Why do I blog?

Dear Reader: A writer friend recently asked, “What are the benefits of having a blog?” One could turn the question around and answer, “One of the benefits of having a writer friend who asks about blogs is that it may prompt the production of a blog post.” Read on.

“In my dotage, I am reduced to bloggery.”—King Lear, Act VII, line 4,926. Painting: King Lear and Cordelia, by Benjamin West (1793) / Folger Shakespeare Library, Wikimedia Commons.

When I was young, I did not know what “blog” meant. It didn’t mean anything, yet. Nobody knew what a blog was, because the word hadn’t been invented. The thing hadn’t been invented.

Aw, shucks—computers were giant machines in huge buildings, fed and monitored by teams of scientists in white lab coats. They were used only for Big Problems, like calculating the complete value of π as it will be revealed on the Day of Judgment. 

I did know I wanted to be a writer, but that’s as far as it went: wanting to. It may strike you as crazy, Dear Reader, but I had not the slightest idea how to be a writer. 

As far as I knew, you would shut yourself up in a room with a typewriter and a ream of paper, and SHAZAM!, something would strike you, and you would write it down, mail it off to Bennett Cerf, and get a million dollars. 

Well, it worked for Melville and Hemingway and Louisa May Alcott—why not for me?  Never mind that Melville could barely support his family, Hemingway killed himself, and Alcott wrote girly stories: the point was, you had to do your writing all alone, and it was a divine gift, not something that could be learned.

I now believe that writers do NOT produce great works in isolation. Homer’s epics were no doubt recited over and over, to many different audiences, giving him an idea what worked and what didn’t. Shakespeare’s plays, like all plays, were molded line by line as actors spoke those lines and played the parts. The great American pantheon of writers—Emerson, Thoreau, Longellow, Holmes, and the rest—all knew one another, read one another’s work, and functioned as a little New England-based Algonquin Roundtable.

I’ll bet even J.D. Salinger learned something from somebody. He was just too much of a jerk to admit it.

When I finally began aspiring to be a writer seriously, after retirement from other gigs, I knew that I needed to seek out those who could teach me. They included actual writing teachers like Christine DeSmet and Laurie Scheer, but they also included a great many fellow writers. Comrades in arms; sufferers from the writing disease. People who, like me, spent their time down in the trenches of storytelling—looking for ways to make our efforts stand out and attract readers. 

I learned that writers like to form little clubs—groups for mutual critique and support. In one of the writers’ groups I joined, Tuesdays With Story, blogs came up in conversation. By this time, blogs had become a thing. 

Blogs may be very specific, devoted to one craft, hobby, or special interest. But on the whole, they tend to range a bit wider. A blog can be a window into a writer’s soul.

It was rumored in our group that if one was writing novels and wanted to get them published and read, it was essential to have a “platform”—a basis for public recognition of one’s work. And a blog was a great way to build a platform.

But, Fair Reader, please be advised Your New Favorite Writer did not just fall off a turnip truck. Oh, no. It was immediately apparent that a blog, if it was to be any good, would be just as much work as any other form of writing. If I wanted to have a blog and have that blog represent my work fairly to the world, I would have to put as much time and effort into it as into my novels and short stories. And what would be the point of that?

“Well,” said my friend Jerry Peterson, then the convener of the Tuesday night group, “you might think of a blog as not just a way to promote your work. It might be your work—or at least a significant part of it. After all, you can write whatever you want, and as owner of the web address, you are in a position to present it to the world, without an intervening gatekeeper.” 

Oh. 

That.

Jerry was suggesting that a blog is essentially a form of self-publishing. In those days, only a few short years ago, self-publishing was not as respected as it is today. Still, it was a way to get my work in front of people. People who might like what I’m doing and hunger for more. Books, for example. 

I could see where this was going. I resolved to plunge in, give it a try. That was over six years ago. What you are reading now is the 317th installment of this blog, titled “Reflections.”

Why this, particular, blog? 

When I started writing it, I did not know what I was doing. But people whose views I respected said, “Your blog should have a theme, a brand. It should be identifiable as something. You should have some idea what you’re trying to do with it.” 

Well, it was to be a means of presenting my writing to the public. Well, that was all to the good. For the first time in my life, I felt like I had something to present to the public. I wasn’t qite sure what, but I was on the trail. 

Did I mention, Gentle Reader, that there was a gap of sixty years or so between when I first knew I wanted to be a writer and when I actually started learning how?

I now recognize that long hiatus as being merely the most obvious symptom of the fact that, when I started out, I didn’t have anything to say. But as we age, we acquire experience and even, we hope, wisdom. 

Now, I do have something to say. It’s just hard to figure out what it is, and how to say it. But not impossible. And the figuring out is best done by actually writing. Somebody said you have to write a million or so words of bad writing before it starts coming out good. So I’m working on that. 

I’ve got something to say. I can say it in writing. It’s just hard. 

By the time I launched this blog, I had already figured out that everything I have to say comes out of my deep attachment to the past—my commitment to re-experience the past, to plumb its depths, and to refashion historical knowledge into historical fiction: writing that says, “within an understandable historical context, here is what life may be, at its best or at its worst, but definitely life as best apprehended in the living of it.” 

If this is what my writing is about, it’s what my blog should address. I knew that, with a weekly deadline, I would wind up rambling a bit and imprinting my own personal take on what it means to dig into the past and relate it to the present. So I decided to call this blog “Reflections”—a very general kind of label—but to further qualify that with the catch-phrase “seeking fresh meanings in our common past.” 

