.
Starting on March 13, 2020, all transglobal sardines’ wings were clipped. No Grand Tour could be scheduled.
For the benefit of readers from afar: Door County is an idyllic peninsula in northern Wisconsin—a sort of stretched-out Martha’s Vineyard—that hosts thousands of visitors every summer. In late spring of 2020, Door County had not yet become alarmed about covid; it had hardly touched their peninsula. Business—that is, tourism—went on, with just minor precautions.
We took the kids to Door County. We swam and dined and shopped and campfired to our hearts’ content. Tristan, now 8, and Elsie, still 10, enjoyed themselves immensely. We came home, illness-free, just as the pandemic was getting worse everywhere.
One year later, we tried again. But we still couldn’t schedule Italy, which by then was melting down with covid. So we went to Alaska instead. Alaska has plenty of fresh air. The grizzlies and moose at Denali National Park posed no threat at all, from a public health perspective. Local precautions were bearable. The good folks of Alaska were touchingly glad to see us. With all cruise ships lying idle in their home ports, we had America’s Last Frontier almost to ourselves. The kids—now 9 and 11-turning-12—really, really had a great time.
Liberation
Early in 2022, Joelle started her third attempt to plan our Italian anniversary vacation. Covid by now was in retreat everywhere—even Italy. At last, two years late, we celebrated our fiftieth anniversary by taking our grandchildren to Italy. We added Croatia and Slovenia to the itinerary. We had to mask up on public transports in Italy, but otherwise it was all clear. Despite Europe’s hottest summer in living memory, Elsie and Tristan—who by now were 10 and 12-turning-13, loved every minute of their democratized 21st-century Grand Tour.
We were greatly satisfied by the whole, long-delayed, itinerary.
Britannic Majesty
However, since we as a family, unlike wealthy young men of old, could not stay in Europe for months on end, some bits were left uncovered. The British Isles, for example.
Tristan and Elsie, continents apart. Larry Sommers photo.
So this year, after a one-year hiatus, we took Katie, Elsie, and Tristan to Ireland, Scotland, and England—with a clever little layover in Reykjavik to see Iceland’s Golden Circle. It was wonderful. We saw Geysir (the original geyser), Gulfoss the rampaging waterfall, Thingvellir where the European and American plates come together.
British military band prepares for the Changing of the Guard at Buckingham Palace. Larry Sommers photo.
In Ireland, one or more of us went to Blarney Castle, the Guinness Brewery, the Titanic Museum in Belfast, and the Giant’s Causeway. In Scotland, it was lovely old Edinburgh with its mighty castle, followed by a visit to Oban and the exciting islands of the Inner Hebrides. Then on to jolly old England: Derby in the Midlands, followed by several days in London—Buckingham Palace, the London Eye, Westminster Abbey, the Harry Potter studios, the Tower of London, HMS Belfast, the Churchill War Rooms. On our last day, we went to see Wicked on the stage of the Apollo Theatre.
The London Eye never sleeps. Photo by Diego Delso, delso.photo, License CC-BY-SA.
The kids loved the whole trip—so far as we could tell. We had no way to know, since they were always two hundred yards ahead of us. Did I mention that now they’re 12 and almost 15?
“It’s hard traveling with old people,” they confided to their mother. We were slowing them down, you see. Katie reminded them they would not be traveling at all if not for the old people.
In former times, I would have added, “Put that in your pipe and smoke it!” But I’m reformed. No more promotion of tobacco products.
#
Neither Joelle nor I gained any weight while on vacation—a first! We ate copiously, but the travel was just so strenuous. We huffed and puffed along in the wake of individuals who had not even bothered to arrive on Earth until after we retired.
Suddenly, it’s fifteen years later. Our age has begun to dawn on us.
Nevertheless, we’ll probably do the whole thing again. There are still places to go, and tempus does indeed fugit.
Tempus shown in mid-fugit. The Sinnington sundial by Pauline E, licensed under CC-BY-SA-2.0
This week, I shelved a long-held plan—a bucket list item—because I did not feel confident I could pull it off.
I planned to travel across Ireland, from Dublin to little Foynes on the southwest coast, to visit the Foynes Flying Boat Museum. Uncle Ed was a rookie airline pilot, employed by Pan American Airways, in the golden age of flying boats—the late 1930s and early 1940s.