That’s what Your New Favorite Writer has been trying to do every week since then. 

What has surprised me is how ccreativity is like a well. In a good water well, you may have to prime the pump, but once you do, it brings up fresh stuff. The well never runs dry. Almost every Tuesday for the last six years I’ve found something to write about, to the tune of a thousand words or so.

Sometimes I miss Tuesday and post a day late (like this week!). Once in a while I have not had time to do a new post and so have re-run an old one. But not very often. It’s just a matter of tweaking my brain a bit, and out it comes.

Some posts are more consequential than others. Some more literary, some more wry, some more snarky. But all have to do, in one way or another, with the passage of time and what that means in the living of life. 

They are not full novels, like The Price of Passage or Izzy Strikes Gold!, but they’re well-meant installments in a writer’s quotidian encounter with the stuff inside and the stuff outside. I hope you find some merit in the reading.

Until next time,

Blessings,

Larry F. Sommers

Your New Favorite Writer

Alas! A Convoluted Tale

Finally, it’s here. I refer not to the Trump second term, however you may feel about that. 

No, I’m talking about something of epochal importance: The re-publication of my historical novel, Price of Passage, in a new edition, re-titled The Price of Passage.

The re-emergence of this monumental work, its light hidden under a bushel by the collapse of its original publisher, has been a rocky road indeed. 

Some rocks still lie in the path ahead.

How It All Began

I had a gripping Civil War story, which had taken most of five years to write. Its title was Freedom’s Purchase. I did not really like that title, but it was the best I could come up with. 

After a lot of folderol, I found a traditional publisher, Dan Willis of DX Varos Publishing, who was willing to take a chance on it. While bringing it to publication, we hit upon a new, improved title: Price of Passage: A Tale of Immigration and Liberation. The title and subtitle echoed themes and plots in my book, which is about Norwegian immigrants and fugitive slaves. 

We released Price of Passage on August 23, 2022, with a fabulous launch party at Mystery to Me Bookstore in Madison. Then I began making the rounds of libraries, bookstores, book festivals, and craft shows to sell and sign copies, in person, with real book-buying customers.

Meanwhile, I was working on my next book, a coming-of-age story called Izzy Strikes Gold!

And Then What Happened?

Besides direct sales at public events, we were selling Price of Passage on the internet through Amazon or the publisher’s own website. These sales generated royalty payments, which the publisher owed me on a quarterly basis. But in July 2023, less than a year after the book was published, the royalties ceased. 

The publisher, Dan Willis, had died

This was terrible news: First, because Dan had been a straight shooter in his dealings and a valued partner to me and other authors; second, because it turned out that nobody was up to the job of taking his place, and the DX Varos publishing company soon stopped functioning as a normal publishing company. 

Not to bore you with sordid details, Gentle Reader, but Your New Favorite Writer barely managed to get his rights back. It was a close call. 

So now it was back to Square One. I was the sole owner of a great literary property but needed a publishing partner to put it back into the market. I was up a creek with no means to propel my craft. 

Kira to the Rescue

The hero of this story is Kira Henschel. Kira, who owns and operates HenschelHAUS Publishing of Milwaukee, heard about my plight from a guardian angel, Christine DeSmet. Kira met me over coffee and agreed on the spot to re-publish Price of Passage and also to publish the next book, Izzy Strikes Gold!

Because of logistics, Izzy came out first, in July 2024, from Kira’s Three Towers Press imprint, and it has been well received. Now, Price of Passage is being re-published, also by Three Towers. The release date is next Saturday, February 1. The book is already up on Amazon, where you can lodge a pre-order. 

It’s Always Something

If it isn’t one thing, Fair Reader, it’s another.

The book has a wonderful new cover, designed by Rony Dhar. It also has a slightly new title: The Price of Passage: From Norway to America, From Slavery to Freedom. It’s close to the old title—which would be wonderful if we were pitching horseshoes

Only we’re not pitching horseshoes, we’re pitching a book. Because the title of the new edition is slightly different from the original title, Amazon won’t carry the book’s 28 positive customer reviews over to the buying page for the new edition. This is a major hindrance, since Amazon customer reviews in the listing greatly influence the buying decisions of new customers.

We need to get new reviews for The Price of Passage, even though the entire content is exactly the same book that already garnered 28 good reviews.

“How Can I Help?”

This one’s kaput.

If you’ve never read the book, Dear Reader, you don’t know what you’ve missed. And now it’s back on the market. Buy it; read it; and when you like it, post a positive review. It’s simple. Just go to The Price of Passage: From Norway to America, From Slavery to Freedom. Scroll way down the listing to where it says, on the left, “Write a Customer Review.” Click on that button and follow Amazon’s instructions. 

You don’t have to write a book report. Just a sentence or two about why you liked it will suffice.

Read this one instead.

If you’re one of those who have already read Price of Passage but have not yet left a review, please do so. You can honestly review it at the page shown above for the new edition, even though what you read was the old edition—because the books are the same, word for word. Only the title and cover have changed. But please do leave a review. You’ll be helping a lot.

Finally, if you already did read the book and already did leave a review, please go to the page shown above and leave a review again under the new edition. It can be a brand new review, or you can use the same words you did before. If you don’t remember what you wrote before, email me at larryfsommers@gmail.com, and I’ll send you the text of your previous review.

The literary world embraces your willing, cooperative spirit. And I thank you from the bottom of my heart, you wonderful person.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Izzy Rounds Third, Headed for Home

To be filed under “Further Adventures of a Literary Lion”:

TA-DA!! Huzzah!! Thank you very much.

#

AND HOW DID THIS GREAT BLESSING COME TO PASS?

Here’s a recap:

When I retired from my retirement job in 2016 to devote myself to writing, I did not know exactly what I would write about. But I figured whatever touched the emotional core of my being would be a good place to start. 

That sent me back to my childhood. Specifically, to my grade-school years in Streator, Illinois, a prairie town of fewer than twenty thousand souls. The era was the 1950s. 

Yes, Gentle Reader, those 1950s. The famous Fifties. The Fabulous Fifties. Which were not always completely fabulous, in case you didn’t know.

But here’s the thing: Life, by itself, does not make good art. If I wrote a simple recollection, you would find nothing remarkable or interesting about it. Indeed, when I look back on my actual childhood, no meaning or theme can be divined. 

Yet it draws forth a strong emotion, a yearning to revisit those moments and find something . . . momentous. That’s why I write fiction. Perhaps I can touch the core truth of life by wrapping it in pretense.

So I made up a juvenile character, Izzy Mahler, a young boy in a small town in the 1950s, beset by bullying schoolmates, mystifying grownups, and a drive to reconcile conflicting events. Izzy’s experiences are my own, but rearranged in the hope they will add up to something.

I wrote a short story, “Nickel and Dime,” that links a six-year-old Izzy with two separate memories—being shaken down by bullies, and buying a candy novelty on credit. The tale had humor and nostalgia, and The Saturday Evening Post featured it on their website May 27, 2016.

Hoping to repeat this success, I wrote a seven-year-old Izzy into a romantic competition with an intriguing classmate, both kids hoping to win a bicycle. This was web-published as “The Liberation of Irma Ruger” on February 3, 2017.

And I hit the trifecta with a slightly deeper story, “The Lion’s Den,” about Izzy, still age seven, and his family tree. This piece won honorable mention in The Great American Fiction Contest and was published in its annual contest anthology.

There was more yet to say about Izzy. I thought there might be a coming-of-age novel buried somewhere in Izzy’s experience. I wanted to write it but didn’t quite know how.

MEANWHILE, my Scandinavian ancestors lured me to devise a fictional story featuring Norsk immigrants and fugitive slaves. This sweeping historical epic took five years to reach fruition and was published in August 2022 as Price of Passage: A Tale of Immigration and Liberation.

After most of the writing was done on Price of Passage, and while engaged in a two-year struggle to get it published, I doubled back and started to work on Izzy’s coming of age. 

This book would be a bit stiffer in content than the innocent childhood tales picked up by The Saturday Evening Post. It would focus on an older Izzy, in the momentous year when he was twelve. 

Alluring and enigmatic Irma Ruger plays a part in the story, and bullies from earlier Izzy stories also appear, as well as a couple of new bullies. This time around, Izzy is mired in a family drama with serious dimensions. But there is also humor and a huge dose of authentic Fifties nostalgia. 

You will enjoy the read, and so will your grandchildren. 

When I thought the book was finished, I did the same thing I had done when I thought Price of Passage was finished. I took it to Christine DeSmet. 

Christine DeSmet

In the most respectful and encouraging way, she took it apart—chapter by chapter, paragraph by paragraph, line by line—and helped me see what was working and what was not. We found enough needed improvements to make the book five hundred percent better than it had been. 

Nobody can do this like Christine. She has a gift and a calling.

The next step was to expose it to the target audience. Though written for ALL readers, Izzy Stirkes Gold! will be classified as a middle grade novel, merely so the booksellers know what shelf to put it on! It’s unlikely the book will appear on many bookstore shelves. Most of its sales will be online or direct from author to reader at book fairs and craft shows. But the need to categorize persists. 

In the publishing world, if your protagonist is twelve years old, you have written a middle grade novel. It’s that simple. Many such books provide enjoyment and edification to full-grown adults, but no matter; they are still middle grade books.

That experience alone was worth the whole effort. I found out what eager learners those kids are, and how they identified with a boy much like them but living in The World of Sixty-Five Years Ago. We had a fabulous time, and they affirmed for me that Izzy Strikes Gold! brings the reader some of the same longings and frustrations I knew as a boy.

By then I had begun a wide-ranging search for an agent or publisher to help me make the manuscript into a book. 

A few weeks ago, I began conversations with Kira Henschel, a very experienced publisher with a catalog of books by wonderful authors. 

As a result, I am now to be one of the wonderful authors in her catalog. This blessed event will occur about halfway through 2024. 

Don’t worry, Dear Reader; I’ll keep you informed. 

When the book comes out, do yourself and your grandkids a big favor: Buy it!

Blessings,

Larry F. Sommers

Your New Favorite Writer

Book ’em, Dano.

Here’s a small story of the publishing world. It includes hope and anguish, heroism and tragedy. If you read to the end you may be touched, as I have been, by the goodness that surfaces from time to time in human affairs.

In December 2020, mystery writer G.P. Gottlieb sent word to book coach Christine DeSmet that Dan Willis of DX Varos Publishing, Inc., would be open to new submissions in January. Noting that historicals were among the genres Dan published, Christine passed the information on to me.

I sent a query, and Dan asked to read my shiny new manuscript, Freedom’s Purchase. Trembling with hope, I sent him the file. After only a few weeks, he replied:

Dan Willis

Hi Larry,
Thank you for the opportunity to consider to consider your manuscript for Freedom’s Purchase. 