In those days, airlines like Pan Am were pioneering the concept of transoceanic passenger service, in competition with the big steamship lines. It could take a couple of weeks to cross the Pacific on the proverbial “slow boat to China,” but in one of Pan Am’s magnificent Clippers you could make the trip in three or four days. You had to be willing and able to pay a couple of thousand dollars—an astronomical sum in those days—but you would travel in unrivalled luxury and comfort on a big seaplane called a “flying boat.”
These planes—large, boat-shaped hulls with wings and engines attached—were invented to fly from one seaport to another, over water all the way. In a flying boat you could take off and land on any fair-sized body of water—ocean, bay, lake, or wide river. Further, the ability to land on water gave an extra margin of safety in case of engine trouble.
The Anzac Clipper, a boat my Uncle Ed flew. Public Domain.
Uncle Ed flew, in quick succession, the Sikorsky S-40 and S-42, the Martin 130, and the mighty Boeing 314—the ultimate flying boat, only twelve copies ever made.
After the Second World War, when civil aviation resumed its march of progress, flying boats had become obsolete. Land aircraft were now more reliable, most cities now had decent airfields, and boat/plane hybrids were no longer required.
Because I am a sucker for the romance of the flying boats, because a flying boat pilot figures in the novel I am writing, and most of all because Uncle Ed used to fly the beasts, I really craved to visit the flying boat museum in Foynes, Ireland.
Because of that local history, people in Foynes built a museum dedicated to the great flying boats of yesteryear. All twelve Boeing 314s had been reduced to scrap metal before the 1950s were out. So they built a full-sized replica of the great plane. The flying boat in Foynes can’t fly—doesn’t even have complete wings—but a full-sized fuselage sits in Foynes harbor, rigged in detail with seats, a deluxe dining lounge, and the plane’s elaborate flight deck.
Stepping into that mockup, I thought, would give a real sense of what it was like to fly in a B-314. But I had to go on my own. My wife and granddaughter would be off exploring Blarney Castle, while my daughter and grandson biked all over Dublin’s Phoenix Park.
All I had to do was catch a train to Limerick, change to another train across Limerick to the bus station, and make a seven-minute connection with a bus that wanders through the countryside and eventually reaches Foynes. And then, after visiting the museum, retrace my steps and get back to Dublin in time for a late dinner.
In planning, this had seemed feasible. My wife, Jo—the travel planner among us—had given me a printed itinerary for my excursion a week or so before our departure. Somehow, I forgot where I had placed the printout for safekeeping and also forgot, while packing, to hunt it up and include it in my luggage. So there I was in Dublin without the paperwork to guide me on my complicated trip.
That was not my only lapse. I had also left behind all the standard European plug adapters we needed for our stopover in Iceland. I had set them aside in my suitcase, but when adding the British Isles plug adapters, I removed the ones for Iceland. “What do we need these for?” I asked myself. So we struggled through Iceland with minimal recharging capability.
Do you see a pattern here, Dear Reader?
In the first days of our big trip, I discovered several embarrassing memory lapses or confused thought-sequences. Discovering this pile-up of mental aberrations smacked me right in the face.
The night before my trip to Foynes, I chickened out. I would skip the trip to Foynes and stay back in Dublin while everybody else had their own kinds of fun. By the light of day, things didn’t look so bad, and I went with Katie and Tristan to Phoenix Park, which is very nice.
But the Foynes decision took the wind out of my sails. I was unnerved.
“What a revoltin’ development!” William Bendix as Chester A. Riley. NBC Radio. Public Domain
What a revoltin’ development!
I don’t have Alzheimer’s disease, Fair Reader. I probably don’t have any form of specific, diagnosable dementia. But there are times my brain seems to crumble before my eyes.
This concerns me. Life has been treating me so well that I look forward to reaching age 100, active and creative all the way. Going vegetative could interfere with that.
So this post is written in a haze of postmature anxiety.
I can’t resist thinking my discomfiture is a passing thing. I have been so narrowly focused on marketing plans for my forthcoming book—Izzy Strikes Gold!—that other regions of my brain have become temporarily disconnected. That’s all.
So I’m not panicking. I may still go on to a glorious future as Madison’s Old Man of Letters.
But do not fear, Gentle Reader. If I become seriously incoherent, you’ll be the first to know.
Kindly old Mrs. Winders kept me after class one Friday afternoon in October. She sat me down by the dusty chalk rail and said next Monday morning I must report to the room across the hall.