I’m afraid I’m going to take a pass on this one. The plot as described in the query had not begun to develop in the first 50 pages, and I frankly lost interest in the story at that point. You might want to consider rearranging some of your chapters, assumed the escaped slave story did eventually materialize, and have it interspersed with the character/scene development that was all at the beginning. 

Best luck to you! 

Daniel Willis, Publisher D. X. Varos, Ltd. 

Sigh. Another rejection, par for the course. 

But this was the best kind of rejection—a personal note telling me what was wrong. Combining it with one received from another publishing house and triangulating: BAM! I achieved a sudden blinding insight.

I spent a year rebuilding my book from the ground up, gave it a new title—The Maelstrom—and asked Dan to read the new version. He agreed to read it and then agreed to publish it. 

So on August 23, 2022, I became the author of a published novel, now titled Price of Passage. This is the proudest accomplishment of my life, after my daughter and grandchildren.

Think of my world as a great room in which nervous writers shuffle about, bumping into one another, smoking endless cigarettes (real or metaphorical), while riffling the smudged and bruised pages of manuscripts that are getting old. The vast floor of that room, Dear Reader, is knee-deep in jagged shards, the remains of shattered dreams.

My book, Price of Passage, would be among those dead fragments of once-bright literature, had not Galit Gottlieb shared key information; had not Christine DeSmet passed that information along; and, especially, had not Dan Willis agreed to read my manuscript—twice!—finding, on the second read, some of the value I had struggled so long and hard to put there. 

That’s exactly how gritty and how personal the book publishing business is. 

Nearly a year has elapsed since my book was launched. Dan Willis has been my partner in the tough job of selling books. Neither of us is flush with money for advertising. Both of us have struggled, persistently. Dan has been in this struggle not only with me but with about thirty other authors DX Varos publishes.

Dan Willis died July 9.

R*I*P

Dano died of natural causes. He was a comparatively young man, I don’t know how old exactly, but he had not been healthy for some time.

His demise has thrown the future of DX Varos Publishing, Inc., and the future prospects of more than fifty books, by about thirty authors, into uncertainty. That’s because DX Varos has been virtually a one-man operation. 

Dan’s friend Karen Morrisey, secretary and co-owner of the publishing house, is trying to sort things out. It will be a while before we know what the future holds.

What we all do know—we authors have been commiserating via Facebook and Zoom—what we all know is that we have lost a great friend and champion. 

Dano was a man of many parts. He was an accomplished genealogist with a deep and abiding interest in the royal families of Europe. He was an author, who published several works of fantasy or speculative fiction plus authoritative nonfiction works on the Romanovs, the Hapsburgs, the Windsors, and other royal lineages.

And, oh yes, he was a publisher for aspiring authors like me. In the halls of Random Penguin Publications, he would pass unnoticed. Hidden behind a water cooler. Swamped under piles of digital press releases. Perhaps relegated to the AI department. Who knows?

But at little DX Varos, in Denver, Colorado, Dano was a giant. 

Dan didn’t make money as a publisher. He always had to supplement his income with a day job.  But he discovered authors, gave them a chance to shine, and brought out a lot of worthwhile books that otherwise would have been just the fragments of shattered dreams.

Dano hawking his wares at a book fair.

His contract was simple, clean, and unambiguous. He responded promptly to emails and was, according to all his authors, a delight to work with. Amid financial and business pressures that must have been gigantic, Dano always found time to pay attention to our questions and concerns. And he was an important part of the volunteer machinery of the Colorado Independent Publishers Association. 

We are finding out that Dan, fearing his life might be cut short, had taken special care to set up his files and busines operations in an orderly way so that Karen, his executor and successor at the helm of the publishing company, will have a fighting chance to keep it going, sell it advantageously, or wind up its affairs in a sound way.

We mourn the loss of a wise and patient man who helped us all navigate the problematic world of book publishing. 

The Big Five publishers—the ones we all wish would look at our books—have their own way of doing things. A profit-oriented way.

I kind of like Dano’s publishing model.

He will be missed.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Same Old Soapbox

Simple Steps to Literary Lionhood, A Retrospect

At age seventy, I abandoned myself to the literary craving and became a full-time writer.

That was in January 2016. 

During an apprenticeship marked by small successes, the possibility of “doing a blog” was often brought to my attention.

The notion was preposterous. It would suck up all my time, leaving me none for serious writing. Besides, how could I ever think up enough new content? 

Every fiber of me railed against it, but in April 2019 I started this blog. In the process, I conferred on myself the title: “Your New Favorite Writer.” Well, if I didn’t do it, who would?

That was over four years ago. I have posted about a thousand words almost every week since then. It does take a lot of time, about a day a week. But on the other days I have still gotten some serious writing done. 

Besides, I have made an interesting discovery:  The blog itself is serious writing. 

“Be that as it may, O New Favorite Writer—how do you balance such unequal tasks as posting a blog and writing the Great American Novel?” 

The answer, Dear Reader, is that it’s all of a piece. (And thank you for asking.)

It’s All One Thing

Sherman

When I say “all of a piece,” I mean the writing life cannot be forced into small, separate pigeonholes—or narrow silos, if you prefer a farm metaphor. It is not that you must move your book forward at the expense of your blog. It is not that you must spend all your time writing, to the exclusion of reading what others have written. It is not that you must devote yourself only to the art of narrative and pay no attention to sales, trade, and the soil of commerce. 

No, Gentle Reader. You must do it all at once. 