Dazed by this announcement, I walked home. Skipping a grade was nothing I had heard of before. I didn’t know it could be done.
I told the news to Mom. She knew all about it. She, Dad, the teachers, the principal, and the school psychologist had already talked at length about this plan to make me a fourth-grader.
The only one left out of the conversation was me.
So What Else Is New?
It would have been extraordinary to include a kid in a decision that affected him.
We were to be seen rather than heard. Why would anyone consult us on a matter of importance? We were defective; that is, not yet adult.
“But Mom, I like my friends in third grade. Those fourth-graders are older than me. I don’t know them.”
“You’ll just have to make new friends.”
That was that.
The next Monday, I walked into a classroom where all the kids towered over me.
Where everybody already knew their multiplication tables.
Students practicing penmanship. Fair use.
Where the cursive characters—which I had barely begun to learn—were posted above the blackboards all around the room, from which vantage point they leered, taunted, and dared me to write using them all the time. And to practice “good penmanship,” whatever that was.
Fourth grade was a place where my new teacher, a mean old lady with beady eyes, saw me as an untutored savage, a burden thrust upon her.
Oh, the Humanity
Van Gogh suffering from an earache. Public Domain.
People say artists must suffer. If they never suffered, it’s not art.
Writers are held to be artists. Therefore we must have suffered too.
In this business of suffering I am also defective. I haven’t suffered much. At age seventy-nine, I look back on a life of tranquillity, prosperity, and more than my share of joy.
But in those days when I was an impostor posing as a fourth-grader—both smaller and younger than my classmates, resented by my harsh teacher, expected to know all sorts of things I had sped past in this oddball promotion—at that time, Dear Reader, if at no other, I thought I was suffering.
Making friends was the least of it. My classmates treated me as a novelty—a mid-season interloper with an overgrown brain and an undergrown body. At least they were nice. They showed a kind of mascot-worthy toleration. One or two offered real friendship.
Some other kid, with a different personality, might have used the sudden promotion to take fourth grade by storm. Some folks are outgoing, potentially meteoric, by nature. I am not one of them.
Years and decades have taught me versatility; the skills required to make new friends quickly; the ability to assert my own interests in a pleasant, no-nonsense way so I won’t be huddled in a dark corner when goodies are distributed. But way down deep, I’m still an introvert.
Timidity ruled me in third and fourth grades. I seemed born to be bullied.
“Stand up for yourself,” my parents said.
Now, I know what they meant. Then, I had no clue.
My path to a full social life may have been gradual, but I got here. Gone are my days of quailing and quaking. Life is now good to me.
Yet the wounds of childhood, even many years later, can still sting.
An Altered Ego
So there was a hidden agenda when I set out, a few years ago, to write fiction.
We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time. --T. S. Eliot
I thought through historical fiction—stories set in the past—I could fix the past.
I created a character, Izzy Mahler—a six-year-old boy, beleaguered by schoolyard bullies who shook him down for money, a dime he did not have. “You’d better get it,” said big bully Barton Bigelow.
Izzy’s first, forlorn appearance, from the Saturday Evening Post’s Depression-era art files. Fair use.
The ingenious means by which Izzy got the dime, warded off Barton Bigelow, scored a candy prize for himself, and learned a lesson in finance, became a fount of quaint humor. The Saturday Evening Post website liked the story well enough to publish it as “Nickel and Dime.”
By combining a couple of real incidents from early childhood—changing a few names, facts, and relationships—I had given Izzy a success that had eluded the actual me. How’s that for exploration, T. S. Eliot?
Two more Izzy stories, again bought by The Saturday Evening Post, showcased my flair for creative reconstruction of the past.
Then I caught the bug to write The Great American Novel. My great American novel, Price of Passage, took about five years to complete. All along, I had it in mind to write a book about Izzy’s grade-school experiences back in the 1950s.
And I did it. The result, Izzy Strikes Gold!, is a middle-grade novel that grandparents will also enjoy reading—as a dip into the roseate past, if nothing more.
It’s 1957. Twelve-year-old IZZY, long on hope and short on cash, claws golden nuggets from the waters of a secret spring. His co-discoverer COLLUM swears him to secrecy.
Izzy hopes to be a regular kid, not just the class shrimp. Half his brain teems with schemes to fit in with his peers, while the other half struggles to keep his family from falling apart.