General Sherman said, “War is cruelty, and you cannot refine it.” Your New Favorite Writer says: “Writing is a mess, and you cannot parse it.”

Lionhood

Lion. Photo by Kevin Pluck, licensed under CC BY 2.0.

About the time I started this blog, it dawned on me that to be a serious writer you must become a Literary Lion, and you dare not put that off until your first Nobel Prize. If you are to have any chance at all, you have to jump into the Literary Lion business right away. 

Armed with this stunning insight, I posted a series titled “Six Simple Steps to Literary Lionhood.” The six steps are:

  • 1. Cut the line. Skip straight to literary lionhood.
  • 2. Write.
  • 3. Get feedback.
  • 4. Associate.
  • 5. Submit.
  • 6. (Develop Your) Platform.

When I wrote six pieces, one a week for six weeks, about these six steps, I continually warned readers that “simple” does not mean “easy.” Each step is simple. But you have to do them all together, continuously. If they were easy, everybody would be Stephen King.

Some time later, I was compelled to revisit my six simple steps several times to enlarge or clarify, based on my new experiences. But in the main, the six steps have held up well.

Proof of the Pudding

It seems to be a law of language that common sayings and nostrums get simplified over time. One example has to do with proof and pudding. People today commonly say, “The proof is in the pudding.” That’s an interesting saying, but in isolation, rather mystifying. Why should proof be in pudding? Why conceal evidence in pudding?

Listen, Fair Reader: Your New Favorite Writer is old enough to remember when the saying was used in its original form: “The proof of the pudding is in the eating.” Ah! Clarity. If you want to know how good the pudding is, eat it. The eating will tell you what you want to know. 

I offer my journey as proof of the pudding of achieving Literary Lionhood in Six Simple Steps. 

I have been on the loose in the literary world for slightly longer than seven years. During that time, besides establishing and tending this blog (“One of the best writer’s blogs on the planet,” according to Laurie Scheer), I have:

  • Had a dog story published by Fetch! magazine.
  • Had three short stories published by The Saturday Evening Post.
  • Had my debut historical novel, Price of Passage, published by DX Varos Publishing, under a traditional, royalty-and-advance author’s contract. 
  • Completed a middle grade novel, Izzy Strikes Gold!, currently seeking representation and publication.
  • Begun a World War II historical.

But that’s not all. Besides these obvious milestones, I have been busy associating. I have attended six or seven writing conferences. I am a member of the Wisconsin Writers Association, the Chicago Writers Association, and the Authors Guild. I am de facto leader of two small but important writers’ mutual critique groups in my home town.

Selling books at Literatus in Watertown.

The moment you sign a book contract you become a salesman. So I am learning about that. I visit bookstores and ask them to stock my book. I do author events from time to time—signing and selling fests, where the books are purchased one by one after actual conversations with readers. I am scheduled as the featured speaker at a couple of events in the near future. And, with the help of publicist Valerie Biel I am learning how to sell books through Facebook advertising. 

I have become a fixture at my local public library, regularly reserving and carrying home more books than I have time to read. Stacks of books—all kinds of books—litter every horizontal surface of my home. I read as much of this conveyor-belt feast as I can manage.

And a lot of great books are being published by folks who have become personal friends of mine—Nick Chiarkas, author of the excellent, heart-filled New York gang novels Weepers and Nunzio’s WayGregory Lee Renz, whose debut firehouse novel Beneath the Flames delighted critics and book buyers alike; Christine DeSmet, author of the Fudge Shop Mysteries series; Kristin A. Oakley, author of Carpe Diem IllinoisGod on Mayhem Street, and the forthcoming The Devil Particle—and many others. 

Me, Me, Me

This is all about me. Does it sound like boasting? 

So be it. But my purpose, Gracious Reader, is to show how all these activities lean in on one another. A writer’s life comprises all of them, and more. If it’s just one thing—or two, or three—it will not sustain itself. It will not endure.

And what is success? Like beauty, it’s in the eye of the beholder. If literary success is measured in dollars, I am, to date, a miserable failure. But if personal satisfaction may be considered, the past seven years have made me a wealthy man

The proof of my pudding is in living the dream. You can quote me on that.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Writing a Historical Novel

Dear Reader: This is a Friday Reprise of material originally posted on 28 May 2019. It’s amusing to read it now, because when this was written, I thought the book was done. I had no idea! At any rate, hope you enjoy the retrospective.

Three and a half years ago, in January 2016, I retired from other pursuits so I could try to write fictional stories that other people would like to read. 

Coastal village in Norway. “Enligt AB Flygtrafik Bengtsfors: ‘Havstenssund’.” by G. AB Flygtrafik Bengtsfors / Bohusläns museum is licensed under CC BY-NC-ND 4.0 

After a few small success with short stories, I got the idea to write a historical novel based on my ancestors Anders Gunstensen and Maria Nybro, who came to Illinois from Norway in the 1850s. We had scant information about their lives—a few dates,  places, and milestones—not much more. Not enough real knowledge to support a detailed, book-length factual account of their lives—even if I had wanted to write one. But what I actually wanted was to use the bare facts as a framework on which to hang a made-up story, through which we might discover the world in which they lived.

I spent more than six months on the trail of Anders and Maria. I struggled to imagine a plot around the known and unearthed events of their lives that would make a good fictional story, yet would not much distort the known facts. At last, early in 2017, I began to write text. 

Me writing.

The first draft of this novel, Freedom’s Purchase, took more than a year to write, at a steady rate of 1,500 to 2,000 words per week.This time also included research “on the fly” to support the detailed demands of particular scenes in the story.

My writing process is iterative. Contrary to what many great writers recommend, I invest a lot of time and effort, while laying down the first draft, in simultaneously revising passages already written. So by June 2018, when I finished the “first draft” of the novel, it was really anywhere between a fifth and a fifteenth draft, depending which part of the book you’re looking at. 

I loved my book so much that I started to query agents, seeking a traditional publication contract. After nine months, I felt a bit stymied. At the UW-Madison Writers’ Institute in April 2019, I asked Laurie Scheer about this. She said, “How many agents have you queried so far?” I said, “Thirty or forty.” She guffawed. “Try three hundred!” she said. 

Discouraged? On the contrary, I found myself reassured. The problem was not necessarily with my book; only that the literary market is tough to crack. However, that very reassurance gave me the freedom to consider the niggling little thought that if the manuscript itself were a bit better, that would make it easier for agents to see its merit. Perhaps a hundred fifty queries would be enough to do the trick!

My other friend in the UW Writers’ program, Christine DeSmet, read my first ten pages—the most important part of any book for making a first impression—and gave me very useful feedback. Her comments showed me how I could make the first chapter not a little better—rather, a whole lot better. So I did. But Christine also recommended dissecting the whole book scene by scene, then improving each scene as needed. I blanched at the thought. I decided to do it anyway.

Toward a Smashing Second Draft

I spent the whole next month just reading my book. I analyzed 159 separate scenes; I wrote down the overall purpose of each scene, its setting, its characters, their goals, their conflicts, the resolution of those conflicts, and the particular moments of dramatic change. This yielded an analytical document 54 pages long.

So now, I revisit each scene to fix the problems that have shown themselves through this process of analysis. A huge task. Yet, not enough.

After I work my way through a chapter of scenes, I do the next step, suggested by another friend, Tracey Gemmell, author of More or Less Annie, and other members of my Tuesday evening writers’ group. In Microsoft Word, I search for every “ly” in the chapter (many of these turn out to be adverbs); for every “ing” (present progressives, present participles, gerunds); for every “and,” “or,” and “but” (conjunctions); for every “is,” “are,”  “was,” and “were” (verbs of being); for every “saw,” “heard,” “knew,” “felt,” “smelled,” and “tasted” (“filter” words). Then, I re-read the chapter in search of introductory time phrases or other introductory adverbial constructions. 

That step is a lot of work, too.

Not that there is anything wrong with adverbs, a progressive verbs, passive constructions, conjunctions, or introductory adverbial expressions. All those things have their places in effective prose. But they can become crutches that allow us to write gimpy narrative, when overused. By considering each occurrence in isolation, one often finds a more vivid and robust way—a less distanced, less stand-offish way—to say what one meant to say. If you change even a quarter of those expressions to more powerful constructions, it’s worth the effort. 

By the end of this process, I’ll have a book more worthy of readers’ time and attention. And, perhaps, a traditional publishing contract.

Stay tuned, dear readers.  

Larry F. Sommers, Your New Favorite Author

Author of Price of Passage—A Tale of Immigration and Liberation.

Price of Passage

Norwegian Farmers and Fugitive Slaves in Pre-Civil War Illinois

(History is not what you thought!)

Storming the Heights

Success in any endeavor is defined by the doing. The act of doing. The skill in doing. The manner of doing. The time and place of doing. 

A literary lion. Photo by Kevin Pluck, licensed under CC BY 2.0.

Most of all: the dedication and constancy with which the thing is done.

Seven years ago, I set out to become a serious writer. 

I had retired once and then retired again. By January 2016, I was free to do what I had always wanted to do: Write. 

Hardly knowing what I was about, I had set my course to become a Literary Lion. 

(Gentle Reader, you may have heard me sing this song before, but it’s worth a reprise in a different key, if only to get newcomers up to speed.)

How to Build on Small Victories? 

In 2016, Fetch! magazine published (and paid for) a whimsical essay I wrote about our old Siberian husky. In the same year, and again in 2017 and 2018, the Saturday Evening Post web-published three of my short stories about Izzy Mahler, a boy growing up in the 1950s. Light reading, yes—but chosen for publication over hundreds of competing submissions.

I began to think of a big historical novel based on my great-great-grandparents who emigrated from Norway in the 1850s. By early 2017 I was ready to start writing chapters. 

It takes perseverance to write a novel. How could I sustain my purpose through this lonely quest?

Some writers may thrive as solitary artists, scratching out stories by midnight oil in a Gothic mansion, or under a gray mansard in some bohemian arrondissement of Paris. But I am not one of them. I can’t work in a vacuum. I need the stimulation of other minds and the encouragement of those farther along the path. 

Parisian mansards by Gustave Caillebotte (1848-1894). Public Domain.

The University of Wisconsin Continuing Studies Writing Program, now defunct, was then in fullest flower. I attended its writers’ conferences in 2016, 2018, and 2019. At such events you can learn craft. 

You learn about marketing. You befriend others who, whatever their topic or genre, share a great obsession with you. They are writers. You have found your tribe. 

I also joined two smaller groups, mutual critique groups. With regular meetings in a more intimate setting, members of such a group read and critique one another’s material. You learn how your work strikes readers. You learn what works and what doesn’t. And again, you form friendships.

To Blog or Not to Blog: That is the Question

In our critique sessions, we sometimes discussed marketing. Most writers love writing—or, at least, feel compelled to write. We tend to approach marketing, however, with loathing and trepidation.