MOM and DAD are at odds, Izzy helpless to save their marriage. THE RUSSIANS launch the first artificial satellite, blighting Izzy’s hopes of space-age glory. Bullying LYLE dashes Izzy’s self-image; breathtaking IRMA seems oblivious to his wistful ardor; and GRANDPA, who taught him to be brave, wastes away in a hospital room.
Money could ease these woes—but Izzy has pledged silence about the gold in the hidden spring.
DEEP IN DILEMMAS, HOW CAN IZZY HOLD ON TO HOPE?
Because it features a child protagonist with a child’s problems, this book is classified by booksellers as a middle-grade novel—one meant for readers eight to twelve years old.
But, Dear Reader, I wrote it for EVERYBODY. I hope there’s enough universality in Izzy’s story that people of any age can enjoy it as a snapshot of a magical time in a child’s life. People my age, who can remember the very different world of the 1950s, will resonate with the events contained in its pages.
I hope they will give this book to their grandchildren—read it along with their grandchildren, perhaps. It may spark wonderful conversations.
Themes
Authors must talk with people about their work. It’s easy to talk about characters and events in a story you have written. It’s harder to talk about themes.
You may not know the themes until the dust has settled.
Long before starting on the Izzy novel, I shared with my friend Christine DeSmet the fact that I wanted to write a “coming-of-age” book which would be mainly about “acceptance.” That desire sprang from the many times I suffered anxiety, hoping my classmates would accept me as a true peer even though I was younger and smaller, and knew bigger words.
But when the book was finished, I found its main themes are hope, friendship, and love.
All these transcend mere acceptance. In fact, taken together, they make acceptance unnecessary.
I thought I wrote about a child’s struggle to be tolerated in juvenile society. What came out was a saga of hope tenaciously held, friendship slowly gained, and love made manifest.
I went in for a penny but came out with a pound.
Having arrived where I started, I knew the place for the first time.
Blessings,
Larry F. Sommers
Your New Favorite Writer
P.S.—If you’re in or near Madison, Wisconsin, on July 24, come to the FABULOUS LAUNCH PARTY. You can buy the book on site and get a genuine author’s signature on the title page. Details here.
Your New Favorite Writer’s second novel, Izzy Strikes Gold! hits the streets July 24, but you can place your order now, for delivery then.
SUMMER 1957: Twelve-year-old Izzy, long on hope and short on cash, claws golden nuggets from the waters of a secret spring. His co-discoverer Collum swears him to secrecy.
Izzy hopes to be a regular kid, not just the class shrimp. Half his brain teems with schemes to fit in with his peers, while the other half struggles to keep his family from falling apart.
Mom and Dad are at odds, Izzy helpless to save their marriage. The Russians launch the first artificial satellite, blighting Izzy’s hopes of space-age glory. Bullying Lyle dashes Izzy’s self-image; breathtaking Irma seems oblivious to his wistful ardor; and Grandpa, who taught him to be brave, wastes away in a hospital room.
Money could ease these woes—but Izzy has pledged silence about the gold in the hidden spring.
Deep in dilemmas, how can Izzy hold on to hope?
A FUNNY, SAD, UNFORGETTABLE JOURNEY, ROOTED IN THE AUTHOR’S OWN BOYHOOD
So What?
I may have mentioned this project once, twice, or three times in this space. That’s because I’m proud of this book. It’s a story that’s close to my heart.
Being the story of a 12-year-old boy, bookstores classify it as a “middle-grade” novel, meaning it’s for kids.
But we were all twelve years old once, and Izzy’s experiences, while unique to him, are darned near universal among Americans of a certain age. His adventures take place in 1957. Whether or not the Fifties were the time of your youth, you are likely to find things in this brief narrative that speak to your memories, and to your heart.
It’s a story about a kid trying to fit in.
How You Fit In
If you will be in or near Madison, Wisconsin, on Launch Day—July 24, 2024—you are cordially invited to attend our gala Book Launch Party at Mystery to Me Bookstore. They will have enough copies for everybody who wants one, and I’ll be happy to sign your copy. Tickets are free, but you have to sign up in advance.
Of course, you can always wait a couple of months and buy it at your favorite local bookstore; you may have place an order through them. Or get it on Amazon, if all else fails (Don’t look, it’s not there yet).