Yet, marketing is unavoidable. You want people to read your work. That means it must find publication. And, once published, it must find its audience. 

Bennett Cerf. Public Domain

No fairy godmother—no genie with the gentle smile of Bennett Cerf plus angel wings and a magic wand—is going to swoop down, pluck your manuscript from obscurity, and add it to the Modern Library. You, the writer, having gone to the trouble of filling the pond with water, must also round up the horses, bring them to the pond’s margin, and cause them to drink. 

We have little clue how to do this. But the notion that gnaws at our hearts is that social media equals marketing. To a geezer like me, that concept represented a dreadful imposition. Once I set foot on the slippery path of social media, how many hours of writing time would be devoured by constant, compulsive tweets, posts, and links?

Of all web-based avenues, blogging seemed the wisest, if only because it was a longer form. What could I say, worth saying, in 140 characters? Or even 280? It seemed I would need to invest a day or two each week to write a blog post that anybody would want to read. 

But how would I come up with topics? And even if I found things to blog about, why do it at all? How would this help me sell my REAL writing—my great American novel

In our Tuesdays With Story writing group, Jerry Peterson, a great mentor, said something I did not expect. “If you think you’d like to blog, you could give it a try,” he said. “And consider that blog posts are one part of your writing—not just a gimmick to sell your other writing.” 

So I plunged into the blogging world on April 12, 2019.

Clarity

I had little idea what blogging could do for me. 

One thing it did immediately was to impose a clarity that had been lacking before. 

My friend Dan Blank is an apostle of clarity. He uses a simple exercise with index cards, which he calls “Clarity Cards.” He urges creators to assess their goals and purposes at frequent intervals to gain clarity on their main channels of endeavor. It is, as billed, a clarifying thing to do.

Just to design the front end of a WordPress blog site, I needed to clarify my thoughts about what I am trying to do as a writer. I knew it was all tangled up with the past, since I always want to write historical fiction. 

I had a sense that history is not just dead events, inexorably receding on the conveyor belt of time.  History, though consigned to the past, also lives in the present. We live in the midst of history. We never get clear of our history. 

T.S. Eliot wrote a brilliant definition of what I want to do:

T.S. Eliot. Photo by Lady Ottoline Morrell. Public Domain.
We shall not cease from exploration
And the end of all our exploring 
Will be to arrive where we started 
And know the place for the first time.                                                                                                                        —from “Little Gidding”

I want to take readers into the past with me so that we may return having learned something that helps us be ourselves in the present.

So I came up with the title “Reflections” for my blog—because it’s a reflective endeavor—and the slug line “seeking fresh meanings in our common past.”

We all have individual histories, but there is also a collective past—a background we all own together. The more fully we know this, the more human we will be. 

Dedication and Constancy

Since beginning this blog in 2019, I have published my debut historical novel, Price of Passage. Diane Donovan, senior reviewer for Midwest Book Review, called it “just the ticket for an absorbing tale of evolution and enlightenment.”

I have completed a middle grade historical novel, Izzy Strikes Gold!, and have begun querying agents on its behalf. When I read it aloud recently to the members of my grandson’s fifth-grade class, they were engaged and asked lots of questions. 

I am now writing early chapters of a Word War II historical novel (for adults), as yet untitled, about two brothers with an intense rivalry. My writing coach, Christine DeSmet, Distinguished Faculty Associate, UW-Madison Continuing Studies, thinks my plot outline has enough substance to support a good book. 

And oh, by the way, I have added 193 posts to the blog, for a total of about 200,000 words. You are reading post number 194. My fear of not having enough material proved groundless. It turns out the more you write, the more you can write.  

Laurie Scheer, former director, UW-Madison Writers’ Institute 2010-2021 and co-founder, New Nature Writers, has called it “one of the best writer’s blogs on the planet.” And Christine DeSmet agrees, saying, “Sign up, people! It’s an amazing blog.”

So Jerry Peterson was right. This little endeavor, far from being a sales gimmick, has turned out to be a worthy endeavor of its own. For this reason I have begun to publicize Laurie’s and Christine’s kind comments about this blog. That publicity has gained the blog some readers.

But know, Kind Reader, that you are still among a select few. In a good week, my blog is read by a hundred readers, many of them repeat customers. EVERYBODY ELSE IN THE WORLD does not know what they’re missing.

About the “Reflections” Blog

If you’re new to this blog, you may wish to sample a few previous posts. You can navigate there using the “Search . . .” box at upper right, or via the ARCHIVES, organized by month, farther down the right-hand menu.  

The posts are not all of one kind. 

  • Some, like this one, speak of my writing journey.
  • Some address writers’ concerns more generally, such as “Six Simple Steps to Literary Lionhood.”
  • Many are family stories, or personal recollections of the past, like “Life on the Vermilion.”
  • Some focus on traditional historical content, for example “General Grant.”
  • Some are literary, for example my very popular review of Where the Crawdads Sing.
  • There are some writing samples, like the short story “Encounters With Monsters” and the poem “Blood Quarrel.”
  • Some can only be called general commentary on our times. These are not exactly political, but they may raise political topics or questions, as in “No. We’re Not.” 
  • A few are overtly religious, such as “A Meditation.”
  • Some few posts expose the haps and occasional mishaps of my old friend Milo Bung, a third cousin of Slats Grobnik and direct descendant of Æthelred the Unready.
  • Numerous others, no doubt, elude easy classification.

If, starting today, you went through the archive month by month and read one post a day, you would be up to date in less than a year. Now, that would be dedication!

I hope you enjoy these posts. If you do, spread the word. And buy Price of Passage. Thank you kindly.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Author of Price of Passage: A Tale of Immigration and Liberation

Price of Passage

Norwegian Farmers and Fugitive Slaves in Pre-Civil War Illinois

(History is not what you thought!)

Mountain Climbing

I started to climb a mountain, but I did not know how high it was. 

Denali. National Park Service photo by Albert Herring. Public Domain.

I wrote a story when I was in third grade. I’ve always been good at words, at ease with grammar, fascinated by the process of converting thoughts into sentences.

When young I thought it would be swell to be a writer. I made a few attempts at writing novels and short stories, but do you know what? 

It was too hard. I moved on to something else.

Besides, there was life to be lived. There was a war. There was college. There was marriage. There was a child. There were dogs—an endless parade of dogs, down to the present day.

At length, I ran out of excuses.

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I began to look again at writing a novel. I’m a talented writer. How hard could it be?

At first it was great fun, tramping steadily uphill, writing page after page, chapter after chapter. 

Then, it was challenging—revising, rewriting, and refining those early drafts. 

I finished the book and rejoiced. That hadn’t been so hard after all. The mountain was only a hill. 

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But I wanted it published. I wanted a traditional, royalty-paying publication contract from a traditional, royalty-paying publisher. How hard could it be? 

I sent it to agents. I sent it to independent publishers.

No agents responded. One independent publisher offered a contract; but it was a poor contract, and the publisher’s emails put me off. I turned it down.

Two more publishers agreed to read my full manuscript. Both of them sent back polite rejections, each with two or three sentences of what was wrong with the book. Triangulating their comments, I achieved a sudden, shattering insight. 

My book was not good enough. 

The mountain was higher than I thought.

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I could see a way the book might be improved to meet the objections of the two publishers who had given me comments. But it would require another year or more of work, because the story had to be completely rewritten, turned inside out, major sections added and formerly important material subtracted.

I was not sure I could do it. An angel (Christine DeSmet) whispered in my ear, “Yes, you can.”

A year later, Dan Willis of DX Varos Publishing bought a vastly improved book.

Finally, it was good enough.

The mountain had been higher than I thought.

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Why do I tell you this?

Because I learned a lesson, and it is one you might take to heart, whatever personal challenge it is that you are facing. 

The work needs to be really good. You must reach down deep inside yourself and use all your resources. The mountain you must climb is higher, and more difficult, than you could have imagined when you started out.

But the thrill of achievement when you reach the summit is worth every bit of effort and courage that it took. 

Immediately, you are given another mountain to climb: A mountain of publicity and recognition. A mountain of public indifference that must be overcome. 

If the first mountain was worth the climb, so the second mountain will be also.

But higher. 

You will never get to the top if you don’t start.

Blessings,

Larry F. Sommers

Your New Favorite Writer

Update on The Maelstrom

Update on the update: SINCE THIS POST WAS PUBLISHED, THE TITLE HAS BEEN CHANGED TO PRICE OF PASSAGE. THE BOOK HAS BEEN PUBLISHED AND IS AVAILABLE THROUGH DX VAROS PUBLISHING. SEE BELOW.

Photo by Timothy Eberly on Unsplash

On July 20 in this space I mentioned the new direction taken in revision of my historical novel, formerly titled Freedom’s Purchase, now titled The Maelstrom.

I am happy to report that extensive revisions have been made, based on very helpful feedback by championship-level book coach Christine DeSmet. As a result, it’s a much more compelling and exciting book. Many thanks to Christine, a noted author and a great personal friend of mine for many years.

I am now polishing the polish, and before long the book will be again making the rounds to agents and publishers. I’m quite confident we’ll get a good publishing contract this time around. 

So have patience! Before long, you’ll get to read the stories of Norwegian immigrants Anders and Maria, and Daniel the slave, in 19th-century America.

Blessings,

Larry F. Sommers, Your New Favorite Writer

Author of Price of Passage—A Tale of Immigration and Liberation.

Price of Passage

Norwegian Farmers and Fugitive Slaves in Pre-Civil War Illinois

(History is not what you thought!)

The Maelstrom

A lot can change in a few weeks.

Just over a month ago, I announced in this space that I was laying aside my historical novel Freedom’s Purchase for an indefinite time because of difficulty in reconciling two diverging story lines.

Soon after, I heard from my friend and champion Christine, who made a compelling case that it was possible to write a successful novel including this bifurcated plot. I took a deep breath, tried again, and lo! The successful rewrite is now complete. I am extremely satisfied.

I won’t tell you, Dear Reader, exactly what changes I made in the manuscript. I will tell you that it’s now a much more compelling read than the manuscript I was trying to sell as recently as a year ago. Some work remains to polish it, but I hope to begin marketing again in the near future. 

What I can tell you is that is has a new title: The Maelstrom. And it is still the story of a Norwegian couple making their way in 1850s America and an African American slave in the deep South struggling for freedom and meaning.

Photo by Timothy Eberly on Unsplash

Thanks for your patience. I heard recently the average time an author takes to complete a first novel is five years. So I’m right on schedule.

Note: Since this post was written, the book has found a publisher, undergone another title changed, and been published. You may buy it using the green button below.

Blessings,

Larry F. Sommers, Your New Favorite Writer

Author of Price of Passage—A Tale of Immigration and Liberation.

Price of Passage

Norwegian Farmers and Fugitive Slaves in Pre-Civil War Illinois

(History is not what you thought!)