How To Use the Product
Read it. Then read it to, or give it to, your son, daughter, grandson, granddaughter, neice, nephew, or all of them (you’ll need extra copies). Some readers of recent generations may be astounded at certain things they will read in this book. You may have to assure them that yes, indeed, that’s how things were, not so very long ago.
Come to think of it, this is a book that could start all sorts of useful conversations.
In case you’ve lost track, you can get it by clicking on the cover image just below:
It wasn’t her fault. She had no way to get there, except with me. Katie had never visited this time, which vanished lon before her birth.
Contemporaphobia
Yes, I know: My bill of indictment already lists numberless counts of living in the past.
How do I plead, Your Honor? Guilty—but I can explain.
It’s about the stickiness of life. Some of us shoot through like lightning, slick as greased pigs. Others get caught up in the net of circumstance. Our skin adheres to dates, places, and events. We fall farther and farther behind our peers.
Like Emily Webb in Thornton Wilder’s play Our Town, I want people to stop and notice what they’re living through.
We don’t do that much. The remaining option is to go back and re-examine the past once it’s over; fondle it, breathe in its scent. Get a whiff of the roots.
The Conundrum of Childhood
So Katie and I plunged into LaSalle County, Illinois, to the city of Streator, where the ghosts of my boyhood are laid.
I wanted to expose her to the real-life setting of my forthcoming middle-grade novel, Izzy Strikes Gold! Izzy’s fictional town of Plumb resembles Streator, where I lived for six years.
Katie has already read the book. I showed her the places where this scene happened, where that action unfolded, where the plot took some peculiar turn. She got to feel the ambience of this small place that is in her family’s rear-view mirror.
What did I get out of it? I got to spend time with my much-loved daughter, to talk with her, to give her some sense of the experiences that made her old man who he is.
Thank you, Thomas Wolfe
It’s true: You really can’t go home again. The best I could offer Katie was a string of reminiscences, illustrated by physical ruins.
The first house we occupied in Streator, on First Street in the shadow of the glass factory, is no longer specifically identifiable. It was a tiny place and may lie hidden in one wing of the larger house that stands there now. Or maybe it was razed and replaced.
The Owens-Illinois glass factory still stands but employs a tenth of its former workforce, due to increased automation.
Onized jacket. Fair use.
Formerly, thousands of people worked there. The company sponsored a club, the “Onized Club,” for its employees and their families. They had picnics and bowling leagues. By taking a job with Owens-Illinois, you became “onized.” Folks went to Piggly Wiggly, the corner tavern, or the gas station wearing their “Onized” jackets—just as people today wear Packers gear. It was a badge of belonging.
Each of the three neighborhoods I lived in had its own mom-and-pop store. Those buildings are still there, but they are no longer stores.
In the old days, your neighborhood store was a short walk from your house. Today, the gas stations have become convenience stores sprinkled along streets at the edge of town. I guess that’s okay, because people no longer walk much. They drive instead.
Katie, who became a full-grown adult almost instantly, before my astonished eyes, holds a graduate degree in urban planning. I wonder how she views vanishing neighborhood stores, from a professional standpoint.
“Do we lose something,” I want to ask her, “when traffic patterns change?” But I hold my tongue. This trip is not for interrogation or philosophy. It’s just to put her on the ground here in the 1950s.
Merriner Field, beside the old Illinois National Guard armory, is no longer suitable for playing baseball. Its infield is now bisected by an earthen levee designed to keep the Vermilion River in proper bounds.
In my day, they just allowed it to flood and cleaned up afterwards.
Did I mention my daughter is also a certified flood plan manager? Here eyes lit up with humor when she saw the green wall where kids once played ball. “Now people downstream can enjoy bigger floods,” she said.
Is it wrong of me to want Katie to see and know these things? Is it vain?
If she doesn’t experience them, how can she pass the knowledge on to my grandchildren?
Maybe they need their own trip through the time tunnel.
Carnegie and Endres
One place that has endured fairly well is the Streator Public Library, on Park Street.
Streator Public Library. Fair use.
It’s a handsome building, donated by Andrew Carnegie at the dawn of the twentieth century, its lighted entryway flanked by Ionic columns. A wing was added at the back some years ago, freeing up space in the entire library, giving it an airier and more open floor plan. That’s an improvement, I think.
The big circulation desk still stands front and center when you come in. I approached the folks at the desk—youngsters all—to tell them about my forthcoming book and leave them a pre-publication copy.
I couldn’t help noticing the desk itself is new, gifted to the city by the son of Oral and Dorothy Endres, who are described in the accompanying plaque as “Long Time Patrons & Fans of the Library.”
I had Katie take my picture by the plaque.
Your New Favorite Writer and the Oral Endres plaque. Photo by Katie Sommers.
“I knew Oral Endres when I was a kid,” I explained. “He was an old man—maybe forty or so—with receding hair and dark-rimmed glasses. He came around from time to time and sat down at the kitchen table with Mom and Dad to make sure we were covered by Metropolitan Life.”
Now here is Oral Endres, memorialized in a library desk.
“What goes around comes around.” I’ve never known just what that saying means. Maybe it refers to the Wheel of Life, picking up loose bits of roadway which may cling for two or three revolutions before falling aside as time rolls on.
It was nice to encounter Mr. Endres on the back side.
Moving On
From Streator we drove to Ottawa, stopping at Prairie Fox Bookstore to introduce ourselves—and Izzy Strikes Gold!—to the good folks there. I’m hoping we’ll be able to do “author events”—talks and signings—there and at the Streator Library.
Katie’s reward for slogging through this old-time history and contemporary book-schmoozing was nature hikes.
At Matthiesen State Park, which we called Deer Park back in that era when any deer sighting (especially in Illinois!) was a phenomenon, we hiked a sunken trail amid rocky dells, following a babbling stream as far as we could go before the walls closed in.
My daughter found several interesting plants, including an uncommon lady’s-slipper orchid. Did I mention she is a tracker of wild botanicals?
Starved Rock. Photo by Katie Sommers.
But the pièce de resistance was Starved Rock State Park, where sandstone bluffs tower above the broad Illinois River. From the top of the largest bluff, the one where misty legend whispers that a whole tribe of Indians perished in a long siege, one can see a monumental dam across the river and squadrons of white pelicans fishing in its outflow.
The park was established in 1911. In the 1930s, members of the Civilian Conservation Corps constructed the Starved Rock Lodge, a wood structure of elegant rusticity, like similar lodges at Yellowstone and Glacier National Parks. Since paying a brief visit to Starved Rock when I was eight, my bucket list has included an overnight stay at the Starved Rock Lodge. On this trip, we checked it off.
The rooms are cozy. The food, beverages, and service are excellent. After dinner, Katie and I sat on the lodge veranda, which overlooks a broad expanse of the Illinois Valley. We sipped our chosen beverages and talked. It was a great time for catching up.
A yellow violet. Photo by Katie Sommers.
The next morning, we set out on the park’s hiking trails, which parallel the river and traverse several dramatic tributary canyons. Katie found more plants. We saw squirrels and birds, and plenty of other hikers.
We covered about five miles of trail, including a few stretches over rough, broken ground. We did not exhaust all the park’s trails, but we did exhaust this old man before climbing back in the car and heading back to 2024.
Starved Rock State Park and its iconic lodge rate my sincere recommendation. Spring, fall, and midweek days in summer would be the best times to visit. On summer weekends you might encounter quite a crowd.
It’s time to reveal the cover of IZZY STRIKES GOLD!, my new middle-grade novel from Three Towers Press. In the near future, I’ll post the link for pre-publication orders, but for the moment, just revel in this beautiful cover, please!
I think sensational cover artist KINGA MARTIN got it just right.
IZZY, the twelve-year-old hero of the book, is a real boy, battling real problems in a realistically rendered 1957 setting. But Kinga’s cartoon-like rendering universalizes him, makes him into an Everykid, while perfectly capturing his innocence and venturesome spirit. And all in a brilliant woodland frame that shows the half-magical woods where Izzy’s tormenting secret lives.
MATT FIEDLER, fifth-grade teacher at Winnequah School, pointed out the style of illustration is reminiscent of animé, an art form “the kids really like.” I know already that the kids in Matt’s 2022-2023 class like the book itself, because I read it to them in installments last year.
But I didn’t have a juvenile audience in mind when I wrote it. I was thinking EVERYBODY could identify with Izzy, a kid trying to balance the child and adult worlds. I know old folks of my generation will enjoy this trip back to the Fifties. If they read the book to their grandchildren, who knows what illuminating conversations might ensue?
IZZY STRIKES GOLD! launches July 24. It will be available from Amazon, Three Towers Press, or your favorite local bookstore.
